Log24

Tuesday, July 31, 2018

A is for Abschattungen

Filed under: General — Tags: — m759 @ 10:10 AM

Max Bialystock discovers a new playwright

Sunday, June 11, 2017

Tell It Slant

Filed under: General — m759 @ 7:59 PM

Remembering  The Man Who Knew Zero .

Max Bialystock discovers a new playwright

Friday, July 26, 2013

The Zero Theorem

Filed under: General — m759 @ 1:27 PM

Max Bialystock discovers a new playwright

Related material:  Here, here, and here.

Wednesday, September 12, 2012

Review

Filed under: General — m759 @ 1:44 PM

A review of Max Bialystock's new smash hit,
"The Empty Chair"—

"Record-breaking!"

Wednesday, May 16, 2012

Midnight in Paris– The Morning After

Filed under: General — m759 @ 10:31 AM

(Continued from yesterday evening)

On Max Bialystock's Spider-Man Godspell Seminar

"… for surrealism to be entertaining
onstage, it must be shaped into
some kind of satisfying form."

— Charles Isherwood
    in today's New York Times

(RSS:  Wed, 16  May  2012  00:37:17 GMT)

From Fritz Leiber's 1959 story "Damnation Morning" —

She drew from her handbag a pale grey gleaming
implement that looked by quick turns to me
like a knife, a gun, a slim sceptre, and a delicate
branding iron— especially when its tip sprouted
an eight-limbed star of silver wire.

“The test?” I faltered, staring at the thing.

“Yes, to determine whether you can live
in the fourth dimension or only die in it.”

Tuesday, May 1, 2012

Broadway–

Filed under: General — m759 @ 12:00 PM

Tony Award Nominations

"The losers? 'Spider-Man: Turn Off the Dark,'
the $75 million blockbuster that received just
two nominations. 'Seminar' and 'Godspell,'
which have some strong fans but were
shut out of the nominations." 

Patrick Healy in this morning's New York Times

A thought for Max Bialystock

The Spider-Man Godspell Seminar!

Jeff Goldblum in "Seminar"

Update of 12:25 PM —

The reviews are in!

IMAGE- May Day 2012 - Front page NY Times piece on religiously oriented theater

"A version of this article appeared in print on May 1, 2012, on page A1 of the New York edition…."

Thursday, April 19, 2007

Thursday April 19, 2007

Filed under: General — Tags: — m759 @ 12:06 AM
Acting Out


From the Library of Congress:

On April 19, 1775, troops under the command of Brigadier General Hugh Percy played "Yankee Doodle" as they marched from Boston to reinforce British soldiers already fighting the Americans at Lexington and Concord. Whether sung or played on that occasion, the tune was martial and intended to deride the colonials:

Yankee Doodle came to town,
For to buy a firelock;
We will tar and feather him
And so we will John Hancock.

 

(CHORUS)
Yankee Doodle, keep it up,
Yankee Doodle Dandy,
Mind the Music and the step,
And with the girls be handy.

There are numerous conflicting accounts of the origin of "Yankee Doodle." Some credit its melody to an English air, others to Irish, Dutch, Hessian, Hungarian and Pyrenean tunes or a New England jig….

"Yankee Doodle" was well known in the New England colonies before Lexington and Concord but only after the skirmishes there did the American militia appropriate it. Tradition holds that the colonials began to sing it as they forced the British back to Boston on April 19, 1775, after the battles of Lexington and Concord. It is documented that the Americans sang the following verse at Bunker Hill:

Father and I went down to camp,
along with Captain Good'in,
And there we see the men and boys
as thick as hasty puddin'. 

 

From 30 Rock:

"Thanks to you, I die like Jesus Christ, to inspire generations of the weak and the defenseless people.''

"It's not for me. For my children, for my brothers and sisters… I did it for them.''

From Log24:

James Cagney and Herald Square peace march ad

 

Eureka!

Max Bialystock discovers a new playwright

 

Sunday, January 18, 2004

Sunday January 18, 2004

Filed under: General — Tags: — m759 @ 10:12 AM

A Living Church

"Plato has told you a truth; but Plato is dead. Shakespeare has startled you with an image; but Shakespeare will not startle you with any more. But imagine what it would be to live with such men still living. To know that Plato might break out with an original lecture to-morrow, or that at any moment Shakespeare might shatter everything with a single song. The man who lives in contact with what he believes to be a living Church is a man always expecting to meet Plato and Shakespeare to-morrow at breakfast. He is always expecting to see some truth that he has never seen before."

— G. K. Chesterton, Orthodoxy

C. P. Snow on G. H. Hardy in the foreword to A Mathematician's Apology:

"… he had another favourite entertainment.  'Mark that man we met last night,' he said, and someone had to be marked out of 100 in each of the categories Hardy had long since invented and defined.  STARK, BLEAK ('a stark man is not necessarily bleak: but all bleak men without exception want to be considered stark')…."

S. H. Cullinane on religion and Hollywood:

"If the incomparable Max Bialystock were to remake 'Up Close and Personal,' he might retitle it 'Distant and Impersonal.'  A Google search on this phrase suggests

a plot outline for Mel Brooks & Co."

In memory of
producer Ray Stark,
an excerpt from that plot outline:

The Oxford University Press summary of

God:
Myths of the Male Divine,
by David Leeming and Jake Page

"They [Leeming and Page] describe the rise of a male sky God as 'the equal to, the true mate, of Goddess, who was still associated with Earth.' In the Iron Age, the sky God became more aggressive, separating from the Goddess and taking his place as the King God, as Zeus, Odin, and Horus. Ultimately he emerged as the creator, a more distant and impersonal force. Here Leeming and Page also illuminate an important trend–a sense that the divine is beyond gender, that it permeates all things (as seen in the Chinese Tao and En Sof of the Kabbalah). They see a movement in the biography of God toward a reunion with the Goddess."

As for the Goddess, see

Art Wars: Just Seventeen

(December 17, 2002). 

Stark, a saint among Hollywood producers, died yesterday, January 17.  If, as Chesterton might surmise, he then met Plato and Shakespeare in Heaven, the former might discuss with him the eternal Platonic form of the number 17, while the latter might offer the following links on Stark's new heavenly laptop:

Cartoon Graveyard and

Art Wars: At the Still Point

This concludes the tribute to Stark.  For a tribute to Bleak, click here.

Thursday, December 19, 2002

Thursday December 19, 2002

Filed under: General — Tags: — m759 @ 4:07 AM

ART WARS:

Bach at Heaven’s Gate

From a weblog entry of Friday, December 13, 2002:

Divine Comedy

Joan Didion and her husband
John Gregory Dunne
(author of
The Studio and Monster
wrote the screenplays for
the 1976 version of “A Star is Born”
and the similarly plotted 1996 film
Up Close and Personal.”

If the incomparable Max Bialystock 
were to remake the latter, he might retitle it
Distant and Impersonal.”
A Google search on this phrase suggests
a plot outline for Mel Brooks & Co.

From The Hollywood Reporter:

Producer Sidney Glazier dies
Dec. 18, 2002

Academy Award-winning producer
Sidney Glazier died early Saturday morning
[Dec. 14, 2002] of natural causes
at his home in Bennington, Vt. He was 86.
Glazier… is best known for producing
the 1968 film “The Producers.”
That film, which has since become a
Tony Award-winning Broadway play,
also marked comedian Mel Brooks’
directing debut.

In addition to “The Producers,”
Glazier produced…
the 1973 television drama “Catholics.”
[Based on a novel by Brian Moore]

His nephew is “Scrooged” screenwriter
Mitch Glazer.

(Josh Spector)

Recommended reading —

FINAL CUT:

Art, Money, and Ego in the Making of
“Heaven’s Gate,”
the Film that Sank United Artists,

Second Edition,
by Steven Bach

From Newmarket Press:

Steven Bach was the senior vice-president and head of worldwide production for United Artists at the time of the filming of Heaven’s Gate…. Apart from the director and the producer, Bach was the only person to witness the evolution of Heaven’s Gate from beginning to end.”

See also my journal entry
“Back to Bach”
of 1:44 a.m. EST
Saturday, December 14, 2002.

Friday, December 13, 2002

Friday December 13, 2002

Filed under: General — m759 @ 5:24 PM

ART WARS:
Shall we read? — The sequel

Two stories related to my recent entries on the death of Stan Rice (Sequel, 12/11/02) and the career of Jodie Foster (Rhyme Scheme, 12/13/02)  —

From BBC News World Edition,
Thursday, 12 December, 2002, 15:34 GMT
 

Entertainment Section

  • Poet Stan Rice dies

    Stan Rice, the poet, painter and husband of author Anne Rice, has died of brain cancer at the age of 60….

    He met his wife, the author of the Vampire Chronicles, when the pair studied journalism together.

  • Abba hit tops dance music poll

    Dancing Queen by Abba has been voted the top dancefloor tune of all time, according to viewers of cable music channel VH1.

That’s Entertainment!

See also my entry of December 5, 2002,
Key (for Joan Didion’s birthday):

I faced myself that day
with the nonplused apprehension
of someone who has come across a vampire
and has no crucifix in hand.

— Joan Didion, “On Self-Respect,”
in Slouching Towards Bethlehem

Divine Comedy

Didion and her husand John Gregory Dunne
(author of The Studio and Monster
wrote the screenplays for
the 1976 version of “A Star is Born”
and the similarly plotted 1996 film
Up Close and Personal.”

If the incomparable Max Bialystock 
were to remake the latter, he might retitle it
Distant and Impersonal.”
A Google search on this phrase suggests
a plot outline for Mel Brooks & Co. 

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