The above is six-dimensional as an affine space, but only five-dimensional
as a projective space . . . the space PG(5, 2).
As the domain of the smallest model of the Klein correspondence and the
Klein quadric, PG (5,2) is not without mathematical importance.
See Chess Bricks and Ovid.group.
This post was suggested by the date July 6, 2024 in a Warren, PA obituary
and by that date in this journal.
The Moolakaprithi Cube (as opposed to Rubik's Moola Cube ) —
"The key to these connections lies in a 3 x 3 x 3 cube, which
in Vedic Physics, forms the Moolaprakriti, a key component of
the Substratum, the invisible black hole form of matter."
— viXra.org, "Clifford Clock and the Moolakaprithi Cube"
* See Wikipedia.
From Psychoanalytic Aesthetics: The British School ,
by Nicola Glover, Chapter 4 —
|
In his last theoretical book, Attention and Interpretation (1970), Bion has clearly cast off the mathematical and scientific scaffolding of his earlier writings and moved into the aesthetic and mystical domain. He builds upon the central role of aesthetic intuition and the Keats's notion of the 'Language of Achievement', which
… includes language that is both Bion distinguishes it from the kind of language which is a substitute for thought and action, a blocking of achievement which is lies [sic ] in the realm of 'preconception' – mindlessness as opposed to mindfulness. The articulation of this language is possible only through love and gratitude; the forces of envy and greed are inimical to it.. This language is expressed only by one who has cast off the 'bondage of memory and desire'. He advised analysts (and this has caused a certain amount of controversy) to free themselves from the tyranny of the past and the future; for Bion believed that in order to make deep contact with the patient's unconscious the analyst must rid himself of all preconceptions about his patient – this superhuman task means abandoning even the desire to cure . The analyst should suspend memories of past experiences with his patient which could act as restricting the evolution of truth. The task of the analyst is to patiently 'wait for a pattern to emerge'. For as T.S. Eliot recognised in Four Quartets , 'only by the form, the pattern / Can words or music reach/ The stillness'.30. The poet also understood that 'knowledge' (in Bion's sense of it designating a 'preconception' which blocks thought, as opposed to his designation of a 'pre -conception' which awaits its sensory realisation), 'imposes a pattern and falsifies'
For the pattern is new in every moment The analyst, by freeing himself from the 'enchainment to past and future', casts off the arbitrary pattern and waits for new aesthetic form to emerge, which will (it is hoped) transform the content of the analytic encounter. 29. Attention and Interpretation (Tavistock, 1970), p. 125 30. Collected Poems (Faber, 1985), p. 194. 31. Ibid., p. 199. |
See also the previous posts now tagged Bion.
Preconception as mindlessness is illustrated by Rubik's cube, and
"pre -conception" as mindfulness is illustrated by n×n×n Froebel cubes
for n= 1, 2, 3, 4.
Suitably coordinatized, the Froebel cubes become Galois cubes,
and illustrate a new approach to the mathematics of space .
The previous post suggests a search in this journal
for "Deathtrap."
"Rubik’s Cube® used by permission
Rubik’s Brand Ltd. www.rubiks.com."
— Bernd Sturmfels, June-July 2016 Notices
of the American Mathematical Society ,
Volume 63, Number 6, page 605
"Tenser, said the Tensor …." — The Demolished Man
Max von Sydow in Branded (2012)
“The Cube was born in 1974 as a teaching tool
to help me and my students better understand
space and 3D. The Cube challenged us to find
order in chaos."
— Professor Ernő Rubik at Chrome Cube Lab
For a Chinese approach to order and chaos,
see I Ching Cube in this journal.
(Continued from Abel Prize, August 26)
The situation is rather different when the
underlying Galois field has two rather than
three elements… See Galois Geometry.
The coffee scene from "Bleu"
Related material from this journal:
The Dream of
the Expanded Field
"Pray for the grace of accuracy." — Robert Lowell
From Snaith's pages 76 and 77 —
Compare and contrast . . .
Wikipedia on the numbers of cubies and facelets —
"The puzzle consists of 26 unique miniature cubes,
also known as 'cubies' or 'cubelets'."
"A 3 × 3 × 3 Rubik's Cube consists of 6 faces, each with
9 colored squares called facelets, for a total of 54 facelets."
From a search in this journal for Moon Knight —
The "Loeb Fellowship in advanced environmental studies"
is not named for Arthur L. Loeb . . .
Related reading from this journal —
Posts now tagged Arthur Lee Loeb.
Related art from this journal —
The setting for the Sidney Lumet film "Deathtrap" (1982)
An instance of T. S. Eliot's poetic "still point" is the
center of a 3x3x3 Galois cube made up of 27 subcubes …
Not Rubik's puzzle, whose center is a mere mechanical contrivance.
Associated with that Galois cube is the set of
13 symmetry axes of its central subcube.
The figure above is not unrelated to the so-called "free will theorem."
Mathematician Peter J. Cameron's recent quotation of St. Bernard*
on free will and grace, while not impressive as a philosophical
statement, is at least preferable to the TV sitcom "Will and Grace."
See also the notion of free will in other posts tagged "Congregated Light."
Some context: Tom Wolfe, below, on the word "clerisy." It seems that the
word applies to many academics besides those in areas named by Wolfe.
* Vide http://www.catholictradition.org/Tradition/efficacious-grace3.htm#67 —
"De gratia et Libero arbitrio, chaps. 1 and 14."
Hometown newspaper on the day I turned 25 —
A Sequel for Rubik: Turning 27 —
Related meditations: Turning.
Illustrations of object and gestures
from finitegeometry.org/sc/ —
Object
Gestures
An earlier presentation of the above
seven partitions of the eightfold cube:
|
|
Related mathematics:
|
The use of binary coordinate systems
Natural physical transformations of square or cubical arrays See "The Thing and I." |
and . . .
Related entertainment:
Or Matt Helm by way of a Jedi cube.
See "Cube Space" + Lovasz.
This search was suggested by . . .
The conclusion of Solomon Golomb's
"Rubik's Cube and Quarks,"
American Scientist , May-June 1982 —
"Rubik's Cube, and the simpler [2x2x2] Super Cube, represent
one form of mathematical and physical reality."
— Solomon W. Golomb, "Rubik's Cube and Quarks:
Twists on the eight corner cells of Rubik's Cube
provide a model for many aspects of quark behavior,"
American Scientist , Vol. 70, No. 3 (May-June 1982), pp. 257-259
From the last (Nov. 14, 2022) of the Log24 posts now tagged Groups and Spaces —
From the first (June 21, 2010) of the Log24 posts now tagged Groups and Spaces —
"With the Tablet of Ahkmenrah and the Cube of Rubik,
my power will know no bounds!"
— Kahmunrah in a novelization of Night at the Museum:
Battle of the Smithsonian , Barron's Educational Series
Scholium —
Abstracting from narrative to structure, and from structure
to pure number, the Tablet of Ahkmenrah represents the
number 9 and the Cube of Rubik represents the number 27.
Returning from pure abstract numbers to concrete representations,
9 yields the structures in Log24 posts tagged Triangle.graphics,
and 27 yields a Galois cube .
From a Jamestown (NY) Post-Journal article yesterday on
"the sold-out 10,000 Maniacs 40th anniversary concert at
The Reg Lenna Center Saturday" —
" 'The theater has a special place in our hearts. It’s played
a big part in my life,' Gustafson said.
Before being known as The Reg Lenna Center for The Arts,
it was formerly known as The Palace Theater. He recalled
watching movies there as a child…."
This, and the band's name, suggest some memories perhaps
better suited to the cinematic philosophy behind "Plan 9 from
Outer Space."
"With the Tablet of Ahkmenrah and the Cube of Rubik,
my power will know no bounds!"
— Kahmunrah in a novelization of Night at the Museum:
Battle of the Smithsonian , Barron's Educational Series
The above 3×3 Tablet of Ahkmenrah image comes from
a Log24 search for the finite (i.e., Galois) field GF(3) that
was, in turn, suggested by last night's post "Making Space."
See as well a mysterious document from a website in Slovenia
that mentions a 3×3 array "relating to nine halls of a mythical
palace where rites were performed in the 1st century AD" —
The pane number of interest — 15 or 14 ? —
depends on your perspective.
Related cinematic art of Oscar Isaac —
New York Review of Books , Dec. 16, 2021 issue —
Lorrie Moore on the documentary series "Couples Therapy" —
"Few of the people sitting on the couch avoid the cliché of
one person (a man) playing fruitlessly with a plastic puzzle
while the other speaks tearfully and avails herself of a
Kleenex box. In season 1, there is literally a Rubik’s cube,
and no one ever solves it, an unfortunate but apt metaphor.
During one session, when the cube has been placed out of reach,
one of the husbands gets up to look for it, finding it on a shelf."
See also . . .
"The bond with reality is cut." — Hans Freudenthal
"Metaphor in language — the prime mover"
— George Steiner in Real Presences (1989)
Not so prime —
See also the "Transformers" marketing saga.
Related marketing:
Disney Easter eggs —
Related art — The non-Rubik 3x3x3 cube —
The above structure illustrates the affine space of three dimensions
over the three-element finite (i.e., Galois) field, GF(3). Enthusiasts
of Judith Brown's nihilistic philosophy may note the "radiance" of the
13 axes of symmetry within the "central, structuring" subcube.
I prefer the radiance (in the sense of Aquinas) of the central, structuring
eightfold cube at the center of the affine space of six dimensions over
the two-element field GF(2).
Geometry for Jews continues.
The conclusion of Solomon Golomb's
"Rubik's Cube and Quarks,"
American Scientist , May-June 1982 —
Related geometric meditation —
Archimedes at Hiroshima
in posts tagged Aitchison.
* As opposed to Solomon's Cube .
Related vocabulary —
See as well the word facet in this journal.
Analogously, one might write . . .
A Hiroshima cube consists of 6 faces ,
each with 4 squares called facets ,
for a total of 24 facets. . . ."
(See Aitchison's Octads , a post of Feb. 19, 2020.)
Click image to enlarge. Background: Posts tagged 'Aitchison.'"
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