Log24

Sunday, February 21, 2016

The Masonic Mandorla

Filed under: General — Tags: , — m759 @ 7:45 pm

A post for Tom Hanks and Dan Brown

Fictional Harvard professor of symbology Robert Langdon, as portrayed by Tom Hanks

Yahoo! President and CEO Marissa Mayer delivers a keynote
during the Yahoo Mobile Developers Conference on February 18,
2016, at Nob Hill Masonic Center in San Francisco, California.
Credit: Stephen Lam

Thursday, July 14, 2011

ART WARS continued:

Filed under: General — Tags: , — m759 @ 5:01 am

The Bauhaus Dance

http://www.log24.com/log/pix11B/110714-BauhausRoof.jpg

See also The Ya Ya Mandorla

http://www.log24.com/log/pix11B/110714-VesicaXOR.jpg

 

http://www.log24.com/log/pix11B/110714-Michelangelo.jpg

Thursday, March 3, 2016

Metaphors

Filed under: General — m759 @ 12:19 pm

A rose on a Harvard University Press book cover (2014) —

A Log24 post's "lotus" (2004) —

A business mandorla (2016) —

Friday, April 25, 2008

Friday April 25, 2008

Filed under: General — Tags: , — m759 @ 8:00 am
Destabilizing
the Locus

 
"It is the intention
 of this piece
 to destabilize the locus
  of that authorial act…."

— Yale art student
    Aliza Shvarts,
quoted today in
The Harvard Crimson

From Log24 on
March 14:



Rite of Spring

From the online 
Harvard Crimson

Anatomy exhibit at the Harvard Women's Center

Related material:

A figure from  
Monday's entry

Mandorla from center of ovato tondo

— and  
June 30, 2007's
Annals of Theology,
with a link to a film:
The Center of the World.

The center referred
to in that film is the
same generic "center"
displayed at Harvard
and in the above
mandorla: not the
Harvard Women's
Center, but rather

the women's center.

See also Yeats —
"the centre cannot hold,"

Stevens —
"the center of resemblance,"

and Zelazny —
"center loosens,
forms again elsewhere
."

Related material
from Google:

JSTOR: Killing Time
with Mark Twain's Autobiographies

frame "writing" within his own writing in order to destabilize the locus of his authorial voice and to promote a textual confusion that doubly displaces
links.jstor.org/…Similar pages

Other ways
of killing time:

From Log24 on April 21, the date of Mark Twain's death–

Psychoshop, by Alfred Bester and Roger Zelazny:

His manner was all charm and grace; pure cafe society….

He purred a chuckle. "My place. If you want to come, I'll show you."

"Love to. The Luogo Nero? The Black Place?"

"That's what the locals call it. It's really Buoco Nero, the Black Hole."

"Like the Black Hole of Calcutta?"

"No. Black Hole as in astronomy. Corpse of a dead star, but also channel between this universe and its next-door neighbor."

The Pennsylvania Lottery
yesterday, April 24, 2008:

Mid-day 923, Evening 765….

and hence Log24, 9/23 (2007), and page 765 of From Here to Eternity (Delta paperback, 1998):

He stayed that way for eight days, never what you could really call drunk, but certainly never anywhere near sober, and always with a bottle of Georgette's expensive scotch in one hand and a glass in the other. He did not talk at all except to say "Yes" or "No," mostly "No," when confronted with a direct question, and he never ate anything when they were there. It was like living in the same house with a dead person.

Sunday, July 1, 2007

Sunday July 1, 2007

Filed under: General — m759 @ 10:31 pm
Object Lesson
continued…

"Three times the concentred
     self takes hold, three times
The thrice concentred self,
     having possessed
The object, grips it
     in savage scrutiny,
Once to make captive,
     once to subjugate
Or yield to subjugation,
     once to proclaim
The meaning of the capture,
     this hard prize,
Fully made, fully apparent,
     fully found."

— "Credences of Summer," VII,
    by Wallace Stevens, from
    Transport to Summer (1947)

 

Mathematics of the football mandorla (vesica piscis)

For a religious
interpretation
of 265, see
Sept. 30, 2004.

For a religious
interpretation
of 153, see
Fish Story.
 
A quotation from
the Eater of Souls:

"That's how it is, Easy," my Coach went on, his voice more in sorrow than in anger. "Yardage is all very well but you don't make a nickel unless you cross that old goal line with the egg tucked underneath your arm." He pointed at the football on his desk. "There it is. I had it gilded and lettered clear back at the beginning of the season, you looked so good and I had so much confidence in you– it was meant to be yours at the end of the season, at a victory banquet."

Glory Road,
by Robert A. Heinlein
 

Thursday, March 8, 2007

Thursday March 8, 2007

Filed under: General — Tags: — m759 @ 7:13 pm
Introduction to Logic
for International Women's Day

"The logic behind such utterances is the logic
of binary opposition, the principle of non-contra-
diction, often thought of as the very essence of
Logic as such….

Now, my understanding of what is most radical
in deconstruction is precisely that it questions
this basic logic of binary opposition….

Instead of a simple 'either/or' structure,
deconstruction attempts to elaborate a discourse
that says neither "either/or", nor "both/and"
nor even "neither/nor", while at the same time
not totally abandoning these logics either."

Harvard professor Barbara Johnson
in "Nothing Fails Like Success."
(See the previous entry, Day Without Logic.)

The 16 Binary Connectives, with Venn Diagrams

Click to enlarge.

Those who value literary theory
more than they value truth
may prefer, on this
International Women's Day,
the "mandorla" interpretation
of the above diagrams.

For this interpretation, see
Death and the Spirit III,
Burning Bright,
and
The Agony and the Ya-Ya.

Thursday, July 29, 2004

Thursday July 29, 2004

Filed under: General — m759 @ 4:09 am

In loving memory of
Fred “Bubba” LaRue,
architect of Nixon’s
   “southern strategy” —

Part of a Log24 entry
for Saturday, July 24,
LaRue’s apparent
date of death —

Southern
Strategy
Galore:

The Agony
and the Ecstasy

and

a mandorla,
symbol of the Episcopal
Diocese of South Carolina.

The New York Times quotes
LaRue’s son as saying,
“His heart failed while he was
reading a book.”
The title is unknown.

Saturday, July 24, 2004

Saturday July 24, 2004

Filed under: General — Tags: — m759 @ 3:09 am

Is Nothing Sacred
(3/09
), continued…

"With a holy host of others
     standing 'round me
Still I'm on the dark side
     of the moon
And it seems like it goes on
     like this forever
You must forgive me
If I'm up and gone to
     Carolina in my mind."

— James Taylor

"The town of Mount Pleasant
is known for its excellent
public schools, some of the best
in the Charleston School District
and in the State."

The Agent-Owned Realty Co.

Assignments from
a Mount Pleasant high school
summer honors course
….

  1. READ the first two chapters
    of The Source
    by James Michener.
     (1-111)….
  2. WATCH one of the
    following movies:
    The Agony and the Ecstasy,
    A Man for All Seasons,
    Ben Hur,
    Spartacus,
    or
    The Lion in Winter.

The Agony
and the Ecstasy

and

a mandorla,
symbol of the Episcopal
Diocese of South Carolina,
from Log24 entries,
Oct. 4-7, 2002

Friday, October 4, 2002

Friday October 4, 2002

Filed under: General — Tags: — m759 @ 4:17 am

ART WARS:
The Agony and the Ya-Ya

Today's birthdays:

  • Charlton Heston
  • Anne Rice
  • Patti LaBelle

To honor the birth of these three noted spiritual leaders, I make the following suggestion: Use the mandorla as the New Orleans Mardi Gras symbol.  Rice lives in New Orleans and LaBelle's classic "Lady Marmalade" deals with life in that colorful city.

What, you may well ask, is the mandorla? This striking visual symbol was most recently displayed prominently at a meeting of U.S. cardinals in the Pope's private library on Shakespeare's birthday.  The symbol appears in the upper half of a painting above the Pope.

From Church Anatomy:

The illustration below shows how Barbara G. Walker in her excellent book "The Woman’s Encyclopedia of Myths and Secrets" describes the mandorla.

 

 

 

The Agony
and the Ecstasy

Based on a novel by Irving Stone, this 1965 movie focuses on the relationship between Michelangelo (Charlton Heston) and Pope Julius II (Rex Harrison), who commissioned the artist to paint the Sistine Chapel ceiling.

Vesica piscis

Mandorla, "almond," the pointed-oval sign of the yoni, is used in oriental art to signify the divine female genital; also called vesica piscis, the Vessel of the Fish. Almonds were holy symbols because of their female, yonic connotations.

Christian art similarly used the mandorla as a frame for figures of God, Jesus, and saints, because the artists forgot what it formerly meant. I. Frazer, G.B., 403

 

 

 
For further details on the mandorla (also known as the "ya-ya") see my June 12, 2002, note The Ya-Ya Monologues.
 
A somewhat less lurid use of the mandorla in religious art — the emblem of the Episcopal Diocese of South Carolina, taken from the website of St. Michael's Church in Charleston — is shown below.
 

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