Log24

Tuesday, August 7, 2018

Seventh

Filed under: General — Tags: — m759 @ 11:00 AM

 A Requiem Chord

Tom StoppardJumpers —

“Heaven, how can I believe in Heaven?” 
she sings at the finale.

“Just a lying rhyme for seven!”

Perhaps.

http://www.log24.com/log/pix18/180807-Gage_Averill-Four_Parts-p-164.gif

Monday, April 25, 2016

Seven Seals

Filed under: General,Geometry — Tags: — m759 @ 11:00 PM

 An old version of the Wikipedia article "Group theory"
(pictured in the previous post) —

"More poetically "

From Hermann Weyl's 1952 classic Symmetry

"Galois' ideas, which for several decades remained
a book with seven seals  but later exerted a more
and more profound influence upon the whole
development of mathematics, are contained in
a farewell letter written to a friend on the eve of
his death, which he met in a silly duel at the age of
twenty-one. This letter, if judged by the novelty and
profundity of ideas it contains, is perhaps the most
substantial piece of writing in the whole literature
of mankind."

The seven seals from the previous post, with some context —

These models of projective points are drawn from the underlying
structure described (in the 4×4 case) as part of the proof of the
Cullinane diamond theorem .

Saturday, September 20, 2014

Seven*

Filed under: General — m759 @ 7:01 PM

Google News at 7:

* The title refers to Tom Stoppard’s “lying rhyme” .

Sunday, March 17, 2019

Another Lying Rhyme…

Filed under: General — Tags: — m759 @ 11:29 PM

For Tom Stoppard, author of "Jumpers"

"Seven is Heaven" 


          From a webpage of Bill Cherowitzo

" … the Fano plane ,
a set of seven points
grouped into seven lines
that has been called
'the combinatorialist’s coat of arms.' "

— Blake Stacey in a March 14 post 

Thursday, December 8, 2016

Space News

Filed under: General — Tags: — m759 @ 4:56 PM

"Bad news on the doorstep…." — American Pie


Update of 5:24 PM ET — A requiem chord

Tom StoppardJumpers —

“Heaven, how can I believe in Heaven?” 
she sings at the finale.

“Just a lying rhyme for seven!”

Perhaps.

Saturday, June 11, 2016

Where Credit Is Due

Filed under: General — Tags: — m759 @ 4:16 AM

"White is credited with broadening the scope of
topics traditionally studied by philosophers…."

Monday, June 6, 2016

Structure and Sense

Filed under: General,Geometry — Tags: — m759 @ 2:01 PM

"… the war of 70-some years ago
has already become something like the Trojan War
had been for the Homeric bards:
a major event in the mythic past
that gives structure and sense to our present reality."

— Justin E. H. Smith, a professor of philosophy at
     the University of Paris 7–Denis Diderot,
     in the New York Times  column "The Stone"
     (print edition published Sunday, June 5, 2016)

In memory of a British playwright who reportedly
died at 90 this morning —

Structure

Sense

A set of 7 partitions of the 2x2x2 cube that is invariant under PSL(2, 7) acting on the 'knight' coordinatization

Monday, March 21, 2016

Cut Short: Requiem for a Frankfurter

Filed under: General — Tags: — m759 @ 1:22 PM

Just a lying rhyme for seven!
— Playwright Tom Stoppard on Heaven

" 'Heaven lies about us in our infancy!' wrote William Wordsworth, one of Geoffrey Hartman’s beloved Romantics….

For Hartman, in 2010 proclaimed by his Yale colleague Paul Fry to be 'arguably the finest Wordsworth critic who has ever written,' those lines from 'Ode on Intimations of Immortality from Recollections of Early Childhood' must have been especially bittersweet. His own childhood had been cut short; born in Frankfurt in 1929…."

— "Remembering Geoffrey Hartman —
Wordsworthian, Critic and Holocaust Scholar,"
by Talya Zax today at Forward.com

Sunday, July 19, 2015

Lying Rhyme

Filed under: General,Geometry — m759 @ 6:45 PM
 

Tom StoppardJumpers —

“Heaven, how can I believe in Heaven?” 
she sings at the finale.
“Just a lying rhyme for seven!”

“To begin at the beginning: Is God?…”
[very long pause]

Leave a space.”

See as well a search for "Heaven.gif" in this journal.

For the more literate among us —

     … and the modulation from algebra to space.

Friday, July 25, 2014

Lying Rhyme?

Filed under: General — m759 @ 7:00 PM

“Just a lying rhyme for seven!” — Playwright Tom Stoppard on Heaven

Related material in this journal:  Lying Rhyme and Happy Birthday.

Wednesday, February 23, 2011

Jewel in the Crown

Filed under: General — m759 @ 2:00 PM

http://www.log24.com/log/pix11/110223-ManchesterTime.jpg

For seven — Two poems: Lord Shiva and somewhere i have never travelled

Incidentally… " 'Posh' is a word in Romany, the language of Gypsies, meaning 'half.' According to poet and etymologist John Ciardi, the word originally entered the argot of England's underworld in the 17th century in such compounds as 'posh-houri,' meaning 'half-pence,' and soon became a slang term for money in general. From there it was a short hop to meaning 'expensive' or 'fancy.' … the Gypsies… came originally from Northern India…." Word-Detective.com

Word detectives who are too clever by half may enjoy some context —

http://www.log24.com/log/pix11/110223-CloseEncounters.jpg

Monday, June 9, 2008

Monday June 9, 2008

Filed under: General,Geometry — m759 @ 10:20 PM
Lying Rhymes

Readers of the previous entry
who wish to practice their pardes
may contemplate the following:

NY Lottery June 9, 2008: mid-day 007, evening 563

 
The evening 563 may, as in other recent entries, be interpreted as a page number in Gravity’s Rainbow (Penguin Classics, 1995). From that page:

“He brings out the mandala he found.
‘What’s it mean?’
[….]
Slothrop gives him the mandala. He hopes it will work like the mantra that Enzian told him once, mba-kayere (I am passed over), mba-kayere… a spell […]. A mezuzah. Safe passage through a bad night….”

In lieu of Slothrop’s mandala, here
is another, from the Dante link
in today’s previous entry:

Christ and the four elements, 1495

Christ and the Four Elements

This 1495 image is found in
The Janus Faces of Genius:
The Role of Alchemy

in Newton’s Thought,
by B. J. T. Dobbs,
Cambridge University Press,
2002, p. 85


Related mandalas:

Diamond arrangement of the four elements

and

Logo by Steven H. Cullinane for website on finite geometry

For further details,
click on any of the
three mandalas above.

“For every kind of vampire,
there is a kind of cross.”

— Thomas Pynchon, quoted
here on 9/13, 2007

(As for today’s New York Lottery midday number 007, see (for instance) Edward Rothstein in today’s New York Times on paradise, and also Tom Stoppard on heaven as “just a lying rhyme” for seven.)

Time of entry: 10:20:55 PM

Wednesday, February 27, 2008

Wednesday February 27, 2008

Filed under: General — Tags: — m759 @ 11:07 AM
The Plot

"Do not let me hear
Of the wisdom of old men,
but rather of their folly"
 
Four Quartets 

"Dear friends, would those of you who know what this is all about please raise your hands? I think if God is dead he laughed himself to death. Because, you see, we live in Eden. Genesis has got it all wrong– we never left the Garden. Look about you. This is paradise. It's hard to find, I'll grant you, but it is here. Under our feet, beneath the surface, all around us is everything we want. The earth is shining under the soot. We are all fools. Ha ha! Moriarty has made fools of all of us. But together– you and I, tonight– we'll bring him down."

— George C. Scott as Justin Playfair

 

The earth is shining
    under the soot…

THE WORLD is charged with the grandeur of God.
  It will flame out, like shining from shook foil;
  It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;  
  And all is seared with trade; bleared, smeared with toil;
  And wears man’s smudge and shares man’s smell: the soil
Is bare now, nor can foot feel, being shod.
 
And for all this, nature is never spent;

There lives the dearest freshness deep down things;

       
And though the last lights off the black West went
  Oh, morning, at the brown brink eastward, springs—
Because the Holy Ghost over the bent
  World broods with warm breast and with ah! bright wings.

Gerard Manley Hopkins, Society of Jesus

 

Ah! bright wings

"Whoever owns the Boeing 707
  parked on La Brea Avenue,
  your landing lights are on."

 [John Travolta runs on stage
  and rushes for the door.]

Oscar Night, Feb. 24, 2008

For a religious interpretation
of the number 707, see

To Announce a Faith

(All Hallows' Eve, 2006)

and the following link
to a Tom Stoppard line
from the previous entry:

"Heaven, how can I
believe in Heaven?"
she sings at the finale.

"Just a lying
 rhyme for seven!"
 

Tuesday, February 26, 2008

Tuesday February 26, 2008

Filed under: General,Geometry — Tags: — m759 @ 8:00 PM

Eight is a Gate (continued)

Tom Stoppard, Jumpers:
"Heaven, how can I believe in Heaven?" she sings at the finale. "Just a lying rhyme for seven!"
"To begin at the beginning: Is God?…" [very long pause]

 
From "Space," by Salomon Bochner

Makom. Our term “space” derives from the Latin, and is thus relatively late. The nearest to it among earlier terms in the West are the Hebrew makom and the Greek topos (τόπος). The literal meaning of these two terms is the same, namely “place,” and even the scope of connotations is virtually the same (Theol. Wörterbuch…, 1966). Either term denotes: area, region, province; the room occupied by a person or an object, or by a community of persons or arrangements of objects. But by first occurrences in extant sources, makom seems to be the earlier term and concept. Apparently, topos is attested for the first time in the early fifth century B.C., in plays of Aeschylus and fragments of Parmenides, and its meaning there is a rather literal one, even in Parmenides. Now, the Hebrew book Job is more or less contemporary with these Greek sources, but in chapter 16:18 occurs in a rather figurative sense:

O earth, cover not thou my blood, and let my cry have no place (makom).

Late antiquity was already debating whether this makom is meant to be a “hiding place” or a “resting place” (Dhorme, p. 217), and there have even been suggestions that it might have the logical meaning of “occasion,” “opportunity.” Long before it appears in Job, makom occurs in the very first chapter of Genesis, in:

And God said, Let the waters under the heaven be gathered together unto one place (makom) and the dry land appear, and it was so (Genesis 1:9).

This biblical account is more or less contemporary with Hesiod's Theogony, but the makom of the biblical account has a cosmological nuance as no corresponding term in Hesiod. Elsewhere in Genesis (for instance, 22:3; 28:11; 28:19), makom usually refers to a place of cultic significance, where God might be worshipped, eventually if not immediately. Similarly, in the Arabic language, which however has been a written one only since the seventh century A.D., the term makām designates the place of a saint or of a holy tomb (Jammer, p. 27). In post-biblical Hebrew and Aramaic, in the first centuries A.D., makom became a theological synonym for God, as expressed in the Talmudic sayings: “He is the place of His world,” and “His world is His place” (Jammer, p. 26). Pagan Hellenism of the same era did not identify God with place, not noticeably so; except that the One (τὸ ἕν) of Plotinus (third century A.D.) was conceived as something very comprehensive (see for instance J. M. Rist, pp. 21-27) and thus may have been intended to subsume God and place, among other concepts. In the much older One of Parmenides (early fifth century B.C.), from which the Plotinian One ultimately descended, the theological aspect was only faintly discernible. But the spatial aspect was clearly visible, even emphasized (Diels, frag. 8, lines 42-49).

BIBLIOGRAPHY

Paul Dhorme, Le livre de Job (Paris, 1926).

H. Diels and W. Kranz, Die Fragmente der Vorsokratiker, 6th ed. (Berlin, 1938).

Max Jammer, Concepts of Space (Cambridge, Mass., 1954).

J. M. Rist, Plotinus: The Road to Reality (Cambridge, 1967).

Theologisches Wörterbuch zum Neuen Testament (1966), 8, 187-208, esp. 199ff.

— SALOMON BOCHNER

Related material: In the previous entry — "Father Clark seizes at one place (page eight)
upon the fact that…."

Father Clark's reviewer (previous entry) called a remark by Father Clark "far fetched."
This use of "place" by the reviewer is, one might say, "near fetched."

Saturday, July 7, 2007

Saturday July 7, 2007

Filed under: General — m759 @ 1:48 AM
Seven is Heaven


John Lahr, review
of a production of Tom Stoppard’s “Jumpers”–

The play is about a philosophy professor, George, and his wife, Dotty, who “exudes a sumptuous sexuality…. She has a pert round head, high cheekbones, and a deep voice, which, like her acting, is full of playfulness and longing. George is lost in thought; Dotty is just lost. ‘Heaven, how can I believe in Heaven?’ she sings at the finale. ‘Just a lying rhyme for seven!’ She is promise and heartbreak in one.”

The image “http://www.log24.com/log/pix07/070707-Obits.jpg” cannot be displayed, because it contains errors.

“With a name like Frigo…”

Related material:

Eight is a Gate

Monday, July 24, 2006

Monday July 24, 2006

Filed under: General — m759 @ 3:17 PM
Shine on, you…

The image “http://www.log24.com/log/pix06A/060724-Theatre2.jpg” cannot be displayed, because it contains errors.

Tom Stoppard and an ad for a concert
in Pribor, Czech Republic,
birthplace of Sigmund Freud

Related material:

The image “http://www.log24.com/log/pix06A/DarkSideOfTheMoon.jpg” cannot be displayed, because it contains errors.

and the five Log24 entries
ending on this date last year.

Chapter 24

By Syd Barrett,
Dead Poet:

A movement is accomplished in six stages
And the seventh brings return.
The seven is the number of the young light
It forms when darkness is increased by one.
Change returns success
Going and coming without error.
Action brings good fortune.
Sunset.

— From the 1967 album
   “The Piper at the Gates of Dawn

Tuesday, July 11, 2006

Tuesday July 11, 2006

Filed under: General,Geometry — Tags: — m759 @ 9:11 PM

Not Crazy Enough?

Some children of the sixties may feel that today's previous two entries, on Syd Barrett, the Crazy Diamond, are not crazy enough.  Let them consult the times of those entries– 2:11 and 8:15– and interpret those times, crazily, as dates: 2/11 and 8/15.

This brings us to Stephen King territory– apparently the natural habitat of Syd Barrett.

See Log24 on a 2/11, Along Came a Dreamcatcher, and Log24 on an 8/15, The Line.

From 8/15, a remark of Plato:

"There appears to be a sort of war of Giants and Gods going on…"

(Compare with the remarks by Abraham Cowley for Tom Stoppard's recent birthday.)

From 2/11, two links: Halloween Meditations  and We Are the Key.

From Dreamcatcher (the film and the book):

The image “http://www.log24.com/log/pix06/060211-Freeman2.jpg” cannot be displayed, because it contains errors.

The image “http://www.log24.com/log/pix06/060324-Dreamcatcher.gif” cannot be displayed, because it contains errors.

For Syd Barrett as Duddits,

The image “http://www.log24.com/log/pix06A/060711-Duddits.jpg” cannot be displayed, because it contains errors.

see Terry Kirby on Syd Barrett
(edited– as in Stephen King
and the New Testament
for narrative effect):

"He appeared as the Floyd performed the song 'Shine On You Crazy Diamond.' It contains the words: 'Remember when you were young, you shone like the sun. Shine on you crazy diamond. Now there's a look in your eyes, like black holes in the sky.'

At first, they didn't recognise the man, whose head and eyebrows were shaved….

But this was the 'crazy diamond' himself: Syd Barrett, the subject of the song….

When Roger Waters saw his old friend, he broke down….

Rick Wright, the keyboards player, later told an interviewer:

… 'Roger [Waters] was in tears, I think I was; we were both in tears. It was very shocking… seven years of no contact and then to walk in while we're actually doing that particular track. I don't know – coincidence, karma, fate, who knows? But it was very, very, very powerful.'"

Remarks suitable for Duddits's opponent, Mister Gray, may be found in the 1994 Ph.D. thesis of Noel Gray.

"I refer here to Plato's utilisation in the Meno of graphic austerity as the tool to bring to the surface, literally and figuratively, the inherent presence of geometry in the mind of the slave."

Plato's Diamond

Shine on, gentle Duddits.

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