Log24

Thursday, February 3, 2011

Summa Mythologica, continued…

Filed under: General — Tags: , — m759 @ 10:30 am

Yesterday's New York Lottery— Midday 392, Evening 946.

Catechism of the Catholic Church—

392   Scripture speaks of a sin of these angels. This "fall" consists in the free choice of these created spirits, who radically and irrevocably rejected  God and his reign. We find a reflection of that rebellion in the tempter's words to our first parents: "You will be like God." The devil "has sinned from the beginning"; he is "a liar and the father of lies."

946   After confessing "the holy catholic Church," the Apostles' Creed adds "the communion of saints." In a certain sense this article is a further explanation of the preceding: "What is the Church if not the assembly of all the saints?" The communion of saints is the Church.

Some context related to last night's Rite of Change—

Glasperlenspiel  Philosophy.

Those who prefer Dan Brown to Hermann Hesse may consult Fast Forward.

Tuesday, November 3, 2009

Summa Mythologica

Filed under: General,Geometry — Tags: , , — m759 @ 10:10 pm

Book review by Jadran Mimica in Oceania, Vol. 74, 2003:

"In his classic essay of 1955 'The Structural Study of Myth' Levi-Strauss came up with a universal formula of mythopeic dynamics

[fx(a) : fy(b) :: fx(b) : fa-1(y)]

that he called canonical 'for it can represent any mythic transformation'. This formulation received its consummation in the four massive Mythologiques volumes, the last of which crystallises the fundamental dialectics of mythopoeic thought: that there is 'one myth only' and the primal ground of this 'one' is 'nothing'. The elucidation of the generative matrix of the myth-work is thus completed as is the self-totalisation of both the thinker and his object."

So there.

At least one mathematician has claimed that the Levi-Strauss formula makes sense. (Jack Morava, arXiv pdf, 2003.)

I prefer the earlier (1943) remarks of Hermann Hesse on transformations of myth:

"…in the spirit of the Glass Bead Game, everything actually was all-meaningful, that every symbol and combination of symbols led not hither and yon, not to single examples, experiments, and proofs, but into the center, the mystery and innermost heart of the world, into primal knowledge. Every transition from major to minor in a sonata, every transformation of a myth or a religious cult, every classical or artistic formulation was, I realized in that flashing moment, if seen with a truly meditative mind, nothing but a direct route into the interior of the cosmic mystery, where in the alternation between inhaling and exhaling, between heaven and earth, between Yin and Yang, holiness is forever being created."

Wednesday, December 27, 2023

Notes Toward a Ghent Altarpiece

Filed under: General — Tags: , , , , — m759 @ 4:12 am

From Prof. Dr. Koen Thas at the University of Ghent on 13 Dec. 2017 —

From this  journal on that same date — 13 Dec. 2017 —

Related material for fans of synchronology — both from Nov. 3, 2009 —

Nightlight  and  Summa Mythologica .

Friday, May 6, 2022

Interality and the Bead Game

Filed under: General — Tags: , , — m759 @ 3:00 pm

WIkipedia on the URL suffix ".io" —

"In computer science, "IO" or "I/O" is commonly used
as an abbreviation for input/output, which makes the
.io domain desirable for services that want to be
associated with technology. .io domains are often used
for open source projects, application programming
interfaces ("APIs"), startup companies, browser games,
and other online services."

An association with the Bead Game from a post of April 7, 2018 —

IMAGE- 'Solomon's Cube'

Glasperlenspiel  passage quoted here in Summa Mythologica —

“"I suddenly realized that in the language, or at any rate
in the spirit of the Glass Bead Game, everything actually
was all-meaningful, that every symbol and combination of
symbols led not hither and yon, not to single examples,
experiments, and proofs, but into the center, the mystery
and innermost heart of the world, into primal knowledge.
Every transition from major to minor in a sonata, every
transformation of a myth or a religious cult, every classical
or artistic formulation was, I realized in that flashing moment,
if seen with a truly meditative mind, nothing but a direct route
into the interior of the cosmic mystery, where in the alternation
between inhaling and exhaling, between heaven and earth,
between Yin and Yang, holiness is forever being created.”

A less poetic meditation on the above 4x4x4 design cube —

"I saw that in the alternation between front and back,
between top and bottom, between left and right,
symmetry is forever being created."

See also a related remark by Lévi-Strauss in 1955: 

"…three different readings become possible:
left to right, top to bottom, front to back."

The recent use by a startup company of the URL "interality.io" suggests
a fourth  reading for the 1955 list of Lévi-Strauss — in and out —
i.e., inner and outer group automorphisms —  from a 2011 post
on the birthday of T. S. Eliot :

A transformation:

Inner and outer group automorphisms

Click on the picture for details.

Sunday, April 24, 2022

Structuralism: Three Betweens

Filed under: General — Tags: , , , — m759 @ 10:44 am
 

Tuesday, November 3, 2009

Summa Mythologica

Filed under: General,Geometry — Tags: ,  — m759 @ 10:10 PM 

Book review by Jadran Mimica in Oceania, Vol. 74, 2003:

"In his classic essay of 1955 'The Structural Study of Myth' Levi-Strauss came up with a universal formula of mythopoeic dynamics

[fx(a) : fy(b) :: fx(b) : fa-1(y)]

that he called canonical 'for it can represent any mythic transformation'. This formulation received its consummation in the four massive Mythologiques volumes, the last of which crystallises the fundamental dialectics of mythopoeic thought: that there is 'one myth only' and the primal ground of this 'one' is 'nothing'. The elucidation of the generative matrix of the myth-work is thus completed as is the self-totalisation of both the thinker and his object."

So there.

At least one mathematician has claimed that the Levi-Strauss formula makes sense. (Jack Morava, arXiv pdf, 2003.)

I prefer the earlier (1943) remarks of Hermann Hesse on transformations of myth:

"…in the spirit of the Glass Bead Game, everything actually was all-meaningful, that every symbol and combination of symbols led not hither and yon, not to single examples, experiments, and proofs, but into the center, the mystery and innermost heart of the world, into primal knowledge. Every transition from major to minor in a sonata, every transformation of a myth or a religious cult, every classical or artistic formulation was, I realized in that flashing moment, if seen with a truly meditative mind, nothing but a direct route into the interior of the cosmic mystery, where in the alternation between inhaling and exhaling, between heaven and earth, between Yin and Yang, holiness is forever being created."

Saturday, April 7, 2018

Sides

Filed under: General,Geometry — Tags: , , , , — m759 @ 11:47 am

The FBI holding cube in "The Blacklist" —

" 'The Front' is not the whole story . . . ."

— Vincent Canby, New York Times  film review, 1976,
     as quoted in Wikipedia.

See also Solomon's Cube in this  journal.

IMAGE- 'Solomon's Cube'

Webpage demonstrating symmetries of 'Solomon's Cube'

Some may view the above web page as illustrating the
Glasperlenspiel  passage quoted here in Summa Mythologica —

“"I suddenly realized that in the language, or at any rate
in the spirit of the Glass Bead Game, everything actually
was all-meaningful, that every symbol and combination of
symbols led not hither and yon, not to single examples,
experiments, and proofs, but into the center, the mystery
and innermost heart of the world, into primal knowledge.
Every transition from major to minor in a sonata, every
transformation of a myth or a religious cult, every classical
or artistic formulation was, I realized in that flashing moment,
if seen with a truly meditative mind, nothing but a direct route
into the interior of the cosmic mystery, where in the alternation
between inhaling and exhaling, between heaven and earth,
between Yin and Yang, holiness is forever being created.”

A less poetic meditation on the above 4x4x4 design cube —

"I saw that in the alternation between front and back,
between top and bottom, between left and right,
symmetry is forever being created."

See also a related remark by Lévi-Strauss in 1955: 

"…three different readings become possible:
left to right, top to bottom, front to back."

Tuesday, May 3, 2016

Symmetry

Filed under: General,Geometry — Tags: , , , , , — m759 @ 12:00 pm

A note related to the diamond theorem and to the site
Finite Geometry of the Square and Cube —

The last link in the previous post leads to a post of last October whose
final link leads, in turn, to a 2009 post titled Summa Mythologica .

Webpage demonstrating symmetries of 'Solomon's Cube'

Some may view the above web page as illustrating the
Glasperlenspiel  passage quoted here in Summa Mythologica —

“"I suddenly realized that in the language, or at any rate
in the spirit of the Glass Bead Game, everything actually
was all-meaningful, that every symbol and combination of
symbols led not hither and yon, not to single examples,
experiments, and proofs, but into the center, the mystery
and innermost heart of the world, into primal knowledge.
Every transition from major to minor in a sonata, every
transformation of a myth or a religious cult, every classical
or artistic formulation was, I realized in that flashing moment,
if seen with a truly meditative mind, nothing but a direct route
into the interior of the cosmic mystery, where in the alternation
between inhaling and exhaling, between heaven and earth,
between Yin and Yang, holiness is forever being created.”

A less poetic meditation on the above web page* —

"I saw that in the alternation between front and back,
between top and bottom, between left and right,
symmetry is forever being created."

Update of Sept. 5, 2016 — See also a related remark
by Lévi-Strauss in 1955:  "…three different readings
become possible: left to right, top to bottom, front
to back."

* For the underlying mathematics, see a June 21, 1983, research note.

Monday, October 19, 2015

Zen and the Art

Filed under: General — Tags: — m759 @ 4:40 am

According to René Guitart in May 2008 —

"In fact, in concrete terms, the Mathematical Pulsation  is
nothing else but the thing that everyone does when doing
mathematics, even the most elementary ones. It is a very
special gesture in understanding ('geste de pensée'), well
known by each mathematician. The mind have to go to
and fro between to antinomical postures: to have the
situation under control, to leave the door open. To master
and to fix (a clear unique meaning) or to neglect and to
change (toward other possible meanings). Because of the
similarity of the pulsation of inspiration and expiration in
breath with the pulsation of closing and opening phases
in mathematical thinking, at the end of [Guitart (2003/a)]
I suggested to consider the famous book 'Zen in the Art
of Archery' [Herrigel (1997)] as a true treatise in didactic
of mathematics: just you have to replace everywhere the
words 'archery' by 'mathematical proof'."

Related material: Heisenberg on Beauty and the previous post.

Update of 6:20 AM Oct. 19, 2015 —

„Ich begriff plötzlich, daß in der Sprache oder doch
mindestens im Geist des Glasperlenspiels tatsächlich
alles allbedeutend sei, daß jedes Symbol und jede
Kombination von Symbolen nicht hierhin oder dorthin,
nicht zu einzelnen Beispielen, Experimenten und
Beweisen führe, sondern ins Zentrum, ins Geheimnis
und Innerste der Welt, in das Urwissen. Jeder Übergang
von Dur zu Moll in einer Sonate, jede Wandlung eines
Mythos oder eines Kultes, jede klassische, künstlerische
Formulierung sei, so erkannte ich im Blitz jenes
Augenblicks, bei echter meditativer Betrachtung,
nichts andres als ein unmittelbarer Weg ins Innere
des Weltgeheimnisses, wo im Hin und Wider zwischen
Ein- und Ausatmen, zwischen Himmel und Erde,
zwischen Yin und Yang sich ewig das Heilige vollzieht.“

— Hermann Hesse, Das Glasperlenspiel.
Berlin:  Suhrkamp Taschenbuch Verlag, 2012. p. 172,
as quoted in a weblog.

For a version in English, see Summa Mythologica (Nov. 3, 2009).

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