"… to explore what it means to be human
in all the facets of that and the labyrinth of that."
— Nicole Kidman at the 2024 Venice Film Festival.

"… to explore what it means to be human
in all the facets of that and the labyrinth of that."
— Nicole Kidman at the 2024 Venice Film Festival.

"Love is good, love can be strong
We gotta get right back to where we started from"
For Nicole Kidman . . .
There is now a helpful AI Underview . . .

The song from the end of "Nine Perfect Strangers," Season 2,
which starred Nicole Kidman . . .

"Love is good, love can be strong
We gotta get right back to where we started from"
— Promotional tune for Nicole Kidman

"We keep coming back to the real . . . ." — Wallace Stevens
"Facets and labyrinths . . . ." — Nicole Kidman
Illustration — Biarritz Balcony Scene.
"Here was finality indeed, and cleavage!"
— Malcolm Lowry, Under the Volcano
Update of 1:28 PM ET on November 19, 2024 —
"The decadent legacy of Berlin between the World Wars,
and that of the American speak-easy era, have left their marks
on fashion, of course. At the Golden Globes on Sunday night,
Nicole Kidman incarnated the steamy eroticism of the Weimar
years in a clingy 20's-style gold-spangled dress by Tom Ford for
YSL Rive Gauche. Ms. Kidman's illusion top, with its suggestion
of nudity, set tongues wagging well into the next day."
— By Ruth La Ferla, The New York Times, Jan. 27, 2004
"… to explore what it means to be human
in all the facets of that and the labyrinth of that."
From Log24 posts tagged Art Space —
From a paper on Kummer varieties,
arXiv:1208.1229v3 [math.AG] 12 Jun 2013,
“The Universal Kummer Threefold,” by
Qingchun Ren, Steven V Sam, Gus Schrader,
and Bernd Sturmfels —
Two such considerations —
The phrase "Blue Dream" in the previous post
suggests a Web search for Traumnovelle .
That search yields an interesting weblog post
from 2014 commemorating the 1999 dies natalis
(birth into heaven) of St. Stanley Kubrick.
Related material from March 7, 2014,
in this journal —
That 2014 post was titled "Kummer Varieties." It is now tagged
"Kummerhenge." For some backstory, see other posts so tagged.
The title is from this morning's online New York Times review
of a new Jackie Chan film.
Click the image below for some related posts.
"But unlike many who left the Communist Party, I turned left
rather than right, and returned—or rather turned for the first time—
to a critical examination of Marx's work. I found—and still find—
that his analysis of capitalism, which for me is the heart of his work,
provides the best starting point, the best critical tools, with which—
suitably developed—to understand contemporary capitalism.
I remind you that this year is also the sesquicentennial of the
Communist Manifesto , a document that still haunts the capitalist world."
— From "Autobiographical Reflections," a talk given on June 5, 1998, by
John Stachel at the Max Planck Institute for the History of Science in Berlin
on the occasion of a workshop honoring his 70th birthday,
"Space-Time, Quantum Entanglement and Critical Epistemology."
From a passage by Stachel quoted in the previous post —
From the source for Stachel's remarks on Weyl and coordinatization —
Note that Stachel distorted Weyl's text by replacing Weyl's word
"symbols" with the word "quantities." —
This replacement makes no sense if the coordinates in question
are drawn from a Galois field — a field not of quantities , but rather
of algebraic symbols .
"You've got to pick up every stitch… Must be the season of the witch."
— Donovan song at the end of Nicole Kidman's "To Die For"
"And as the characters in the meme twitch into the abyss
that is the sky, this meme will disappear into whatever
internet abyss swallowed MySpace."
—Staff writer Kamila Czachorowski, Harvard Crimson today
From Log24 posts tagged Art Space —
From a recent paper on Kummer varieties,
arXiv:1208.1229v3 [math.AG] 12 Jun 2013,
“The Universal Kummer Threefold,” by
Qingchun Ren, Steven V Sam, Gus Schrader, and
Bernd Sturmfels —
Two such considerations —
This post is thanks to Nicole Kidman …
E! Online today reminds us that "Bowie's song 'Nature Boy'
was ... featured in Kidman's 2001 film Moulin Rouge ."
A YouTube video of the Moulin Rouge "Nature Boy"
was uploaded on April 1, 2011. That date in this journal —
|
The last New York Lottery number
"…every answer involves as much of history
James S. Atherton, The Books at the Wake: |
James Joyce reportedly died on today's date in 1941.
Yesterday's post and recent Hollywood news suggest
a meditation on a Progressive Matrix —
Click to enlarge.
"My card."
Structurally related images —
A sample Raven's Progressive Matrices test item
(such items share the 3×3 structure of the hash symbol above):
Structural background —
The online Harvard Crimson today:
“ ‘I don’t like how they check your bags
when you leave the library
even though you have to swipe your
student ID to get in.’
But what else would I be carrying in this
Gutenberg Bible-sized backpack? ”

Nicole Kidman at the end of “Hemingway & Gellhorn” (2012)
… and for Anthony Hopkins and a Black Widow,
as well as for a filmmaker who reportedly died on May 19.
Update of 4:48 PM ET: See also Philip Roth on an ambiguity.
* The title was suggested in part by a series of Isaac Asimov mysteries.
The Dream of the Expanded Field continues…
From Klein's 1893 Lectures on Mathematics —
"The varieties introduced by Wirtinger may be called Kummer varieties…."
— E. Spanier, 1956
From this journal on March 10, 2013 —
From a recent paper on Kummer varieties,
arXiv:1208.1229v3 [math.AG] 12 Jun 2013,
"The Universal Kummer Threefold," by
Qingchun Ren, Steven V Sam, Gus Schrader, and Bernd Sturmfels —
Two such considerations —
Update of 10 PM ET March 7, 2014 —
The following slides by one of the "Kummer Threefold" authors give
some background related to the above 64-point vector space and
to the Weyl group of type E7, W (E7):
The Cayley reference is to "Algorithm for the characteristics of the
triple ϑ-functions," Journal für die Reine und Angewandte
Mathematik 87 (1879): 165-169. <http://eudml.org/doc/148412>.
To read this in the context of Cayley's other work, see pp. 441-445
of Volume 10 of his Collected Mathematical Papers .
Or: Chinny-Chin-Chin .
This post will be meaningless unless you
have seen the recent film "R.I.P.D.," starring
James Hong and Jeff Bridges.
(In that film, two deceased lawmen appear to
the living in disguised form— as Hong, and
as Bridges in the guise of a major babe.)
From the AP Today in History page
for October 29, 2013 —
On this date in:
1967 The musical "Hair" opened off-Broadway.
This, together with the Halloween season and
"R.I.P.D.," suggests a bizarre show:
"And there we were all in one place,
A generation lost in space…"
– Don McLean, "American Pie"
The show would star Cybill Shepherd and Jeff Bridges
as, respectively, Jackie Chan and Nicole Kidman in…
V.I.P.D.
See also some related posts with Jeff Bridges.
Backstory: Sermon (Nov. 18, 2012) and
Eternal Recreation (Dec. 24, 2012).
"We've lost the plot!" — "Slipstream." Small wonder.
(The final quote above is bogus. Stevens did write "Death is the mother
of beauty," but the "perishable" part is from a lesser poet, Billy Collins.)
For the duende of this post's title, see a dance.
The dance suggests a 1956 passage by Robert Silverberg—
"There was something in the heart of the diamond—
not the familiar brown flaw of the others, but something
of a different color, something moving and flickering.
Before my eyes, it changed and grew.
And I saw what it was. It was the form of a girl—
a woman, rather, a voluptuous, writhing nude form
in the center of the gem. Her hair was a lustrous blue-black,
her eyes a piercing ebony. She was gesturing to me,
holding out her hands, incredibly beckoning from within
the heart of the diamond.
I felt my legs go limp. She was growing larger, coming closer,
holding out her arms, beckoning, calling—
She seemed to fill the room. The diamond grew to gigantic size,
and my brain whirled and bobbed in dizzy circles.
I sensed the overpowering, wordless call."
— "Guardian of the Crystal Gate," August 1956
For similar gestures, see Nicole Kidman's dance in "The Human Stain."
"Philosophy is a battle against the bewitchment
of our intelligence by means of our language." — Wittgenstein
"You've got to pick up every stitch…
Must be the season of the witch."
— Donovan song at the end of Nicole Kidman's "To Die For"
Today's morning post, Rubric, suggests a check
of Alexander Bogomolny's tweets:

Clicking the hint leads to Bogomolny's Ambiguities in Plain Language:

See also, in this journal, alea (which appears within the derived word "aleatory").
Update of 1 AM Saturday—
On the late Frank Moore Cross, biblical scholar—
"When you walked into his classes, you felt
you were on the frontier of knowledge in the field,"
said Peter Machinist, who studied under Dr. Cross
as an undergraduate at Harvard and now holds
the endowed professorship† there that Dr. Cross
had held until his retirement in 1992.
For religious remarks from a different Machinist,
see a post of July 24, 2012…

† Click link for a condition on the professorship that was
apparently met by Cross, but that has perhaps not
been met by Machinist, a rather rabbinical figure.
In the catacomb of my mind
Where the dead endure—a kingdom
I conjure by love to rise
— Samuel Menashe, as quoted by
Stephen Spender in a review of four
different poets, "The Last Ditch,"
The New York Review of Books , July 22, 1971
"…the ghost reveals that the beggar
is in fact a sorcerer, a necromancer
who is preparing the mandala in order
to achieve an evil end. The ascetic
intends to bind the ghost to the corpse,
place it in the center of the circle,
and worship it as a deity."
— The King and the Corpse (from synopsis in
"How Many Facets Can a Non-Existent Jewel Have?")
Menashe died on Monday, August 22, 2011.
Related material by and for two other poets
who also died on Monday:
See also an excerpt from Kerouac I cached on Monday, and
Men ask the way to Cold Mountain
Cold Mountain: there's no through trail .
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