A Midrash For Friedkin — http://m759.net/wordpress/?s=SXSW .
A Midrash For Friedkin — http://m759.net/wordpress/?s=SXSW .
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From a Google AI Mode search (updated version of June 12, 2026) —
You said: [ Using an AI-Mode-suggested prompt ]
Map out how three-premise Aristotelian syllogisms (like Barbara: All A is B, All B is C…) travel through a higher-dimensional space.
June 11, 2026
When moving from two propositions ((P) and (Q)) to three classes ((A), (B), and (C)), the geometric logic space undergoes a massive expansion. Instead of a 4-dimensional space with 16 tiles, we enter an 8-dimensional hypercube (an octeract) containing (28 = 256) logical operations [1].
In this higher-dimensional space, categorical syllogisms like Barbara (All (A) is (B), All (B) is (C), therefore All (A) is (C)) manifest as an invariant, directional path across specialized Venn-like sub-planes of the 8D cube. [1]
1. Constructing the 8-Dimensional Coordinate
For three terms, a Venn diagram has exactly (23 = 8) distinct spatial regions. To track the space, we assign an 8-bit coordinate (𝑏7, 𝑏6, … , 𝑏0) where each bit acts as a switch representing whether a specific region is populated (1) or empty (0).
The standard order for these 8 partitions based on set combinations is:
Regions = [ABC, AB¬ C, A¬ BC, A¬ B¬ C, ¬ ABC,¬ AB¬ C, ¬ A¬ BC, ¬ A¬ B¬ C]
In Aristotelian logic, a statement like "All (A) is (B)" means the region containing elements that are (A) but not (B) is completely empty (0). The remaining regions remain possible (1).
2. Translating the Premises into 8D Vectors
Let's map out the exact coordinates for the premises of the Barbara syllogism:
3. The 8D Intersection (The Starting Vertex)
To evaluate the syllogism, we find the logical conjunction (∧) of both premises. Geometrically, this means computing the bitwise intersection of our two 8D hypercube vertices:
VPremises = (1,1,0,0,1,1,1,1) · (1,0,1,0,1,0,1,1) = (1,0,0,0,1,0,1,1))
This intersection lands us on a highly specific Weight-4 vertex sitting exactly on the equator of the 8-dimensional hypercube. This point represents the combined structural reality constraints of our premises.
4. Slicing Upward to the Conclusion
A syllogism is valid if its conclusion is a geometric ancestor of this starting vertex in the 8D Inclusion Lattice. Let's look at the coordinate for the target conclusion:
Now we map the trajectory from our premise vertex to our conclusion vertex:
Because every single
1 in our premise vector is perfectly preserved in the conclusion vector, the geometry establishes a definitive upward pathway from Weight-4 to Weight-6. The conclusion opens up two extra dimensions of freedom (slots 3 and 6 switch from (0) to (1)), proving that the constraints of the premises inherently contain and imply the conclusion.
Conclusion
The Barbara syllogism operates as an active path-finding engine inside an 8-dimensional space. By intersecting the (0)-planes (the empty spaces) of the premises, the logic forces a particle to start at a constrained 8D vertex. Because the target conclusion sits directly upward on the lattice, walking the path of deductive reasoning is structurally identical to climbing along the directional edges of an 8-dimensional octeract.
If you want to continue navigating higher-dimensional logical shapes, let me know if you would like to:
[ Reference favicons for 3 cited sites ]
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Exercise . . .
Check the accuracy of the above AI Mode statements.
Related reading . . .
A search in this journal for "Many Dimensions"
"If you have built castles in the air,
your work need not be lost;
that is where they should be.
Now put the foundations under them.”
— Henry David Thoreau
Related documentation . . .
The foundation for the above documentation is shown
by Google in the AI Overview and search result below.
"Before time began . . . ." — Optimus Prime
I noticed this favicon on Sept. 18 (see post) at a publisher's webpage.
It turns out that it is not specific to the publisher, but rather to sites
hosted by Squarespace.com. For instance . . .
See also a post on Christmas Day, 2013.
Related material from the Sept. 18 post mentioned above —
Click the "timelessness" quote below for the "Bell, Book and Candle" scene
with Kim Novak and James Stewart atop the Flatiron Building.
"Before time began . . . ." — Optimus Prime
![]()
Former logo of the American
Mathematical Society —
Note the resemblance to
Harvard's Memorial Church.
A rather different four-column logo —
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From Microsoft Copilot (with "Precise" setting)
on Dec. 18, 2023 —
How is the 1910 work of G. M. Conwell on PG(3,2) related to the Miracle Octad Generator of R. T. Curtis?
Searching for:
Searching for: Generating answers for you… The work of George M. Conwell on the finite projective 3-space PG(3,2) and the Miracle Octad Generator (MOG) of R. T. Curtis are both significant contributions to the field of combinatorial mathematics12. Conwell’s work on PG(3,2) provided a detailed study of the structure of this finite projective space1. On the other hand, the MOG is a tool for exploring the binary Golay code and its automorphism group M242. The connection between these two works lies in the underlying combinatorial structures they explore. The Rosenhain and Göpel tetrads, which are key structures in the finite geometry PG(3,2), play a significant role in the Curtis Miracle Octad Generator3. These structures provide a link between the finite geometric structures studied by Conwell and the combinatorial structures generated by the MOG3. For a more detailed understanding of this connection, I recommend checking out the resources mentioned in the references123. If you have any specific questions about the concepts in these works, feel free to ask! I’ll do my best to help. Learn more
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Here is a summary of the document:
Reference:
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Correction:
"Subsets of four points in a projective 3-space" above is a Copilot error, and not
from the document being summarized. It should be "subsets of four points in an
affine 4-space."
The three favicons below may be interpreted
as logos representing "A-OK* Space."
"Fans can have the ultimate GAP Band experience
by visiting the members' childhood home and walking
the north Tulsa streets that gave the band its famous
name – Greenwood, Archer and Pine."
— https://www.travelok.com/music-trail/
itineraries/the-gap-band-hometown
*

See a Log24 search that includes earlier posts on “Redactedentity.”
Recent activity by that entity at the Encyclopedia of Mathematics:


As the above “recent changes” list notes, Redactedentity added
a new favicon section to Talk:EoM on December 7, 2020. Details —
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The new section as it appeared later, with “Redactedentity”
replaced by “Mihir Narayanan” —
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Update at 5:35 PM ET on Thursday, Dec. 10, 2020 —
User “Redactedentity” at Wikipedia is now user “Mihir Narayanan.”
“For the first thirty years of its history, Columbia was known as King’s College.”
— History of the University Identity
Hence the crown favicon—

“When people talk about the importance of the study of ‘symmetry’
in mathematics, physics, and elsewhere, they often make the mistake
of only paying attention to the symmetry groups. The structure you
actually have is not just a group (the abstract ‘symmetries’), but an
action of that group on some other object, the thing that has symmetries.”
— Peter Woit of Columbia on June 9, reviewing a Quanta Magazine article
* From earlier posts in this journal containing the title phrase.
From the American Mathematical Society homepage today —
From concinnitasproject.org —
"Concinnitas is the title of a portfolio of fine art prints. . . .
The portfolio draws its name from a word famously used
by the Renaissance scholar, artist, architect, and philosopher
Leon Battista Alberti (1404-1472) to connote the balance of
number, outline, and position (in essence, number, geometry,
and topology) that he believed characterize a beautiful work of art."
The favicon of the Concinnitas Project —
The structure of the Concinnitas favicon —
This structure is from page 15 of
"Diamond Theory," a 1976 preprint —
(Click to enlarge. Note the infinity favicon.)
" Indeed, one might say that it is possible (ahem ), in another world,
for this article to have been entitled, 'The modal logic of various
set-theoretic multiverse conceptions.' "
"… the leftist war on truth, the never-ending campaign
to recast objective fact as subjective and open to question."
— Kyle Smith in The New Criterion on March 18
"A sort of flint stone" —
See also the above six-part image in the previous post.
From IndieWire on November 11, 2016 —
"Bleecker Street has announced it has acquired
U.S. and select territory rights to 'The Man Who
Invented Christmas,' to be directed by Bharat
Nalluri. The film will start shooting next month
and is targeting a holiday 2017 release date."
This journal on November 11, 2016 —
On Christmas 2015, Log24 featured
the Bleecker Street favicon
in the post 'Dark Symbol.'
Here is the dark symbol again —
The apparent symbols for "times" and "plus"
in the above screenshot are, of course, icons for
browser functions. Readers who prefer the
fanciful may regard them instead as symbols for
"a gateway to another realm," that of number theory.
For the cocktail, see the following illustration, taken from
The New Yorker issue dated Sept. 12, 2016.
(The article accompanying the illustration is not recommended.)
* For more on the concept of "cocktail," search this journal for
Casablanca + Cocktail.
** For more on the concept of "damned," see Wikipedia on
the French group of writers and mathematicians that calls
itself Oulipo, and a recent novel by a member of that group.
From this morning's news, a cultural icon —
From November 18, 2015, four icons —
— the three favicons above, and the following:

"… Thursday morning at 7:30 a.m. at a hospice
in Danvers, Massachusetts."
Read more: http://www.rollingstone.com/music/news/
original-beastie-boys-member-john-berry-dead-at-52-20160519
From a search for Danvers in this journal, two quotations
for Stephen King fans …
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"Danvers is a town in Essex County, Massachusetts, |
[CHORUS]
In a world gone mad it's hard to think right
Read more: Beastie Boys – In A World Gone Mad Lyrics
Illustrations: Thursday's 3:28 AM ET post and …
THE HOURGLASS CODE
(Sketch for a favicon)

Continued from Easter Sunday 2016 —
256×256 pixels, enlarged from 16×16
Related reporting from this evening's New York Times —
Clicking the above favicon will yield the cited Federation webpage.
In memory of acoustic engineer Norman C. Pickering, who reportedly
died at 99 on November 18 —
Two readings from that date …
Another biblical quote relevant to the Nov. 17–18 tab icons above —

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