Enquiring minds want to know . . .
The conclusion of an obituary for a former resident of Laurel Canyon —
“He would go to all these old junk shops and buy
black-and-white photos of nobody actors,’’
Mr. Klein said. “He didn’t want stills of the stars.
He said, ‘Actors that never made it — that’s
the real Hollywood.’ ’’
— Guy Trebay in The New York Times , June 23
Related music and art — Posts tagged Hollywood Nights.
Suggested by the previous post —
Tom Lamont in The Economist , June/July 2020 —
Recently, I saw that a person called Celine in San Francisco had tweeted to her 2,500-odd followers about the difficulty of “trying to date SF guys in between their week-long meditation retreats, Tahoe weekends, month-long remote work sessions…” About 4,000 people tapped to endorse the sentiment, launching Celine onto an exponential number of strangers’ screens, including my own. The default sound for any new tweet is a whistle, somewhere between a neighbourly “yoo-hoo” and a dog-walker’s call to heel. |
“Everybody, here comes the life of the party
Everybody, here comes the life of the party, yeah, she is.”
Songwriters: Ben Hayslip / Rhett Akins / Jason Sellers
See as well Life of the Party in this journal.
Synchronologists may consult posts of March 2015.
* ” This was Language herself , as she first sprang at Maleldil’s bidding
out of the molten quicksilver of the first star called Mercury on Earth,
but Viritrilbia in Deep Heaven.” ― C.S. Lewis, That Hideous Strength .
Roberta Smith on Donald Judd’s BY ALEX GREENBERGER February 28, 2020 1:04pm If Minimalist artist Donald Judd is known as a writer at all, it’s likely for one important text— his 1965 essay “Specific Objects,” in which he observed the rise of a new kind of art that collapsed divisions between painting, sculpture, and other mediums. But Judd was a prolific critic, penning shrewd reviews for various publications throughout his career—including ARTnews . With a Judd retrospective going on view this Sunday at the Museum of Modern Art in New York, ARTnews asked New York Times co-chief art critic Roberta Smith— who, early in her career, worked for Judd as his assistant— to comment on a few of Judd’s ARTnews reviews. How would she describe his critical style? “In a word,” she said, “great.” . . . . |
And then there is Temple Eight, or Ex Fano Apollinis —
Cicero, In Verrem II. 1. 46 —
He reached Delos. There one night he secretly 46 carried off, from the much-revered sanctuary of Apollo, several ancient and beautiful statues, and had them put on board his own transport. Next day, when the inhabitants of Delos saw their sanc- tuary stripped of its treasures, they were much distressed . . . .
Delum venit. Ibi ex fano Apollinis religiosissimo noctu clam sustulit signa pulcherrima atque anti- quissima, eaque in onerariam navem suam conicienda curavit. Postridie cum fanum spoliatum viderent ii qui Delum incolebant, graviter ferebant . . . .
… Continued from other posts so tagged.
"Was ist Raum, wie können wir ihn
erfassen und gestalten?"
Another approach to changing the game —
See also a search here for a phrase related to
last night's Country Music Association awards
speech by Reba McEntire — "Rule the World."
"The word 'ablative' derives from the Latin ablatus ,
the (irregular) perfect passive participle of auferre 'to carry away'.[1]"
Example —
See as well Cicero, In Verrem II. 1. 46 —
He reached Delos. There one night he secretly 46
carried off, from the much-revered sanctuary of
Apollo, several ancient and beautiful statues, and
had them put on board his own transport. Next
day, when the inhabitants of Delos saw their sanc-
tuary stripped of its treasures, they were much
distressed . . . .
Delum venit. Ibi ex fano Apollinis religiosissimo noctu clam sustulit signa pulcherrima atque anti- quissima, eaque in onerariam navem suam conicienda curavit. Postridie cum fanum spoliatum viderent ii qui Delum incolebant, graviter ferebant . . . .
Alexander Grothendieck, Récoltes et Semailles , 18.5.9.5. e, p. 1181 :
Pour mettre la joie à son comble, j’ajoute que le dénommé Saavedra
semble avoir disparu de la circulation sans plus laisser aucune trace….
Du coup, l’histoire prend des allures de sombre intrigue policière.
Man of La Mancha :
"Who knows where madness lies?"
An author quoted here at 10 PM ET Monday, Nov. 24, 2014 :
And then there is author Dan McGirt :
It sounded fun, so I signed up — and soon learned writing a story set in someone else’s fictional world presents certain … challenges. It was an enjoyable experience, yet very different than being able to write and run with whatever crazy idea pops into my head. Trying to capture the feel of a game that is more based on action and blowing stuff up than on deep character moments (not that I would know much about that … ) was also a challenge. I experimented with things like using comic book sound effects, lean descriptions (do I really need to describe a fireball spell in detail?) and other tricks to keep things moving. I also got to add to Magicka lore. Often the answer to my questions about some bit of in-world history or “fact” was “Make something up.” So I did! (Often getting a response of … “Odin’s onions, no! You can’t do that!”) So I was thrilled and excited to contribute in a small way to the development of Midgård. The result is Magicka: The Ninth Element , in which four young Wizards are sent on a quest to pursue the mysterious Purple Wizard who has stolen a powerful artifact from the Order of Magick. Which powerful artifact? No one is quite sure (for reasons explained in the story). What does it do? Again, unclear. But it can’t be good. Thus our heroes Davlo, Grimnir, Fafnir and Tuonetar set out on their quest — and promptly go off the map. (I’m not even kidding. The Midgård map in the front of the book will of little use to you. But it’s pretty!) Will they survive the dangers of the Unmapped Lands? Will they catch the Purple Wizard in time? Will they save the world? Read the book to find out! |
A post from March 28, 2014 —
Art School ConfidentialFiled under: Uncategorized — m759 @ 4:01 AM |
March 28 was reportedly the date of death for a public figure:
Edwin Kagin, Atheist Who Battled Religion
in Public Sphere, Dies at 73.
Related material — the link Complex Reflection from March 28,
and a post on “The Sunset Limited.”
The “Sunset” post was suggested by the contrast between Kagin’s
views and those in a book by his son Stephen, a minister.
(The title is from a work by Charles Sanders Peirce.)
For LYNX 760 —
For more beauty and strangeness, see Strange McEntire.
For Reba McEntire on her birthday:
Complex Reflection and Naturalized Epistemology.
The title is a reference to a post of a year ago today.
From a page linked to in that post—
"It was a time when American celebrities
still resembled girls and boys next door
and when chart-toppers were manufactured
to appeal to listeners of all ages."
See also a Saturday Evening Post —
“Let’s give ‘em somethin’ to talk about,
A little mystery to figure out”
– Scarlett Johansson singing on
Saturday Night Live, April 21, 2007
"The game, which features psychological, spiritual,
and thriller elements, is centered around questions
about what happens after death…. The game's
producer noted that players might be able to find out
'what lies beyond' after playing it….
… Beyond was the final project of composer
Normand Corbeil, who died of pancreatic cancer
on 25 January 2013."
For related material from 25 January 2013, see…
For such a touch, instead of game star Ellen Page,
I prefer music star Reba McEntire —
Image posted here on October 4th,
the Feast of St. Francis of Assisi.
Related material: A Bishop for Ellen.
"Earl Eugene Scruggs was born on Jan. 6, 1924,
in Flint Hill, near Shelby, N.C.,
to George Elam Scruggs, a farmer and bookkeeper,
and the former Georgia Lula Ruppe,
who played the pump organ in church.
He attended high school in Boiling Springs, N.C."
— Today's online New York Times—
At Heaven’s Gate
Sunday, Sept. 4, 2011, RSS at 23:59 EDT:
Peter Woit's weblog Not Even Wrong—
"Lisa Randall’s new book is about to come out, it’s entitled
Knocking on Heaven’s Door: How Physics and Scientific Thinking
Illuminate the Universe and the Modern World."
Angels & Demons (the film)—
As she enters the lab she reacts in horror
as she sees an eyeball lying on the floor…
Click images for some backstory —
"She has taken on the role of a public face of physics,
and has written a book which is in part a very general defense
of science and the materialist, rationalist world-view
that modern science is based on."
See also yesterday's "The Stone" column in The New York Times—
I prefer philosophy enacted by Reba.
* A reference to Dan Brown, not Marianne Williamson
"Desire, hearing the calendar hymn, repudiates the negativity of the mind of winter…."
Related material: Appalachian Spring at Harvard and Reba.com.
"Even before Thales fell into the well, and the ancient Greeks laid the foundation
for Western philosophy, humans were engaged in the search for wisdom…."
— Introducing "The Stone," NY Times, May 16, 2010, quoted here this morning
Some have Wisdom thrust upon them.
Context— Happy Birthday Reba, 2009, and "I'll Follow a Star."
Ross Douthat in The New York Times of July 19—
"…while most extracurricular activities increase your odds of admission to an elite school, holding a leadership role or winning awards in organizations like high school R.O.T.C., 4-H clubs and Future Farmers of America actually works against your chances. Consciously or unconsciously, the gatekeepers of elite education seem to incline against candidates who seem too stereotypically rural or right-wing or 'Red America.'"
So much the worse for the elite schools.
For a more adult approach to the 2008 ACM Awards,
see "Happy May 18, Reba."
"Democrats– in conclusion– Democrats in America
were put on earth to do one thing— Drag the
ignorant hillbilly half of this country into the next
century, which in their case is the 19th."
Happy Palm Sunday
to Appalachia and
Happy Birthday, Reba
ALLURE |
at The New York Times.
For previous notes on
allure at the Times, see
St. Luke’s Day, 2008,
and its links.
Teaser at the top of
this afternoon’s Times’s
online front page:
“Vampires Never Die:
In our fast-paced society,
eternity has a special
allure.” (With fanged
illustration)–
Yesterday’s afternoon entry was
related to both the July 13th death
of avant-garde artist Dash Snow
and the beauty of Suzanne Vega.
A reference to Vega’s album
“Beauty & Crime” apppeared here
on the date of Snow’s death.
(See “Terrible End for an
Enfant Terrible,” NY Times,
story dated July 24.)
The Vega entry yesterday was, in
part, a reference to that context.
In view of today’s Times
teaser, the large picture of
Vega shown here yesterday
(a detail of the above cover)
seems less an image of
pure beauty than of, well,
a lure… specifically, a
vampire lure:
What healthy vampire
could resist that neck?
To me, the key words in the
Times teaser are “allure”
(discussed above) and “eternity.”
For both allure and eternity
in the same picture
(with interpretive
symbols added above)
see this journal on
January 31, 2008:
This image from “Black Narcissus”
casts Jean Simmons as Allure
and Deborah Kerr, in a pretty
contrast, as Eternity.
For different approaches to
these concepts, see Simmons
and Kerr in other films,
notably those co-starring
Burt Lancaster.
Lancaster seems to have had
a pretty good grasp of Allure
in his films with Simmons
and Kerr. For Eternity, see
“Rocket Gibraltar” and
“Field of Dreams.”
For less heterosexual approaches
to these concepts, see the
continuing culture coverage of
the Times— for instance, the
vampire essay above and the
Times‘s remarks Monday on
choreographer Merce Cunningham–
who always reminded me of
Carmen Ghia in “The Producers”–
Related material:
“Dance of the Vampires”
in “At the Still Point”
(this journal, 1/16/03).
“And what is it
you’re going to do?”
— Eddie Murphy as Pharaoh
See also
Reba at Heaven’s Gate
and
The Seventh Symbol:
“Jackson’s identified
the seventh symbol.”
— Stargate
Strange Bedfellows:
* Pictured next to John Updike
in “Multimedia” at the top of
today’s NY Times obituaries
(pdf, 1 megabyte).
The Rest
of the Story
Today's previous entry discussed the hermeneutics of the midday NY and PA lottery numbers.
Lotteries on Reba's birthday, 2009 |
Pennsylvania (No revelation) |
New York (Revelation) |
Mid-day (No belief) |
No belief, no revelation 726 |
Revelation without belief 378 |
Evening (Belief) |
Belief without revelation 006 |
Belief and revelation 091 |
Interpretations of the evening numbers–
The PA evening number, 006, may be viewed as a followup to the PA midday 726 (or 7/26, the birthday of Kate Beckinsale and Carl Jung). Here 006 is the prestigious "00" number assigned to Beckinsale.
The NY evening number, 091, may be viewed as a followup to the NY midday 378 (the number of pages in The Innermost Kernel by Suzanne Gieser, published by Springer, 2005)–
Page 91: The entire page is devoted to the title of the book's Part 3– "The Copenhagen School and Psychology"–
The next page begins: "With the crisis of physics, interest in epistemological and psychological questions grew among many theoretical physicists. This interest was particularly marked in the circle around Niels Bohr."
The circle above is
marked with a version of
the classic Chinese symbol
adopted as a personal emblem
by Danish physicist Niels Bohr,
leader of the Copenhagen School.
"Two things of opposite natures seem to depend
On one another, as a man depends
On a woman, day on night, the imagined
On the real. This is the origin of change.
Winter and spring, cold copulars, embrace
And forth the particulars of rapture come."
-- Wallace Stevens,
"Notes Toward a Supreme Fiction,"
Canto IV of "It Must Change"
The square above is marked
with a graphic design
related to the four-diamond
figure of Jung's Aion.
“Time: the moving
image of eternity.”
— Plato
Happy birthday,
Reba McEntire
Hole in the Wall
Loren Eiseley, I never found — “The Invisible Horseman” This quotation is the result of On Michaelmas 2008 (yesterday): The mailman brought next Sunday’s New York Times Book Review. On the last page was an essay by Steven Millhauser, “The Ambition of the Short Story.” It said that… “The short story concentrates on its grain of sand, in the fierce belief that there– right there, in the palm of its hand– lies the universe. It seeks to know that grain of sand the way a lover seeks to know the face of the beloved.” Part II: A search for the “grain of sand” phrase in this journal yielded a quotation from actor Will Smith: “Smith has just finished reading The Alchemist, by the Brazilian writer Paulo Coelho: ‘It says the entire world is contained in one grain of sand, and you can learn everything you need to learn about the entire universe from that one grain of sand. That is the kind of concept I’m teaching my kids.'” The quotation’s source is The Independent of July 9, 2004. Part III: The date of The Independent‘s story turns out to contain, in this journal, a meditation on white-trash food and Reba McEntire. (Recall her classic lyric — John Keats, “Fancy“ A passage closely related to Keats’s poem: “Fullness… Multitude.” These are the missing last words of Inman in Cold Mountain, added here on the Feast of St. Luke, 2004. For the meaning of these words, click on Luke. |
Of the People,
by the People, for the People From the autobiography of Reba McEntire: “…my major field of study was elementary education and my minor was music. I received my bachelor’s degree, but never taught school as my Mama and Grandma had done before me….” —My Story, Bantam, 1994 From a notable production of “Annie Get Your Gun” starring Reba McEntire: “Doin’ what comes naturally….” From Zenna Henderson’s first story of the People: “Suddenly I felt her, so plainly that I knew with a feeling of fear and pride that I was of my grandmother, that soon I would be bearing the burden and blessing of her Gift — the Gift that develops into free access to any mind, one of the People or an Outsider, willing or not. And besides the access, the ability to counsel and help, to straighten tangled minds and snarled emotions…. It was the first time I had ever sorted anybody.” — “Ararat,” in The Magazine of Fantasy & Science Fiction, October 1952 (reprinted in Ingathering, NESFA Press, 1995) |
“You know, I spent 20 years in business. If you ran a company whose only strategy was to tear down the competition, it wouldn’t last long. So why is this wisdom so hard to find in Washington?
I know we’re at the Democratic convention, but if an idea works, it really doesn’t matter if it has an ‘R’ or ‘D’ next to it. Because this election isn’t about liberal versus conservative. It’s not about left versus right. It’s about the future versus the past.
In this election, at this moment in our history, we know what the problems are. We know that at this critical juncture, we have only one shot to get it right….
Let me tell you about a place called Lebanon– Lebanon, Virginia.”
— Last night’s keynote address at the Democratic National Convention
“The lunatic,
the lover, and the poet are of imagination all compact.” — Shakespeare For further details, |
Und was für
ein Bild des Christentums
ist dabei herausgekommen?
_______________________________
“How’d yuh know deh was
such a place,” I says, “if yuh neveh
been deh befoeh?”
“Oh,” he says, “I got a map.”
“A map?” I says.
“Sure,” he says, “I got a map
dat tells me about all dese places.
I take it wit me every time
I come out heah,” he says.
And Jesus! Wit dat, he pulls it out
of his pocket, an’ so help me,
but he’s got it– he’s tellin’
duh troot– a big map of
duh whole f_____ place….”
"Let's give 'em somethin' to talk about,
A little mystery to figure out"
— Scarlett Johansson singing on
Saturday Night Live, April 21, 2007
Related material:
Today's previous entry
and the following:
From Log24 on
this date last year:
"May there be an ennui
of the first idea?
What else,
prodigious scholar,
should there be?"
— Wallace Stevens,
"Notes Toward a
Supreme Fiction"
The Associated Press,
May 25, 2007–
Thought for Today:
"I hate quotations.
Tell me what you know."
— Ralph Waldo Emerson
This "telling of what
I know" will of course
mean little to those
who, like Emerson,
have refused to learn
through quotations.
For those less obdurate
than Emerson —Harold Bloom
on Wallace Stevens
and Paul Valery's
"Dance and the Soul"–
"Stevens may be playful, yet seriously so, in describing desire, at winter's end, observing not only the emergence of the blue woman of early spring, but seeing also the myosotis, whose other name is 'forget-me-not.' Desire, hearing the calendar hymn, repudiates the negativity of the mind of winter, unable to bear what Valery's Eryximachus had called 'this cold, exact, reasonable, and moderate consideration of human life as it is.' The final form of this realization in Stevens comes in 1950, in The Course of a Particular, in the great monosyllabic line 'One feels the life of that which gives life as it is.' But even Stevens cannot bear that feeling for long. As Eryximachus goes on to say in Dance and the Soul:
A cold and perfect clarity is a poison impossible to combat. The real, in its pure state, stops the heart instantaneously….[…] To a handful of ashes is the past reduced, and the future to a tiny icicle. The soul appears to itself as an empty and measurable form. –Here, then, things as they are come together, limit one another, and are thus chained together in the most rigorous and mortal* fashion….
O Socrates, the universe cannot for one instant endure to be only what it is.
Valery's formula for reimagining the First Idea is, 'The idea introduces into what is, the leaven of what is not.' This 'murderous lucidity' can be cured only by what Valery's Socrates calls 'the intoxication due to act,' particularly Nietzschean or Dionysiac dance, for this will rescue us from the state of the Snow Man, 'the motionless and lucid observer.'" —Wallace Stevens: The Poems of Our Climate
* "la sorte… la plus mortelle":
mortal in the sense
"deadly, lethal"
Other quotations
(from March 28,
the birthday of
Reba McEntire):
Logical Songs
Logical Song I
(Supertramp)
"When I was young, it seemed that
Life was so wonderful, a miracle,
Oh it was beautiful, magical
And all the birds in the trees,
Well they'd be singing so happily,
Joyfully, playfully watching me"
Logical Song II
(Sinatra)
"You make me feel so young,
You make me feel like
Spring has sprung
And every time I see you grin
I'm such a happy in-
dividual….
You and I are
Just like a couple of tots
Running across the meadow
Picking up lots
Of forget-me-nots"
Happy May 18, Reba.
— Bernard Holland in
The New York Times
Monday, May 20, 1996
The headline for Edward Rothstein’s “Connections” column in The New York Times of Monday, March 26, 2007, was “Texts That Run Rings Around Everyday Linear Logic.”
The New York Lottery,
Friday, March 30, 2007: Mid-day 002 Evening 085 |
Continuing yesterday’s lottery meditation, let us examine today’s New York results in the light of Rothstein’s essay. The literary “ring” structure he describes is not immediately apparent in Friday’s numbers, although the mid-day number, 002– which in the I Ching signifies yin, the feminine, receptive principle– might be interpreted as referring to a ring of sorts.
Illustration from
an entry of
March 2, 2004
“A random selection from Hopkins’s journal shows how the sun acts as a focus….”
Today’s New York evening number,
85, reinforces this “ring” reference.
For related material, see
an entry for Reba McEntire’s
birthday four years ago.
Logical Song I
(Supertramp)
“When I was young, it seemed that
Life was so wonderful, a miracle,
Oh it was beautiful, magical
And all the birds in the trees,
Well they’d be singing so happily,
Joyfully, playfully watching me”
Logical Song II
(Sinatra)
“You make me feel so young,
You make me feel like
Spring has sprung
And every time I see you grin
I’m such a happy in-
dividual….
You and I are
Just like a couple of tots
Running across the meadow
Picking up lots
Of forget-me-nots“
Best Wishes for a
C. S. Lewis
Christmas
Image of Lewis from |
“What on earth is a concrete universal?” — Robert M. Pirsig, author of Zen and the Art of Motorcyle Maintenance For one approach to an answer, click on the picture at left. |
Update of 4:23 PM:
The Lewis link above deals with the separation of Heaven from Hell. The emphasis is on Heaven. A mysterious visitor to this website, “United States,” seems to be seeking equal time for Hell. And so…
TIME OF DATE OF PAGE VISITED
VISIT PAGE VISITED
1217 040520 Parable
1218 060606 The Omen
1220 051205 Don’t Know Much About History
1225 030822 Mr. Holland’s Week (And in Three Days…)
1233 030114 Remarks on Day 14 (What is Truth?)
1238 040818 Train of Thought (Oh, My Lolita)
1244 020929 Angel Night (Ellis Larkins)
1249 040715 Identity Crisis (Bourne and Treadstone)
1252 050322 Make a Differance (Lacan, Derrida, Reba)
1255 050221 Quarter to Three on Night of HST’s death
1256 040408 Triple Crown on Holy Thursday
1258 040714 Welcome to Mr. Motley’s Neighborhood
1258 030221 All About Lilith
0103 040808 Quartet (for Alexander Hammid)
0104 030106 Dead Poet in the City of Angels
0109 030914 Skewed Mirrors (Readings on Aesthetics)
0110 050126 A Theorem in Musical Form
0125 021007 Music for R. D. Laing
0138 020806 Butterflies & Popes (Transfiguration)
0140 060606 The Omen (again)
0156 030313 ART WARS: Perennial Tutti-Frutti
0202 030112 Ask Not (A Bee Gees Requiem)
0202 050527 Drama of the Diagonal, Part Deux
0202 060514 STAR WARS continued (Eclipse and Venus)
0207 030112 Ask Not (again… Victory of the Goddess)
0207 030221 All About Lilith (again… Roll credits.)
“The much-honored
mathematician
Shing-Tung Yau“
Numbers
from the
Keystone State
on October 16:
For an interpretation
of 596, see Wikipedia,
596 (nuclear test):
“596 is the codename of the
People’s Republic of China’s
first nuclear weapons test,
detonated on
October 16, 1964.”
Related material:
Beautiful indeed is the source of truth. To measure the changes of time and space the smartest are nothing.” |
A Living Church
A skeptic’s remark:
“…the mind is an amazing thing and it can create patterns and interconnections among things all day if you let it, regardless of whether they are real connections.”
— Xanga blogger “sejanus”
A reply from G. K. Chesterton
(Log24, Jan. 18, 2004):
“Plato has told you a truth; but Plato is dead. Shakespeare has startled you with an image; but Shakespeare will not startle you with any more. But imagine what it would be to live with such men still living. To know that Plato might break out with an original lecture to-morrow, or that at any moment Shakespeare might shatter everything with a single song. The man who lives in contact with what he believes to be a living Church is a man always expecting to meet Plato and Shakespeare to-morrow at breakfast. He is always expecting to see some truth that he has never seen before.”
A meditation on
Sunday’s numbers —
24
The Star
of Venus
“He looked at the fading light
in the western sky and saw Mercury,
or perhaps it was Venus,
gleaming at him as the evening star.
Darkness and light,
the old man thought.
It is what every hero legend is about.
The darkness which is more than death,
the light which is love, like our friend
Venus here….”
— Roderick MacLeish, Prince Ombra
From Log24, Oct. 23, 2002:
An excerpt from
Robert A. Heinlein‘s
classic novel Glory Road —
“I have many names. What would you like to call me?” “Is one of them ‘Helen’?” She smiled like sunshine and I learned that she had dimples. She looked sixteen and in her first party dress. “You are very gracious. No, she’s not even a relative. That was many, many years ago.” Her face turned thoughtful. “Would you like to call me ‘Ettarre’?” “Is that one of your names?” “It is much like one of them, allowing for different spelling and accent. Or it could be ‘Esther’ just as closely. Or ‘Aster.’ Or even ‘Estrellita.’ ” ” ‘Aster,’ ” I repeated. “Star. Lucky Star!” |
Related material:
672 Astarte and
The Venerable Bede
(born in 672).
672 illustrated:
The Venerable Bede
and the Star of Venus
The 672 connection is, of course,
not a real connection
(in the sense of “sejanus” above)
but it is nevertheless
not without interest.
Postscript of 6 PM
A further note on the above
illustration of the 672 connection:
The late Buck Owens
(see previous entry for
Owens, Reba, and the
star of Venus)
once described
his TV series as
“a show of fat old men
and pretty young girls”
(today’s Washington Post).
A further note on
lottery hermeneutics:
Those who prefer to interpret
random numbers with the aid
of a dictionary
(as in Is Nothing Sacred?)
may be pleased to note that
“heehaw” occurs in Webster’s
New World Dictionary,
College Edition, 1960,
on page 672.
In today’s Washington Post,
Richard Harrington informs us that
“As a child, Owens worked cotton and
maize fields, taking the name Buck
from a well-liked mule….”
By GREG RISLING
Associated Press Writer
LOS ANGELES — Singer Buck Owens, the flashy rhinestone cowboy who shaped the sound of country music… died Saturday. He was 76.
From Log24, Feb. 2, 2003:
Head White House speechwriter Michael Gerson:
“In the last two weeks, I’ve been returning to Hopkins. Even in the ‘world’s wildfire,’ he asserts that ‘this Jack, joke, poor potsherd, patch, matchwood, immortal diamond,/Is immortal diamond.’ A comfort.”
— Vanity Fair, May 2002, page 162
Related material:
See the five Log24 entries ending with The Diamond as Big as the Monster (Dec. 21, 2005).
Note particularly the following:
From Fitzgerald’s
The Diamond as Big as the Ritz:
“Now,” said John eagerly, “turn out your pocket and let’s see what jewels you brought along. If you made a good selection we three ought to live comfortably all the rest of our lives.”
Obediently Kismine put her hand in her pocket and tossed two handfuls of glittering stones before him.
“Not so bad,” cried John, enthusiastically. “They aren’t very big, but– Hello!” His expression changed as he held one of them up to the declining sun. “Why, these aren’t diamonds! There’s something the matter!”
“By golly!” exclaimed Kismine, with a startled look. “What an idiot I am!”
“Why, these are rhinestones!” cried John.
The figures are:
A symbol of Apollo from
Balanchine's Birthday and
A Minature Rosetta Stone,
a symbol of pure reason from
Visible Mathematics and
Analogical Train of Thought,
a symbol of Venus from
Why Me? and
To Graves at the Winter Solstice,
and, finally, a more
down-to-earth symbol,
adapted from a snowflake in
Those who prefer their
theological art on the scary side
may enjoy the
Christian Snowflake
link in the comments on
the "Logos" entry of
Orthodox Easter (May 1), 2005.
To Graves at the Winter Solstice
“There is one story and one story only Dwell on her graciousness, dwell on her smiling, — Robert Graves, |
Also on Saint Cecilia’s Day
(Release date: 11/22/2005)…
For Reba,
a very bright star,
the symbol of Venus
always shines:
The God Factor
"Kids who may never get out of their town will be able to see the world through books. But I'm talking about my passion. What's yours?"
— NickyJett, Xanga comment
"'What is this Stone?' Chloe asked….
'…It is told that, when the Merciful One
made the worlds, first of all He created
that Stone and gave it to the Divine One
whom the Jews call Shekinah,
and as she gazed upon it
the universes arose and had being.'"
— Many Dimensions,
by Charles Williams, 1931
Rebecca Goldstein
in conversation with
Bob Osserman
of the
Mathematical Sciences Research Institute
at the Commonwealth Club, San Francisco,
Tuesday, March 22. Wine and cheese
reception at 5:15 PM (San Francisco time).
For the meaning of the diamond,
see the previous entry.
Make a Différance
From Frida Saal's
Lacan Derrida:
"Différance is that which all signs have, what constitutes them as signs, as signs are not that to which they refer: i) they differ, and hence open a space from that which they represent, and ii) they defer, and hence open up a temporal chain, or, participate in temporality. As well, following de Sassure's famous argument, signs 'mean' by differing from other signs. The coined word 'différance' refers to at once the differing and the deferring of signs. Taken to the ontological level†, the differing and deferring of signs from what they mean, means that every sign repeats the creation of space and time; and ultimately, that différance is the ultimate phenomenon in the universe, an operation that is not an operation, both active and passive, that which enables and results from Being itself."
22. Without using the Pythagorean Theorem prove that the hypotenuse of an isosceles right triangle will have the length if the equal legs have the length 1. Suggestion: Consider the similar triangles in Fig. 39. 23. The ancient Greeks regarded the Pythagorean Theorem as involving areas, and they proved it by means of areas. We cannot do so now because we have not yet considered the idea of area. Assuming for the moment, however, the idea of the area of a square, use this idea instead of similar triangles and proportion in Ex. 22 above to show that x = .
— Page 98 of Basic Geometry, by George David Birkhoff, Professor of Mathematics at Harvard University, and Ralph Beatley, Associate Professor of Education at Harvard University (Scott, Foresman 1941) |
The above is from October 1999.
See also Naturalized Epistemology,
from Women's History Month, 2001.
Eight is a Gate
“The old men know
when an old man dies.”
— Ogden Nash
“Heaven is a state,
a sort of metaphysical state.”
— John O’Hara, Hope of Heaven, 1938
But in a larger sense…
Mais il y a un autre sens dans la dédicace que je trouve plus profond encore. Il s’agit de se dédier soi-même. Le terme que l’on traduit par dédicace est en japonais ekô, littéralement “se tourner vers”. Il est composé de deux idéogrammes, e qui signifie “tourner le dos, se tourner, revenir en arrière” et kô, “faire face, s’adresser à”.
Dans l’école Tendai, on explique que ce terme possède trois sens:
– tourner le dos (e) aux phénomènes et faire face (kô) au principe;
– tourner le dos (e) au soi et faire face (kô) aux autres;
– tourner le dos (e) aux causes et faire face (kô) aux effets.
On pourrait dire regarder l’essentiel, regarder autrui et regarder le futur. Le terme évoque un retournement. Il s’agit d’aller à rebours de nos fonctionnements habituels, de bouleverser nos attitudes, se détourner de l’égocentrisme pour aller dans le sens de l’ouverture, ne plus se fourvoyer dans l’erreur mais s’ouvrir à la clarté.
Ekô a bien dans les textes bouddhistes un double sens, c’est à la fois dédier quelque chose comme la récitation d’un texte mais également se dédier soi-même. Dans cette deuxième attitude, c’est soi-même, tout entier, corps et esprit, qui est l’objet de la dédicace. Plus qu’on donne, on se donne. On trouve les deux sens chez Dôgen qui n’ignore pas le “transfert des mérites” mais qui sait que ekô se confond avec la voie de l’éveil. Il y a par exemple ce passage dans le Shôbôgenzô Zuimonki:
“Dans le bouddhisme, il y a ceux qui sont foncièrement doués d’amour et de compassion, de connaissance et de sagesse. Pour peu qu’ils étudient, ceux qui en sont dépourvus les réaliseront. Ils n’ont qu’à abandonner le corps et l’esprit, se dédier (ekô) dans le grand océan du bouddhisme, se reposer sur les enseignements du bouddhisme et ne pas rester dans les préjugés personnels.”
[Buppô ni wa, jihi chie mo yori sonawaru hito mo ari. Tatoi naki hito mo gaku sureba uru nari. Tada shinjin o tomoni hôge shite, buppô no daikai ni ekô shite, buppô no kyô ni makasete, shikiyoku o son zuru koto nakare.]
(Shôbôgenzô zuimonki, Edition populaire, cinquième cahier, première causerie)
Le français ne peut véritablement rendre la subtilité du choix des mots de Dôgen qui utilise des figures de style typiquement chinoises comme le chiasme, l’opposition et l’appariement. Il emploie des verbes d’état d’une part : se reposer, rester, de l’autre des verbes d’action, abandonner (hôge su, lit. “laisser choir”), se dédier (ekô su, lit. “se tourner vers”, qui a presque ici le sens de “se jeter”). Réaliser l’amour, la compassion, la connaissance et la sagesse nécessite une transformation, une conversion, un saut dans l’ailleurs. Ce dynamisme permet de quitter le soi égocentré pour entrer dans la dimension de l’éveil, ce que Dôgen appelle ici le bouddhisme.
Ce retournement, ekô, possède une double dimension, à la fois interne et externe. D’un point de vue intérieur, nous nous dédions à l’éveil, d’un point de vue extérieur, nous nous dédions aux autres. Mais l’intérieur et l’extérieur sont comme les deux faces d’une même feuille de papier.
Dedication added on
Oct. 4, 2004, 2:25 PM:
To Richard Avedon, who died
on Oct. 1, 2004. He said that
“All photographs are accurate.
None of them is the truth.”
On originality– See
the comments.
_______________________
Originality Prize
A bag of Fritos to John Kerry…
“Kerry contributed most of the night’s fairly original phrases, including the suggestion that invading Iraq in retaliation to Sept. 11 was like Franklin Roosevelt invading Mexico in response to Pearl Harbor.”
— Noel Holston at Newsday.com
Log24.net illustration following Whoopi Goldberg’s “bush” remarks and John Mellencamp’s “bandito” song at a Kerry fundraiser last summer:
Log24.net two years ago on this date:
… y el no estar del todo en una acción
y es el Cantar de los Cantares
y es el amor que te ama
Scoop
This afternoon I came across, in a briefcase I seldom use, two books I had not looked at since I bought them last month:
At the time I purchased the books, indeed until I looked up Iles on the Web today, I was not aware of the Mississippi connection. Their physical connection, lying together today in my briefcase, is, of course, purely coincidental. My view of coincidence is close to that of Arthur Koestler, who wrote The Challenge of Chance and The Roots of Coincidence, and to that of Loren Eiseley, who wrote of a dice game and of "the Other Player" in his autobiography, All the Strange Hours.
A Log24 entry yesterday referred to a comedic novel on the role of chance in physics, Cosmic Banditos. Today's New York Times quotes an entertainer who referred to President Bush yesterday, at a political fund-raiser, as a bandito. Another coincidence… this one related directly to the philosophy of coincidences expounded jokingly in Cosmic Banditos.
I draw no conclusions from such coincidences, but they do inspire me to look a little deeper into life's details — where, some say, God is. Free association on these details, together with a passage in Sanctuary, inspired the following collage:
Faulkner on a trinity of women
in Sanctuary (Ch. 25):
"When I was helping Frito corn chips expand its core user group in the mid-'90s, we didn't ask Frito-Lay to just wave the Fritos banner. The brand was elevated to a place where it could address its core users in a way that was relevant to their lifestyle. We took the profile of the audience and created a campaign starring Reba McEntire. It captured the brand's essence, and set Frito eaters amidst good music, good people, and good fun."
Loren Eiseley,
Notes of an Alchemist:
I never found
the hole in the wall;
I never found
Pancho Villa country
where you see the enemy first.
— "The Invisible Horseman"
Bright Star
From a Spanish-English dictionary:
lucero m. morning or evening star: any bright star….
Today is Reba McEntire’s birthday.
” ‘I know what it is you last saw,’ she said; ‘for that is also in my mind. Do not be afraid! But do not think that only by singing amid the trees, nor even by the slender arrows of elven-bows, is this land of Lothlórien maintained and defended against the Enemy. I say to you, Frodo, that even as I speak to you, I perceive the Dark Lord and know his mind, or all his mind that concerns the Elves. And he gropes ever to see me and my thought. But still the door is closed!’
She lifted up her white arms, and spread out her hands towards the East in a gesture of rejection and denial. Eärendil, the Evening Star, most beloved of the Elves, shone clear above. So bright was it that the figure of the Elven-lady cast a dim shadow on the ground. Its ray glanced upon a ring about her finger; it glittered like polished gold overlaid with silver light, and a white stone in it twinkled as if the Even-star had come to rest upon her hand. Frodo gazed at the ring with awe; for suddenly it seemed to him that he understood.
‘Yes’, she said, divining his thought, ‘it is not permitted to speak of it, and Elrond could not do so. But it cannot be hidden from the Ring-Bearer, and one who has seen the Eye. Verily it is in the land of Lórien upon the finger of Galadriel that one of the Three remains. This is Nenya, the Ring of Adamant, and I am its keeper.’ “
— J. R. R. Tolkien, The Lord of the Rings
Related material on telepathy:
Shining Forth and Naturalized Epistemology
Related material on rings, and another musical Reba:
Leonard Gillman interview, Part I and Part II
Gillman, a pianist, is co-author of Rings of Continuous Functions.
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