Log24

Wednesday, June 22, 2011

A Flag for Sunrise

Filed under: General — m759 @ 5:48 am

Thomas N. Armstrong III, a former director of the Whitney Museum of American Art, died at 78 on Monday in Manhattan.

William Grimes in this morning's New York Times—

"… Mr. Armstrong set about strengthening the museum’s permanent collection, buying Frank Stella’s 1959 black painting “Die Fahne Hoch!” for $75,000 in 1977…."

See also "Fahne Hoch" in this journal and the following from the date of Armstrong's death—

http://www.log24.com/log/pix11A/110622-SearchForInvariants110620Sm.jpg

"Sunrise — Hast thou a Flag for me?" — Emily Dickinson

Related material: Piracy Project and, from Flag Day,
"Dawn's Early Light" and "Expressionistic Depth."

Monday, June 3, 2024

Review

Filed under: General — m759 @ 9:31 am
 

Excerpt from a Log24 post of May 2, 2003

Though truth may be very hard to find in the pages of most books, the page numbers are generally reliable. This leads to the following Zen meditations.

From a review of the film “The Terminator”:

Some like to see Sarah as a sort of Mother of God, and her son as the saviour in a holy context. John Connor, J.C. , but these initials are also those of the director, so make up your own mind.
— http://www.geocities.com/
   hackettweb2/terminator.html

From a journal note on religion, science, and the meaning of life written in 1998 on the day after Sinatra died and the Pennsylvania lottery number came up “256”:

“What is 256  about?”
— S. H. Cullinane

From Michael Crichton’s Rising Sun
(Ballantine paperback, 1993) —

John Connor (aka J. C.) offers the following metaphysical comment on the page number that appears above his words (256):

“It seems to be.”
“Is your investigation finished?”
“For all practical purposes, yes,” Connor said.

Connor is correct. The number 256 does indeed seem  to be, and indeed it seemed to be again only yesterday evening, when the Pennsylvania lottery again made a metaphysical statement.

Our Zen meditation on the trustworthiness of page numbers concludes with another passage from Rising Sun, this time on page 373:

Connor sighed.
“The clock isn’t moving.”

Here J. C. offers another trenchant comment on his current page number.

The metaphysical significance of 373, “the eternal in the temporal,” is also discussed in the Buddhist classic A Flag for Sunrise, by Robert Stone (Knopf hardcover, 1981) … on, of course, page 373.

Related graphic art —

The image “http://www.log24.com/log/pix06B/061122-TimeEternity.gif” cannot be displayed, because it contains errors.

This is from a Log24 search, "Windmill + Diamond."

Saturday, October 14, 2023

Review

Filed under: General — Tags: , — m759 @ 2:47 pm
 

Robert Stone
A Flag for Sunrise :

" 'That old Jew gave me this here.'  Egan looked at the diamond.  'I ain't giving this to you, understand?  The old man gave it to me for my boy.  It's worth a whole lot of money– you can tell that just by looking– but it means something, I think.  It's got a meaning, like.'

'Let's see,' Egan said, 'what would it mean?'  He took hold of Pablo's hand cupping the stone and held his own hand under it.  '"The jewel is in the lotus," perhaps that's what it means.  The eternal in the temporal.  The Boddhisattva declining nirvana out of compassion.   Contemplating the ignorance of you and me, eh?  That's a metaphor of our Buddhist friends.'

Pablo's eyes glazed over.  'Holy shit,' he said.  'Santa Maria.'  He stared at the diamond in his palm with passion.

'Hey,' he said to the priest, 'diamonds are forever!  You heard of that, right?  That means something, don't it?'

'I have heard it,' Egan said.  'Perhaps it has a religious meaning.' "
 


"We symbolize logical necessity
with the box (box.gif (75 bytes))
and logical possibility
with the diamond (diamond.gif (82 bytes))."

— Keith Allen Korcz


Tuesday, May 30, 2017

Diamond Bits

Filed under: General — Tags: — m759 @ 1:21 pm

Or:  Putting the Pinter in Pinterest

From "A Poem for Pinter"

Log24 on Oct. 13, 2005

The Guardian on Harold Pinter, winner of this year's Nobel Prize for Literature:

"Earlier this year, he announced his decision to retire from playwriting in favour of poetry,"

Michael Muskal in today's Los Angeles Times:

"Pinter, 75, is known for his sparse and thin style as well as his etched characters whose crystal patter cuts through the mood like diamond drill bits."

Robert Stone, A Flag for Sunrise  (See Jan. 25):

"'That old Jew gave me this here.'  Egan looked at the diamond….  'It's worth a whole lot of money– you can tell that just by looking– but it means something, I think.  It's got a meaning, like.'

'Let's see,' Egan said, 'what would it mean?'  He took hold of Pablo's hand cupping the stone and held his own hand under it.  '"The jewel is in the lotus," perhaps that's what it means.  The eternal in the temporal….'"

See as well an image in a link target from today's noon post —

Sunday, March 16, 2014

Old Jew

Filed under: General — m759 @ 2:25 pm

See also Blockheads (esp. today’s 2 PM post) and
“That old Jew gave me this here.”

IMAGE- 'A Flag for Sunrise,' by Robert Stone, p. 373

Tuesday, May 15, 2012

Midnight in Paris

Filed under: General — m759 @ 6:00 pm

Six PM EDT is midnight in Paris.

Así Que Pasen Cinco Años

Theater review from The Guardian—

" 'Impossible' was how the Spanish playwright
Lorca described his own 1931 'legend of time
in three acts and five scenes,' which draws
strongly on the surrealist influences and experiments
of his close friends Salvador Dali and Luis Buñuel."

Related material—

This afternoon's previous post Murió Fuentes  and,
from this date five years ago…

A Flag for Sunrise and Jerry Falwell Dies.

Tuesday, August 16, 2011

Harrowing (continued)

Filed under: General — m759 @ 12:00 pm

Theology in 'A Flag for Sunrise'

There is an unwarranted leap here
from "suggests" to "knowledge."

See Under the Volcano  and "harrowing" in this journal.

Friday, April 29, 2011

Times Square Church

Filed under: General — m759 @ 11:11 pm

"For Mr. Lumet, location mattered deeply."

— April 9th online New York Times

"That old Jew gave me this here."

— A Flag for Sunrise

http://www.log24.com/log/pix11A/110428-ExhibitB.gif

http://www.log24.com/log/pix11A/110429-NYTobits1031PM-Thumb.jpg

Larger image (1.5 MB)

Wednesday, October 6, 2010

The Rising…

Filed under: General — Tags: — m759 @ 11:00 am

Notes on Mathematics and Narrative, continued

"the Citizen Kane of horror films"
— Sarah Lawless quoting other reviews
in Saga of the Wicker Man,
cited here on September 7

"Frivolous as a willow on a tombstone"
— Robert Stone on "our secret culture" in A Flag for Sunrise

http://www.log24.com/log/pix10B/101006-WickerMan.jpg

"world's wildfire, leave but ash"
— Gerard Manley Hopkins, S.J.,
quoted here on October 4

Happy birthday, Britt.

Sunday, May 30, 2010

Today’s Sermon

Filed under: General — m759 @ 6:06 am

Image- Google Book Search results for Robert Stone's 'A Flag for Sunrise' plus 'our secret culture'

Saturday, March 13, 2010

Ideas of Reference

Filed under: General — Tags: , — m759 @ 10:31 am

Thanks to David Lavery for the following–

http://www.log24.com/log/pix10/100313-Memorabilia.jpg

See also references in Log24 to "Hitler Plans Burning Man," as well as…

"Imagine a multidimensional spider's web…."
— Alan Watts in Wikipedia article on Indra's Net.

and

"the Burning Man Evolution of
 Spider Robinson's Cross-Time Saloon."

The paranoid schizophrenics among us might also enjoy what they may, if they like, view as a coded reference to today's date, 3/13–

Page 313 in Robert Stone's classic novel
A Flag for Sunrise  (Knopf hardcover, 1981).

Sunday, February 21, 2010

Reflections, continued

Filed under: General — Tags: — m759 @ 2:02 pm

"The eye you see him with is the same
eye with which he sees you."

– Father Egan on page 333
of Robert Stone's A Flag for Sunrise
(Knopf hardcover, 1981)

Part I– Bounded in a Nutshell

http://www.log24.com/log/pix10/100221-Neverwas2.jpg

Ian McKellen at a mental hospital's diamond-shaped window in "Neverwas"

Part II– The Royal Castle

http://www.log24.com/log/pix10/100221-Newverwas11.jpg

Ian McKellen at his royal castle's diamond-shaped window in "Neverwas"

Part III– King of Infinite Space

http://www.log24.com/log/pix10/100221-KingOfInfiniteSpace.jpg

H.S.M. Coxeter crowns himself "King of Infinite Space"

Related material:

See Coxeter in this journal.

Sunday, January 31, 2010

Unholy Scripture

Filed under: General — m759 @ 6:06 pm

From The New York Times —

4TH NIGHT FREE

NY Times 1:43 PM Jan. 28, 2010-- News of Salinger's death, with ad-- 'Only in Atlantis: 4th night free'

From this journal —

Sunday, November 5, 2006

Twilight Kingdom

“What he cannot contemplate is the reproach of

    … that final meeting
In the twilight kingdom,

when at length he may meet the eyes….”

— On “The Hollow Men”

” … unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death’s twilight kingdom”

Related readings from unholy scripture:
 

  The image “http://www.log24.com/log/pix04A/040604-Feeling.jpg” cannot be displayed, because it contains errors.

A.  The “long twilight struggle” speech of JFK

B.  “The Platters were singing ‘Each day I pray for evening just to be with you,’ and then it started to happen.  The pump turns on in ecstasy.  I closed my eyes, I held her with my eyes closed and went into her that way, that way you do, shaking all over, hearing the heel of my shoe drumming against the driver’s-side door in a spastic tattoo, thinking that I could do this even if I was dying, even if I was dying, even if I was dying; thinking also that it was information.  The pump turns on in ecstasy, the cards fall where they fall, the world never misses a beat, the queen hides, the queen is found, and it was all information.”

— Stephen King, Hearts in Atlantis, August 2000 Pocket Books paperback, page 437

C.
  “I will show you, he thought, the war for us to die in, lady.  Sully your kind suffering child’s eyes with it.  Live burials beside slow rivers.  A pile of ears for a pile of arms.  The crisps of North Vietnamese drivers chained to their burned trucks…. Why, he wondered, is she smiling at me?”

— Robert Stone, A Flag for Sunrise,  Knopf hardcover, 1981, page 299

Sunday, January 17, 2010

Welcome to the Ape Stuff

Filed under: General,Geometry — m759 @ 12:00 pm

NY Times obituary of Knox Burger,
book editor and agent, who died at 87 on January 4—

"As a magazine editor in the 1950s, Knox Burger published Kurt Vonnegut’s first short story….

During Mr. Burger’s tenure at Collier’s, a short story by Vonnegut, whom he had known slightly when both were at Cornell and who was then working in public relations for General Electric, crossed his desk. He asked for changes, which Vonnegut made, and the story, 'Report on the Barnhouse Effect,' appeared in the magazine in February 1950. It was the first published work of fiction for Vonnegut, who recounted the episode decades later….

At least half a dozen authors… honored Mr. Burger by dedicating books to him. Vonnegut, who died in 2007, did, too. His dedication of Welcome to the Monkey House, a 1968 collection of short stories that included 'Report on the Barnhouse Effect,' read:

'To Knox Burger. Ten days older than I am. He has been a very good father to me.'"

A Jesuit at the
Gerard Manley Hopkins Archive
—

"Bisociation": The Act of Creation

"Koestler’s concept of ‘bisociation’… enters into the very ‘act of creation.’ In every such act, writes Koestler, the creator ‘bisociates,’ that is, combines, two ‘matrices’– two diverse patterns of knowing or perceiving– in a new way. As each matrix carries its own images, concepts, values, and ‘codes,’ the creative person brings together– ‘bisociates’– two diverse matrices not normally connected."

– Joseph J. Feeney, S.J.

Robert Stone in A Flag for Sunrise
(Knopf hardcover, 1981)–

"The eye you see him with is the same eye with which he sees you."

– Father Egan on page 333

Pablo on page 425–

"'…You know, he told me– that old man told me– the eye you look at it with, well, that's the eye it sees you with. That's what he told me.'

Holliwell was moved to recall an experiment he had once read about; he had clipped the report of it for his class. An experimenter endeavoring to observe chimpanzee behavior had fashioned a spy hole in the door of the animals' chamber through which he might watch them unobserved. Putting his eye to it, he had seen nothing more than what he finally identified as the eye of a chimpanzee on the other side of the door. Ape stuff."

More ape stuff from a Jesuit–

"This Jack, joke, poor potsherd, patch, matchwood, immortal diamond,
                Is immortal diamond."

— Gerard Manley Hopkins,
"That Nature is a Heraclitean Fire
and of the comfort of the Resurrection
"

More ape stuff from myself–

http://www.log24.com/log/pix10/100117-TradingPlaces.jpg

Problem: Perform this transformation
by combining the sorts of permutations allowed
in the diamond puzzle. A solution: click here.

Saturday, January 16, 2010

Annals of the…

Filed under: General — m759 @ 7:20 am

American Literary Historical Society
'Spy Game'-- Redford with binoculars, Pitt with camera

Robert Redford and Brad Pitt
in "Spy Game" (2001)

James Dean rises from coffin-- Photo by Dean Stock, LIFE magazine, 1955

James Dean in LIFE, 1955.

Photo by Dennis Stock,
who died on Monday.

"The eye you see him with
is the same eye
with which he sees you."

— Father Egan on page 333
of the classic Robert Stone novel
A Flag for Sunrise
(Knopf hardcover, 1981)

Thursday, February 19, 2009

Thursday February 19, 2009

Filed under: General — Tags: — m759 @ 7:07 am

A Sunrise
for Sunrise

“If we open any tract– Plastic Art and Pure Plastic Art or The Non-Objective World, for instance– we will find that Mondrian and Malevich are not discussing canvas or pigment or graphite or any other form of matter. They are talking about Being or Mind or Spirit.  From their point of view, the grid is a staircase to the Universal, and they are not interested in what happens below in the Concrete.”

— Rosalind Krauss, “Grids”

Yesterday’s entry featured a rather simple-minded example from Krauss of how the ninefold square (said to be a symbol of Apollo)

The 3x3 grid

may be used to create a graphic design– a Greek cross, which appears also in crossword puzzles:

Crossword-puzzle design that includes Greek-cross elements

Illustration by
Paul Rand
(born Peretz Rosenbaum)

A more sophisticated example
of the ninefold square
in graphic design:

“That old Jew
gave me this here.”

— A Flag for Sunrise  

The 3x3 grid as an organizing frame for Chinese calligraphy. Example-- the character for 'sunrise'
From Paul-Rand.com

Thursday, February 12, 2009

Thursday February 12, 2009

Filed under: General — Tags: , , — m759 @ 11:11 am
Headliners

Today, many observe
the 200th anniversary
of the birth of two
noted philosophers
of death:
Charles Darwin and
Abraham Lincoln.

A fitting headline:

FAUST VIVIFIES DEATH
(Harvard Crimson ,
February 7, 2008)

Happy birthday,
Cotton Mather.

Robert Stone,
A Flag for Sunrise :

Willow on tombstone from Lachlan Cranswick's homepage in Melbourne, Australia

"Our secret culture is as frivolous as a willow on a tombstone. It's a wonderful thing– or it was. It was strong and dreadful, it was majestic and ruthless. It was a stranger to pity. And it's not for sale, ladies and gentlemen."

Saturday, January 24, 2009

Saturday January 24, 2009

Filed under: General — Tags: — m759 @ 4:12 am
Gift
 
(Click on image for details.)

Academic composer George Perle in 1999

"George Perle, a composer, author, theorist and teacher who won the Pulitzer Prize for music in 1986 and was widely considered the poetic voice of atonal composition, died on Friday [Jan. 23, 2009] at his home in Manhattan. He was 93."

— The New York Times this morning

From this journal on June 15, 2004:

 

Bergman, Totentanz from 'The Seventh Seal'

Kierkegaard on death:

"I have thought too much about death not to know that he cannot speak earnestly about death who does not know how to employ (for awakening, please note) the subtlety and all the profound waggery which lies in death.  Death is not earnest in the same way the eternal is.  To the earnestness of death belongs precisely that capacity for awakening, that resonance of a profound mockery which, detached from the thought of the eternal, is an empty and often brash jest, but together with the thought of the eternal is just what it should be, utterly different from the insipid solemness which least of all captures and holds a thought with tension like that of death."

— Works of Love,
  
Harper Torchbooks,
   1964, p. 324

For more on "the thought of the eternal," see the  discussion of the number 373 in Directions Out and Outside the World, both of 4/26/04.


See also
"That old Jew gave me this here."

Monday, December 29, 2008

Monday December 29, 2008

Filed under: General — Tags: — m759 @ 12:21 pm
The Gift
 

Plato's Diamond

Robert Stone,
A Flag for Sunrise:

"'That old Jew gave me this here.' Egan looked at the diamond. 'I ain't giving this to you, understand? The old man gave it to me for my boy. It's worth a whole lot of money– you can tell that just by looking– but it means something, I think. It's got a meaning, like.'

'Let's see,' Egan said, 'what would it mean?' He took hold of Pablo's hand cupping the stone and held his own hand under it. '"The jewel is in the lotus," perhaps that's what it means. The eternal in the temporal. The Boddhisattva declining nirvana out of compassion. Contemplating the ignorance of you and me, eh? That's a metaphor of our Buddhist friends.'

Pablo's eyes glazed over. 'Holy shit,' he said. 'Santa Maria.' He stared at the diamond in his palm with passion."

For further details, click on the diamond.

 

Related narratives:

Today's online Times on
the Saturday, Dec. 27,
death of an artist:

Robert Graham obituary, NY Times, 12/29/08

"Dale Wasserman… the playwright responsible for two Broadway hits of the 1960s, 'One Flew Over the Cuckoo’s Nest' and 'Man of La Mancha,' died on Sunday [December 21, 2008] at his home in Paradise Valley, Ariz., near Phoenix….

Mr. Wasserman wrote more than 75 scripts for television, the stage and the movies, including screenplays for 'The Vikings' (1958), a seafaring epic with Tony Curtis and Kirk Douglas, and 'A Walk With Love and Death' (1969), a John Huston film set in 14th-century Europe….

He feuded with… John Huston, who gave the lead female role in 'Walk' to his teenage daughter, Anjelica, against Mr. Wasserman's wishes. And he never attended ceremonies to receive the awards he won."

Accepting for Mr. Wasserman:
Mr. Graham's widow,
Anjelica Huston
—

Anjelica Huston and Jack Nicholson

"Well…"

Friday, November 7, 2008

Friday November 7, 2008

Filed under: General — m759 @ 7:11 am
The Getaway

Log24 on St. Luke’s Day this year:

An example of lifestyle coverage at The New York Times— a 2006 story on visual art in Mexico that included a reference to…

“Damien Hirst’s gory new series
 ‘The Death of God–
Towards a Better Understanding
of Life Without God
Aboard the Ship of Fools.’
“

For descriptions of such life, I prefer the literary art of Robert Stone– in particular, Stone’s novel A Flag for Sunrise.

Credit must be given to the Times for an excellent 1981 review of that novel.

The review’s conclusion:

“A Flag for Sunrise is
 the best novel of ideas
 I’ve read since Dostoyevsky
 escaped from Omsk.”

The author of that review, John Leonard, died Wednesday, Nov. 5. This morning’s Times has his obituary.

Saturday, October 18, 2008

Saturday October 18, 2008

Filed under: General — m759 @ 7:07 am
Allure
(continued from
July 3, 2006)

This morning’s New York Times
has an obituary for the father
of the paper’s executive editor,
Bill Keller:

NY Times obituaries Saturday, Oct. 18, 2008

For more on George Keller and on
the more colorful Levi Stubbs,
who also died on Friday,
see the Times‘s AP obituaries.

Keller’s son Bill has emphasized
what he calls the “allure” of the
Times‘s lifestyles coverage.

An example of such coverage–
a 2006 story on visual art in Mexico
that included a reference to…

“Damien Hirst’s gory new series
 ‘The Death of God–
Towards a Better Understanding
of Life Without God
Aboard the Ship of Fools.’
“

For descriptions of such life,
I prefer the literary art of
Robert Stone– in particular,
Stone’s novel
A Flag for Sunrise.

Credit must be given to
the Times for an excellent
1981 review of that novel.

(This was well before
the younger Keller
joined the Times in 1984.)

My own views on life are
less like those of either Keller
than like those of Stone and
perhaps of Levi Stubbs, the
other father figure who
died on Friday.

Related material:

“Yes, you’ll be goin’ loco
down in Acapulco,
the magic down there
 is so strong.”
— Levi Stubbs   

The Four Tops: Goin' Loco Down in Acapulco

Wednesday, April 16, 2008

Wednesday April 16, 2008

Filed under: General — Tags: , — m759 @ 10:10 am

Poetry for Physicists:
The Gates of Hell

From the obituary of physicist John Archibald Wheeler at Princeton:
 

In the fall of 1967, he was invited to give a talk…. As he spoke, he… [mentioned] something strange… what he called a gravitationally completely collapsed object. But such a phrase was a mouthful, he said, wishing aloud for a better name. "How about black hole?" someone shouted from the audience.

That was it. "I had been searching for just the right term for months, mulling it over in bed, in the bathtub, in my car, wherever I had quiet moments," he later said. "Suddenly this name seemed exactly right." He kept using the term, in lectures and on papers, and it stuck.

From Log24 last year on this date ("Happy Birthday, Benedict XVI"):
 

"Know the one about the Demiurge and the Abridgment of Hope?"

— Robert Stone, A Flag for Sunrise, Knopf, 1981, the final page, 439

From Dante, The Inferno, inscription on the gates of Hell:
 

"Abandon all hope, ye who enter."

From Psychoshop, an unfinished novel by Alfred Bester completed by Roger Zelazny:
 

His manner was all charm and grace; pure cafe society….

He purred a chuckle. "My place. If you want to come, I'll show you."

"Love to. The Luogo Nero? The Black Place?"

"That's what the locals call it. It's really Buoco Nero, the Black Hole."

"Like the Black Hole of Calcutta?"

"No. Black Hole as in astronomy. Corpse of a dead star, but also channel between this universe and its next-door neighbor."

"Here? In Rome?"

"Sure. They drift around in space until they run out of gas and come to a stop. This number happened to park here."

"How long ago?"

"No one knows," he said. "It was there six centuries before Christ, when the Etruscans took over a small town called Roma and began turning it into the capital of the world."

 

Related material:

Log24 on
narrative–

Life of the Party
(March 24, 2006),
and
'Nauts
(March 26, 2006)
 

Sunday, April 6, 2008

Sunday April 6, 2008

Filed under: General — Tags: — m759 @ 2:12 am
For Sunrise

Charlton Heston as Ben-Hur in the New York Times online obituaries, morning of April 6, 2008

Click image to enlarge.

The above tableau, from this morning's
New York Times obituary page,
suggests the following meditations:

1. "Mickey Mouse will see you dead."
   — Robert Stone, A Flag for Sunrise
 
2. "Free!"
 
3. "I graduated in Alabama,
     Alaska, Arizona…."

These three meditations are
consistent with the fable of the
mice and the lion in The Lion,
The Witch, and the Wardrobe

and with the speech of
Aslan at the conclusion of
The Narnia Chronicles:

"The term is over: the holidays
have begun. The dream is
ended: this is the morning."

The rather depressing
"Death Notices" box
that has attracted
Charlton Heston's gaze
in the online obituaries
pictured above might
be replaced as follows:

A Hexagram for Charlton Heston-- Number 35: The sun rises above the earth

The Heston classic pictured
above is, let us recall,
based on a book titled
Ben-Hur: A Tale of
the Christ
.

"I know this man!"
— Charlton Heston

Time of this entry:
2:12:35.

Monday, August 6, 2007

Monday August 6, 2007

Filed under: General — Tags: , , — m759 @ 8:00 am
The Divine Universals

"The tigers of wrath          
 are wiser than                
 the horses of instruction."

— William Blake,
Proverbs of Hell

From Shining Forth:

  The Place of the Lion, by Charles Williams, 1931, Chapter Eight:

"Besides, if this fellow were right, what harm would the Divine Universals do us? I mean, aren't the angels supposed to be rather gentle and helpful and all that?"

"You're doing what Marcellus warned you against… judging them by English pictures. All nightgowns and body and a kind of flacculent sweetness. As in cemeteries, with broken bits of marble. These are Angels– not a bit the same thing. These are the principles of the tiger and the volcano and the flaming suns of space."

 Under the Volcano, Chapter Two:

"But if you look at that sunlight there, then perhaps you'll get the answer, see, look at the way it falls through the window: what beauty can compare to that of a cantina in the early morning? Your volcanoes outside? Your stars– Ras Algethi? Antares raging south southeast? Forgive me, no." 

 A Spanish-English dictionary:

lucero m.
morning or evening star:
any bright star….
hole in a window panel
     for the admission of light….

Look at the way it
falls through the window….

— Malcolm Lowry

How art thou fallen from heaven,
O Lucifer, son of the morning!
— Isaiah 14:12

For more on Spanish
and the evening star,
see Plato, Pegasus, and
the Evening Star.

 Symmetry axes
of the square:

Symmetry axes of the square

(See Damnation Morning.)

From the cover of the
 Martin Cruz Smith novel
Stallion Gate:

Atom on cover of Stallion

"That old Jew
gave me this here."

— Dialogue from the
Robert Stone novel
A Flag for Sunrise.

Related material:

A Mass for Lucero,

Log24, Sept. 13, 2006—

Mathematics, Religion, Art

— and this morning's online
New York Times obituaries:

Cardinal Lustiger of Paris and jazz pianist Sal Mosca, New York Times obituaries on August 6, 2007

The above image contains summary obituaries for Cardinal Lustiger, Archbishop of Paris, 1981-2005, and for Sal Mosca, jazz pianist and teacher. In memory of the former, see all of the remarks preceding the image above. In memory of the latter, the remarks of a character in Martin Cruz Smith's Stallion Gate on jazz piano may have some relevance:

"I hate arguments. I'm a coward. Arguments are full of words, and each person is sure he's the only one who knows what the words mean. Each word is a basket of eels, as far as I'm concerned. Everybody gets to grab just one eel and that's his interpretation and he'll fight to the death for it…. Which is why I love music. You hit a C and it's a C and that's all it is. Like speaking clearly for the first time. Like being intelligent. Like understanding. A Mozart or an Art Tatum sits at the piano and picks out the undeniable truth."

Wednesday, May 23, 2007

Wednesday May 23, 2007

Filed under: General — m759 @ 5:15 am
Angel in the Details

See the Dickinson poem quoted here on May 15 (the date, as it happens, of Dickinson’s death) in the entry “A Flag for Sunrise.”  See also Zen and Language Games and a discussion of a detail in a Robert Stone novel.

“I dwell in Possibility –
A fairer House than Prose”

— Emily Dickinson

Tuesday, May 15, 2007

Tuesday May 15, 2007

Filed under: General — m759 @ 5:55 am
A Flag for Sunrise

The title of the Robert Stone
novel comes from Emily Dickinson:

A Wife -- at daybreak I shall be --
Sunrise -- Hast thou a Flag for me?
At Midnight, I am but a Maid,
How short it takes to make a Bride --
Then -- Midnight, I have passed from thee
Unto the East, and Victory --

Midnight -- Good Night! I hear them call,
The Angels bustle in the Hall --
Softly my Future climbs the Stair,
I fumble at my Childhood's prayer
So soon to be a Child no more --
Eternity, I'm coming -- Sire,
Savior -- I've seen the face -- before!

Friday, April 20, 2007

Friday April 20, 2007

Filed under: General — m759 @ 11:07 am
Icons

Part I

The Library of Congress
Today in History, April 20:

“American sculptor Daniel Chester French was born in Exeter, New Hampshire on April 20, 1850. His colossal seated figure of Abraham Lincoln presides over the Lincoln Memorial.

Reared in Cambridge and Concord, Massachusetts, he was embraced by members of the Transcendentalist community including Ralph Waldo Emerson. Author and fellow Concord resident Louisa May Alcott encouraged young French to pursue a career as an artist. Louisa’s sister, artist May Alcott, was his early teacher.

French studied in Boston and New York prior to receiving his first commission for the 1875 statue The Minute Man. Standing near the North Bridge in Concord, in the Minute Man National Historical Park, this work commemorates events at the North Bridge, the site of ‘the shot heard ’round the world.’ An American icon, images derivative of The Minute Man statue appeared on defense bonds, stamps, and posters during World War II.”

Part II:

Entertainment Weekly,

November 7, 2003 —

Keanu Reeves, Entertainment Weekly, Nov. 7, 2003

Part III:

Log24 on the anniversary of
Lincoln’s assassination —

Saturday, April 14, 2007  4:30 AM

The Sun Also Sets, or…

This Way to
the Egress

Continued from April 12:

“I have only come here 
seeking knowledge,
 Things they would not   
       teach me of in college….”
 
— Synchronicity
lyrics

Quoted in Log24,
Time’s Labyrinth continued:

“The sacred axe was used to kill the King. The ritual had been the same since the beginning of time. The game of chess was merely a reenactment. Why hadn’t I recognized it before?”

— Katherine Neville,
The Eight,

Ballantine reprint, 1990,


“Know the one about
the Demiurge and the
Abridgment of Hope?”

— Robert Stone,
A Flag for Sunrise,
Knopf, 1981,
the final page

Part IV:

Log24 entry of

November 7, 2003
—

Nixon's the One button

— and a
student play from
Virginia Tech:

Play by Virginia Tech student

Part V:


Symmetry
for Beavis and Butt-Head

and
The Rhetoric of Scientism:

It’s a very ancient saying,
But a true and honest thought,
That if you become a teacher,
By your pupils you’ll be taught.

— Oscar Hammerstein,
“Getting to Know You”

Monday, April 16, 2007

Monday April 16, 2007

Filed under: General — Tags: — m759 @ 4:01 pm

The Abridgment of Hope

Part I: Framework

From Log24,
Here’s Your Sign,
Aug. 8, 2002–

“Paz also mentions the Christian concept of eternity as a realm outside time, and discusses what happened to modern thought after it abandoned the concept of eternity.

Naturally, many writers have dealt with the subject of time, but it seems particularly part of the Zeitgeist now, with a new Spielberg film about precognition.  My own small experience, from last night until today, may or may not have been precognitive.  I suspect it’s the sort of thing that many people often experience, a sort of ‘So that’s what that was about’ feeling.  Traditionally, such experience has been expressed in terms of a theological framework.”

Part II: Context

From Ann Copeland,
“Faith and Fiction-Making:
The Catholic Context
“–

“Each of us is living out a once-only story which, unlike those mentioned here, has yet to reveal its ending. We live that story largely in the dark. From time to time we may try to plumb its implications, to decipher its latent design, or at least get a glimmer of how parts go together. Occasionally, a backward glance may suddenly reveal implications, an evolving pattern we had not discerned, couldn’t have when we were ‘in’ it. Ah, now I see what I was about, what I was after.”

Part III: Context Sensitivity

From Log24’s
Language Game,
Jan. 14, 2004–

Ludwig Wittgenstein,
Philosophical Investigations:

373. Grammar tells what kind of object anything is. (Theology as grammar.)

From Wikipedia—

Another definition of context-sensitive grammars defines them as formal grammars where all productions are of the form

a yields b where the length of a is less than or equal to the length of b

Such a grammar is also called a monotonic or noncontracting grammar because none of the rules decreases the size of the string that is being rewritten.

If the possibility of adding the empty string to a language is added to the strings recognized by the noncontracting grammars (which can never include the empty string) then the languages in these two definitions are identical.

 Part IV: Abridgment

“Know the one about the Demiurge and the Abridgment of Hope?”

— Robert Stone, A Flag for Sunrise, Knopf, 1981, the final page, 439

Also from Stone’s novel, quoted by Ann Copeland in the above essay:

You after all? Inside, outside, round and about. Disappearing stranger, trickster. Christ, she thought, so far. Far from where?

But why always so far?

“Por qué?” she asked. There was a guy yelling.

Always so far away. You. Always so hard on the kid here, making me be me right down the line. You old destiny. You of Jacob, you of Isaac, of Esau.

Let it be you after all. Whose after all I am. For whom I was nailed.

So she said to Campos: “Behold the handmaid of the Lord.” (416)

Saturday, April 14, 2007

Saturday April 14, 2007

Filed under: General — m759 @ 10:31 pm
Entertainment Tonight

“What is the spirit of the bayonet?”

— United States Army
training question, 1964

A partial answer
in two parts:

Part I —

Another question —

“Know the one about
the Demiurge and the
Abridgment of Hope?”

— Robert Stone,
A Flag for Sunrise,
Knopf, 1981,
the final page, 439,
cited by page number
here this morning


Part II —

The image “http://www.log24.com/log07/saved/070414-PAlottery.jpg” cannot be displayed, because it contains errors.

Today’s numbers, in
this morning’s context,
strongly suggest
a look at
A Flag for Sunrise,
by Robert Stone,
Knopf, 1981,

page 431,
and at
Hexagram 34,

The Power of the Great,
in the context of a
Log24 entry for
October 8, 2005
.

“There is no teacher
but the enemy.
“
— Orson Scott Card,
Ender’s Game

Related entertainment:
the previous entry
and the Vietnam memoir
Black Virgin Mountain.

Saturday April 14, 2007

Filed under: General — Tags: — m759 @ 4:30 am
This Way to
the Egress

Continued from April 12:

“I have only come here 
seeking knowledge,
 Things they would not   
       teach me of in college….”
 
— Synchronicity
lyrics

Quoted in Log24,
Time’s Labyrinth continued:

“The sacred axe was used to kill the King. The ritual had been the same since the beginning of time. The game of chess was merely a reenactment. Why hadn’t I recognized it before?”

— Katherine Neville,
The Eight,

Ballantine reprint, 1990,


“Know the one about
the Demiurge and the
Abridgment of Hope?”

— Robert Stone,
A Flag for Sunrise,
Knopf, 1981,
the final page:

page 439

Sunset Boulevard

Related material:

John Bartlett  (1820–1905),
Familiar Quotations,
10th edition, 1919,

page 439

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