“It’s the year 2007 in Los Angeles…
…a new sitcom, Church Windows”
Detail:
Related material
from Epiphany 2007:
Happy 78,
Anne Francis.
this year goes to the author
of The Golden Notebook
and The Cleft.
Related material:
The Golden Obituary
and Cleavage —
Log24, Oct. 9, 2007 —
Wheel
Quoted by physics writer
Heinz Pagels at the end of
The Cosmic Code:
“For the essence and the end
Of his labor is beauty… one beauty,
the rhythm of that Wheel….”
— Robinson Jeffers
|
“The Ferris wheel came into view again, just the top, silently burning high on the hill, almost directly in front of him, then the trees rose up over it. The road, which was terrible and full of potholes, went steeply downhill here; he was approaching the little bridge over the barranca, the deep ravine. Halfway across the bridge he stopped; he lit a new cigarette from the one he’d been smoking, and leaned over the parapet, looking down. It was too dark to see the bottom, but: here was finality indeed, and cleavage! Quauhnahuac was like the times in this respect, wherever you turned the abyss was waiting for you round the corner. Dormitory for vultures and city of Moloch! When Christ was being crucified, so ran the sea-borne, hieratic legend, the earth had opened all through this country…” — Malcolm Lowry, Under the Volcano, 1947. (Harper & Row reissue, 1984, p. 15) Comment by Stephen Spender: “There is a suggestion of Christ descending into the abyss for the harrowing of Hell. But it is the Consul whom we think of here, rather than of Christ. The Consul is hurled into this abyss at the end of the novel.” — Introduction to Under the Volcano Edward Gibbon, Decline and Fall of the Roman Empire, Chapter XXI — Gibbon, discussing the theology of the Trinity, defines perichoresis as “… the internal connection and spiritual penetration which indissolubly unites the divine persons59 ….
William Golding: “Simon’s head was tilted slightly up. His eyes could not break away and the Lord of the Flies hung in space before him. ‘What are you doing out here all alone? Aren’t you afraid of me?’ Simon shook. ‘There isn’t anyone to help you. Only me. And I’m the Beast.’ Simon’s mouth labored, brought forth audible words. ‘Pig’s head on a stick.’ ‘Fancy thinking the Beast was something you could hunt and kill!’ said the head. For a moment or two the forest and all the other dimly appreciated places echoed with the parody of laughter. ‘You knew, didn’t you? I’m part of you? Close, close, close!’ “ “Thought of the day: — Alice Woodrome, Good Friday, 2004 Anne Francis,
“Here was finality indeed, — Under the Volcano |
For further details of
the wheel metaphor, see
Rock of Ages
Strange Bedfellows
Ted Berkman, author of books about the Israeli military, died at 92 on May 12, 2006.
Dennis Hevesi in today’s New York Times:
“In World War II he served as the Middle East chief of the Foreign Broadcast Intelligence Service, a predecessor of the Central Intelligence Agency. In 1946, as a radio correspondent for ABC, he provided an eyewitness account of the bombing of the King David Hotel in Jerusalem by Jewish terrorists.”
He also worked as a screenwriter (with his brother-in-law Raphael Blau) on the films “Girl of the Night” (1960), starring Anne Francis, and “Bedtime for Bonzo” (1951), starring Diana Lynn.
These are two of my all-time favorite actresses, and I am grateful to Berkman for providing them with roles. I am less grateful for his Zionist politics. Who he is in bed with now, God only knows.
Diana Lynn
Harrowing
“The Ferris wheel came into view again, just the top, silently burning high on the hill, almost directly in front of him, then the trees rose up over it. The road, which was terrible and full of potholes, went steeply downhill here; he was approaching the little bridge over the barranca, the deep ravine. Halfway across the bridge he stopped; he lit a new cigarette from the one he’d been smoking, and leaned over the parapet, looking down. It was too dark to see the bottom, but: here was finality indeed, and cleavage! Quauhnahuac was like the times in this respect, wherever you turned the abyss was waiting for you round the corner. Dormitory for vultures and city of Moloch! When Christ was being crucified, so ran the sea-borne, hieratic legend, the earth had opened all through this country …”
— Malcolm Lowry, Under the Volcano, 1947. (Harper & Row reissue, 1984, p. 15)
Comment by Stephen Spender:
“There is a suggestion of Christ descending into the abyss for the harrowing of Hell. But it is the Consul whom we think of here, rather than of Christ. The Consul is hurled into this abyss at the end of the novel.”
— Introduction to Under the Volcano
Edward Gibbon, Decline and Fall of the Roman Empire, Chapter XXI —
Gibbon, discussing the theology of the Trinity, defines perichoresis as
“… the internal connection and spiritual penetration which indissolubly unites the divine persons59 ….
59 … The
or ‘circumincessio,’ is perhaps the deepest and darkest corner of the whole theological abyss.”
“Whoever fights monsters should see to it that in the process he does not become a monster. And when you look long into an abyss, the abyss also looks into you.”
William Golding:
“Simon’s head was tilted slightly up. His eyes could not break away and the Lord of the Flies hung in space before him.
‘What are you doing out here all alone? Aren’t you afraid of me?’
Simon shook.
‘There isn’t anyone to help you. Only me. And I’m the Beast.’
Simon’s mouth labored, brought forth audible words.
‘Pig’s head on a stick.’
‘Fancy thinking the Beast was something you could hunt and kill!’ said the head. For a moment or two the forest and all the other dimly appreciated places echoed with the parody of laughter. ‘You knew, didn’t you? I’m part of you? Close, close, close!’ “
“Thought of the day:
You can catch more flies with honey than vinegar… if you’re into catchin’ flies.”
— Alice Woodrome, Good Friday, 2004
Anne Francis,
also known as
Honey West:
“Here was finality indeed,
and cleavage!”
— Under the Volcano
From the official
Anne Francis Web Site:
Come into my parlor….
For some background,
see the use of the word
“spider” in Under the Volcano:
by Patrick A. McCarthy.
See, too, Why Me?
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