Log24

Thursday, December 19, 2019

In the Game

Filed under: General — Tags: — m759 @ 11:55 AM

From a post of April 24, 2010 —

Image— Miles Davis ESP album

Album

Alicia Keys

Keys

Related literature —

Saturday, April 14, 2018

Whoosh

Filed under: General — Tags: — m759 @ 9:34 PM

See as well an interview in this evening's online New York Times
by Maureen Dowd with "Exorcist" director William Friedkin —

“I don’t drink,” he says. “I’ve never done drugs.
I’ve never tried grass. But I think Miles Davis
is a reason to live.” 

Tuesday, October 9, 2012

For East St. Louis

Filed under: General — m759 @ 9:00 PM

IMAGE- Learning from Miles Davis in the NY Times, 8:25 PM Oct. 9, 2012

See also Miles Davis in this journal and
the posts of Sunday, November 21, 2004.

"We’ll build in sonnets pretty roomes;
As well a well wrought urne becomes
The greatest ashes, as half-acre tombes."

— The Canonization*

Whoosh.

* By John Donne. See also a piece by
  James Hillman that might have been
  titled Notes for Doctor Sax.

Tuesday, September 28, 2010

Brightness at Noon (continued)

Filed under: General — m759 @ 12:00 PM

Happy birthday to Mira Sorvino (Harvard '89).

Related material: June 9 and June 10, 2008.

A more dramatic presentation, also done on June 9-10, 2008

Alicia Keys, "Superwoman" video.

Happy dies natalis  to Miles Davis

"… nothing ever truly dies. The universe wastes nothing. Everything is simply… transformed."

— Keanu Reeves in the 2008 "Day the Earth Stood Still." (See today's 11:07 AM entry.)

Saturday, April 24, 2010

… and Dorothy

Filed under: General — m759 @ 11:07 PM

(Continued from previous entry, Go Ask Alice)

Black Shellac

Image-- R. Crumb cover-- 'The Stuff That Dreams Are Made Of'

Related material:

Groundhog Day, 2009

and Groundhog Day, 2006

Image-- Miles Davis ESP album
Alicia Keys

Quotations thanks to Stephen King —

The sleep of reason breeds monsters.
– Goya

It'll shine when it shines.
– Folk Saying

Thursday, July 30, 2009

Thursday July 30, 2009

Filed under: General — m759 @ 9:00 AM

Academy Awards
for Cambridge

“First of all, I’d like
 to thank the Academy.”
Remark attributed to Plato

Arrest of Prof. Henry Louis Gates, Jr., in Cambridge, Mass.

“A poem cannot exhaust reality,
  but it can arrest it.

At War with the Word:
   Literary Theory and
   Liberal Education
,
   by R. V. Young,
   Chapter One

For one such poem, see

Life and Death United:
An Intimate Portrait of
a Man Named Miles Davis
,”
from a seminar’s weblog
at DePauw University on
Sunday, November 21, 2004.

See also the four Log24
entries on that date as well
as yesterday’s entry on Davis
and the entries preceding it.

Wednesday, July 29, 2009

Wednesday July 29, 2009

Filed under: General — m759 @ 9:29 PM
Lydian Mode

In memory of composer
George Russell, who
died at 86 on Monday —

Russell’s thoughts on the Lydian mode
strongly influenced Miles Davis,
notably in Davis’s “Kind of Blue.”

Cover, 'The Making of 'Kind of Blue''

“The power of the Lydian mode,
  Russell realized, is
  freedom from time’s restraints.
  The major scale is in a state of becoming.
  The Lydian scale already is.”

The Gravity Man, by Alice Dragoon,
    quoted at LydianChromaticConcept.com 

Related material:

“Field Dance,” from the date of Russell’s death.

“The Tables of Time,” from Nov. 13, 2003,
  and the four entries that preceded it.

Today’s previous entry
and
The Reversible Diamond Puzzle
(from St. Nicholas, November 1874)–

The first crossword puzzle-- the 'Reversible Diamond Puzzle,' 1874

Wednesday, April 5, 2006

Wednesday April 5, 2006

Filed under: General — m759 @ 2:45 AM

Quarter to Three
 
(continued from
 Dec. 20, 2003,
 and from
 April 3, 2006)

… so put another nickel in the machine….

Related material:

  1. The death of
    jazz percussionist Don Alias,

  2. Miles Davis’s album
    Bitches Brew
    (“Miles Runs the Voodoo Down“),
  3. Joni Mitchell’s album
    Shadows and Light
    (“God Must Be a Boogie Man“),
  4. the Log24 entry
    from the day Alias died
    ,
    which contains the following:
  5. “By groping toward the light
     we are made to realize
     how deep the darkness
     is around us.”

    — Arthur Koestler

Friday, March 17, 2006

Friday March 17, 2006

Filed under: General,Geometry — m759 @ 5:00 PM
Dogma in the
State of Grace

“Words and numbers are of equal value,
for, in the cloak of knowledge,
one is warp and the other woof.”

— The princesses Rhyme and Reason
in The Phantom Tollbooth,
by Norton Juster, 1961

(From a Sermon for
St. Patrick’s Day, 2001
)

The Pennsylvania midday lottery
on St. Patrick’s Day, 2006:

618.

Comparing, as in Philadelphia Stories,  the Catholic style of Grace Kelly with the Protestant style of Katharine Hepburn, we conclude that Princess Rhyme might best be played by the former, Princess Reason by the latter.

Reason informs us that the lottery result “618” may be regarded as naming ” – 0.618,” the approximate value of the negative solution to the equation

x2 – x – 1 = 0

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Following the advice of Clint Eastwood (on the “Midnight in the Garden of Good and Evil” soundtrack CD) to “accentuate the positive,” Reason notes that the other, positive, solution to this equation, approximately 1.618, a number symbolized by the Greek letter “phi,” occurs in the following geometric diagram illustrating a construction of the pentagon:

The image “http://www.log24.com/log/pix05/050208-pentagon2.gif” cannot be displayed, because it contains errors.

For further enlightenment, we turn to Rhyme, who informs us that “618” may also be regarded as naming the date “6/18.” Consulting our notes, we find on 6/18, 2003, a reference to “claves,” Latin for “keys,” as in “claves regni caelorum.”

We may tarry at this date, pleased to find that the keys to the kingdom involve rational numbers, rather than the irrational ratios suggested, paradoxically, by Reason.

Or we may, with Miles Davis, prefer a more sensuous incarnation of the keys:

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Alicia Keys

“… it’s going to be
accomplished in steps,
this establishment
of the Talented in
  the scheme of things.”

— Anne McCaffrey, 
Radcliffe ’47,
To Ride Pegasus

Sunday, September 28, 2003

Sunday September 28, 2003

Filed under: General — Tags: — m759 @ 4:13 PM

Spirit of East St. Louis

On Miles Davis and Philly Joe Jones:

Miles said to Jones, "I think this is it." Jones agreed having said of the group, "The first time we played together…we just looked around at each other and said, ‘hum here it is right here. We’ve got musical telepathy here. We have five people who always know what’s going to happen next.’" And those five people became legendary as the classic Miles Davis Quintet was baptized for its first time.

From The American Art Form:

While singing work songs, a leader would call out a phrase, and the rest of the people would answer. This is known as call and response. In Cindy Blackman's "Telepathy" , the lead saxophone who is playing the melody calls out a phrase, and another horn responds. In some jazz music, there is what is known as "trading 4's". This is when one instrument plays 4 measures, and then another plays 4 measures off what the first person played, and so on. This is a modern rendition of call and response.

 

Trading Fours

See also

Miles Davis, E. S. P.,

Bill Stewart, Telepathy,

Desmond and Mulligan, Two of a Mind,

Google search, "musical telepathy,"

and a novel dealing with East St. Louis (where Miles Davis grew up) and telepathy,

The Hollow Man, by Dan Simmons.

From the jacket of The Hollow Man:

Jeremy Bremen has a secret. All his life he has been cursed with the unwanted ability to read minds. He can hear the secret thoughts behind the placid expressions of strangers, colleagues, and friends. Their dreams, their fears, their most secret desires are as intimate to him as his own. For years his wife, Gail, has served as a shield between Jeremy and the intrusive thoughts of those around him. Her presence has protected him from the outside world and allowed him to continue his work as one of the world's leading mathematicians. But now Gail is dying, her mind slipping slowly away, and Jeremy comes face-to-face with the horror of his own omniscience. Vulnerable and alone, he is suddenly exposed to a chaotic flood of others' thoughts, threatening to fill him with the world's pain and longing, to sweep away his very sanity. His mathematical studies have taken him to the threshold of knowledge and enabled him to map uncharted regions of the mind, to recognize the mind itself as a mirror of the universe…and to see in that mirror the fleeting reflection of the creator himself. But his studies taught him nothing at all about the death of the mind, about the loss of love and trust, and about the terrible loneliness of mortality. Now Jeremy is on the run – from his mind, from his past, from himself – hoping to find peace in isolation. Instead he witnesses an act of brutality that sends him on a treacherous odyssey across America, from a fantasy theme park to the mean streets of an uncaring city, from the lair of a killer to the gaudy casinos of Las Vegas, and at last to a sterile hospital room in St. Louis in search of the voice that is calling him to the secret of existence itself.

Wednesday, December 18, 2002

Wednesday December 18, 2002

Filed under: General — m759 @ 12:00 AM

For the Dark Lady

On this midnight in the garden of good and evil, our new site music is “Nica’s Dream.”

From a website on composer Horace Silver:

“Horace Silver apparently composed Nica’s Dream (1956) for Baroness Pannonica de Koenigswarter-Rothschild, an English aristocrat and a very dear friend of his. She was known to the New York press as the Jazz Baroness and to the black musicians for whom she was something of a patron, simply as Nica. Her apartment in the fashionable Hotel Stanhope on Fifth Avenue became a ‘hospitality suite for some of the greatest jazz players of the day, whom she treated generously.’ (Jack Chambers, Milestones: The Music and Times of Miles Davis, University of Toronto Press, 1985, 1:248)

This music is not unrelated to the work of Thomas Pynchon.  From an essay by Charles Hollander:  

“There are some notable parallels between Nica and the woman Stencil knows as V., who started her career with ‘…a young crude Mata Hari act.’ (V.; 386)….  Not that V. is Nica in any roman a clef sense: she is not. But the resonances are powerful at the level of the subtext. Nica is a Rothschild whose life reflects the issues Pynchon wants us to attend in V.: disinheritance, old dynasty vs. new dynasty, secret agents and couriers, plots and counter-plots, ‘The Big One, the century’s master cabal,’ and ‘the ultimate Plot Which Has No Name’ (V.; 226)….” 

See also my journal entry for the December 16-17 midnight, “Just Seventeen.”

Thursday, August 29, 2002

Thursday August 29, 2002

Filed under: General — m759 @ 4:40 PM

For the feast day of

St. Ingrid Bergman:

Like Shakespeare, Ingrid Bergman was born and died on the same date… In her case, August 29.

To honor her performance in “Spellbound,” here is a copy of the first crossword puzzle ever published.

The Reversible Diamond Puzzle

“This puzzle appeared in the November 1874 number of ‘St. Nicholas.’

ACROSS, from top to bottom:

1. A consonant. 2. A number. 3. Measures of distance. 4. An abyss. 5. A consonant.

DOWN, from right to left:

1. A consonant. 2. A snare. 3. A name. 4. The point of anything small. 5. A consonant.

S
T E N
M I L E S
P I T
M

The across words are different from the down words, but there is a direct relation between them: one is the reversible form of the other.”

One might also compare an eerie sound clip from the  Oscar-winning score of “Spellbound” with a weird clip from “Selim,” by the World Saxophone Quartet.  The latter is from the album “Selim Sivad” (Miles Davis backwards). One reviewer claims that this album displays “astonishing, telepathic group interplay.” This may or may not be true; if the services of a psychiatrist are required to help decide the issue, let us hope she is as attractive as Saint Ingrid.

The above remarks are, of course, intended as a partial antidote to the music inevitably associated with Bergman… “As Time Goes By.”  (Please do not play it again, Sam.)  Of course, the World Saxophone Quartet may be too powerful an antidote… It reminds one, as does the greatly superior weird music from the “Forbidden Planet” soundtrack, of Monsters from the Id.  From such monsters, let us pray to Saint Ingrid for deliverance.

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