Geometer H. S. M. Coxeter died on this date in 2003.
This evening’s daily number from the Keystone state: 822.
Geometer H. S. M. Coxeter died on this date in 2003.
This evening’s daily number from the Keystone state: 822.
In the Beginning…
"As is well known, the Aleph is the first letter of the Hebrew alphabet."
– Borges, "The Aleph" (1945)
From some 1949 remarks of Weyl—
"The relativity problem is one of central significance throughout geometry and algebra and has been recognized as such by the mathematicians at an early time."
— Hermann Weyl, "Relativity Theory as a Stimulus in Mathematical Research," Proceedings of the American Philosophical Society , Vol. 93, No. 7, Theory of Relativity in Contemporary Science: Papers Read at the Celebration of the Seventieth Birthday of Professor Albert Einstein in Princeton, March 19, 1949 (Dec. 30, 1949), pp. 535541
Weyl in 1946—:
"This is the relativity problem: to fix objectively a class of equivalent coordinatizations and to ascertain the group of transformations S mediating between them."
— Hermann Weyl, The Classical Groups , Princeton University Press, 1946, p. 16
Coxeter in 1950 described the elements of the Galois field GF(9) as powers of a primitive root and as ordered pairs of the field of residueclasses modulo 3—
"… the successive powers of the primitive root λ or 10 are
λ = 10, λ^{2} = 21, λ^{3} = 22, λ^{4} = 02,
λ^{5} = 20, λ^{6} = 12, λ^{7} = 11, λ^{8} = 01.
These are the proper coordinate symbols….
(See Fig. 10, where the points are represented in the Euclidean plane as if the coordinate residue 2 were the ordinary number 1. This representation naturally obscures the collinearity of such points as λ^{4}, λ^{5}, λ^{7}.)"
Coxeter's Figure 10 yields...
The Aleph
The details:
Coxeter's phrase "in the Euclidean plane" obscures the noncontinuous nature of the transformations that are automorphisms of the above linear 2space over GF(3).
In a nutshell —
Epigraph to "The Aleph," a 1945 story by Borges:
O God! I could be bounded in a nutshell,
and count myself a King of infinite space…
— Hamlet, II, 2
The story in book form, 1949
A 2006 biography of geometer H.S.M. Coxeter:
The Aleph (implicit in a 1950 article by Coxeter):
The details:
Related material: Group Actions, 19842009.
The following excerpts from Coxeter's Projective Geometry
sketch his attitude toward geometry in characteristic two.
"… we develop a selfcontained account… made
more 'modern' by allowing the field to be general
(though not of characteristic 2) instead of real or complex."
The "modern" in quotation marks may have been an oblique
reference to Segre's Lectures on Modern Geometry (1948, 1961).
(See Coxeter's reference 15 below.)
"It is interesting to see what happens…."
Another thing that happens if 1 + 1 = 0 —
It is no longer true that every finite reflection group
is a Coxeter group (provided we use Chevalley's
fixedhyperplane definition of "reflection").
On the late Cambridge astronomer Donald LyndenBell — "As an academic at a time when students listened and lecturers lectured, he had the disconcerting habit of instead picking on a random undergraduate and testing them on the topic. One former student, now a professor, remembered how he would 'ask onthespot questions while announcing that his daughter would solve these problems at the breakfast table'. He got away with it because he was genuinely interested in the work of his colleagues and students, and came to be viewed with great affection by them. He also got away with it because he was well established as a titan of the field." — The London Times on Feb. 8, 2018, at 5 PM (British time) 
Related material —
Two Log24 posts from yesteday, Art Wars and The Void.
See as well the field GF(9) …
… and the 3×3 grid as a symbol of Apollo
(an Olympian rather than a Titan) —
Background for the remarks of Koen Thas in the previous post —
Schumacher and Westmoreland, "Modal Quantum Theory" (2010).
Related material —
" There is a pleasantly discursive treatment
of Pontius Pilate’s unanswered question
‘What is truth?’ "
— Coxeter, 1987, introduction to Trudeau’s
The NonEuclidean Revolution
The whole truth may require an unpleasantly discursive treatment.
Example —
1. The reported death on Friday, Jan. 5, 2018, of a dancer
closely associated with George Balanchine
2. This journal on Friday, Jan. 5, 2018:
3. Illustration from a search related to the above dancer:
4. "Per Mare Per Terras" — Clan slogan above, illustrated with
what looks like a crossdagger.
"Unsheathe your dagger definitions." — James Joyce.
5. Discursive remarks on quantum theory by the above
Schumacher and Westmoreland:
6. "How much story do you want?" — George Balanchine
At the Googleplex .
For those whose only interest in higher mathematics
is as a path to the occult …
Plato's Diamond and the Hebrew letter Aleph —
and some related (if only graphically) mathematics —
Click the above image for some related purely mathematical remarks.
“That corpse you planted
last year in your garden,
Has it begun to sprout?
Will it bloom this year?
Or has the sudden frost
disturbed its bed?”
— T. S. Eliot, “The Waste Land“
Click the book for a video.
The image of art historian Rosalind Krauss in the previous post
suggests a review of a page from her 1979 essay "Grids" —
The previous post illustrated a 3×3 grid. That cultist space does
provide a place for a few "vestiges of the nineteenth century" —
namely, the elements of the Galois field GF(9) — to hide.
See Coxeter's Aleph in this journal.
The figure below is one approach to the exercise
posted here on December 10, 2016.
Some background from earlier posts —
Click the image below to enlarge it.
These are Rothko's Swamps .
See a Log24 search for related meditations.
For all three topics combined, see Coxeter —
" There is a pleasantly discursive treatment
of Pontius Pilate’s unanswered question
‘What is truth?’ "
— Coxeter, 1987, introduction to Trudeau’s
The NonEuclidean Revolution
Update of 10 AM ET — Related material, with an elementary example:
Posts tagged "Defining Form." The example —
John Updike on Don DeLillo's thirteenth novel, Cosmopolis —
" DeLillo’s postChristian search for 'an order at some deep level'
has brought him to global computerization:
'the zerooneness of the world, the digital imperative . . . . ' "
— The New Yorker , issue dated March 31, 2003
On that date ….
Related remark —
" There is a pleasantly discursive treatment
of Pontius Pilate’s unanswered question
‘What is truth?’ "
— Coxeter, 1987, introduction to Trudeau’s
The NonEuclidean Revolution
The discovery of "square ice" is discussed in
Nature 519, 443–445 (26 March 2015).
Remarks related, if only by squareness —
this journal on that same date, 26 March 2015 —
The above figure is part of a Log24 discussion of the fact that
adjacency in the set of 16 vertices of a hypercube is isomorphic to
adjacency in the set of 16 subsquares of a square 4×4 array,
provided that opposite sides of the array are identified. When
this fact was first observed, I do not know. It is implicit, although
not stated explicitly, in the 1950 paper by H.S.M. Coxeter from
which the above figure is adapted (blue dots added).
"Again, in spite of that, we call this Friday good."
— T. S. Eliot, Four Quartets
From this journal on Orthodox Good Friday, 2016,
an image from New Scientist on St. Andrew's Day, 2015 —
From an old Dick Tracy strip —
See also meditations from this year's un Orthodox Good Friday
in a Tennessee weblog and in this journal —
" There is a pleasantly discursive treatment
of Pontius Pilate’s unanswered question
‘What is truth?’ ”
— Coxeter, 1987, introduction to Trudeau’s
The NonEuclidean Revolution
Toronto geometer H.S.M. Coxeter, introducing a book by Unitarian minister
Richard J. Trudeau —
"There is a pleasantly discursive treatment of Pontius Pilate’s
unanswered question ‘What is truth?’”
— Coxeter, 1987, introduction to Trudeau’s
The NonEuclidean Revolution
Another such treatment …
"Of course, it will surprise no one to find low standards
of intellectual honesty on the Tonight Show.
But we find a less trivial example if we enter the
hallowed halls of Harvard University. . . ."
— Neal Koblitz, "Mathematics as Propaganda"
Less pleasantly and less discursively —
"Funny how annoying a little prick can be."
— The late Garry Shandling
"In the planes that tilt hard revelations on
The eye, a geometric glitter, tiltings …."
— Wallace Stevens, "Someone Puts a Pineapple Together" (1947)
Elijah Wood in "The Last Witch Hunter" —
See Graham Priest in this journal.
See also Coxeter + Discursive.
From slides dated June 28, 2008 —
Compare to my own later note, from March 4, 2010 —
It seems that Guitart discovered these "A, B, C" generators first,
though he did not display them in their natural setting,
the eightfold cube.
Some context: The epigraph to my webpage
"A Simple Reflection Group of Order 168" —
"Let G be a finite, primitive subgroup of GL(V) = GL(n,D) ,
where V is an ndimensional vector space over the
division ring D . Assume that G is generated by 'nice'
transformations. The problem is then to try to determine
(up to GL(V) conjugacy) all possibilities for G . Of course,
this problem is very vague. But it is a classical one,
going back 150 years, and yet very much alive today."
— William M. Kantor, "Generation of Linear Groups,"
pp. 497509 in The Geometric Vein: The Coxeter Festschrift ,
published by Springer, 1981
There are various ways to coordinatize a 3×3 array
(the Chinese "Holy Field'). Here are some —
See Cullinane, Coxeter, and Knight tour.
Related material:
From the website of the American Mathematical Society today,
a column by John Baez that was falsely backdated to Sept. 1, 2015 —
Compare and contrast this Baez column
with the posts in the above
Log24 search for "Symplectic."
Updates after 9 PM ET Sept. 17, 2015 —
Related wrinkles in time:
Baez's preceding Visual Insight post, titled
"TutteCoxeter Graph," was dated Aug. 15, 2015.
This seems to contradict the AMS home page headline
of Sept. 5, 2015, that linked to Baez's still earlier post
"Heawood Graph," dated Aug. 1. Also, note the
reference in "TutteCoxeter Graph" to Baez's related
essay — dated August 17, 2015 —
For illustrations based on the above equations, see
Coxeter and the Relativity Problem and Singer 7Cycles .
A post of July 7, Haiku for DeLillo, had a link to posts tagged "Holy Field GF(3)."
As the smallest Galois field based on an odd prime, this structure
clearly is of fundamental importance.
It is, however, perhaps too small to be visually impressive.
A larger, closely related, field, GF(9), may be pictured as a 3×3 array…
… hence as the traditional Chinese Holy Field.
Marketing the Holy Field
The above illustration of China's Holy Field occurred in the context of
Log24 posts on Child Buyers. For more on child buyers, see an excellent
condemnation today by Diane Ravitch of the U. S. Secretary of Education.
The incidences of points and planes in the
Möbius 8_{4 } configuration (8 points and 8 planes,
with 4 points on each plane and 4 planes on each point),
were described by Coxeter in a 1950 paper.*
A table from Monday's post summarizes Coxeter's
remarks, which described the incidences in
spatial terms, with the points and planes as the vertices
and faceplanes of two mutually inscribed tetrahedra —
Monday's post, "Gallucci's Möbius Configuration,"
may not be completely intelligible unless one notices
that Coxeter has drawn some of the intersections in his
Fig. 24, a schematic representation of the pointplane
incidences, as dotless, and some as hollow dots. The figure,
"Gallucci's version of Möbius's 8_{4}," is shown below.
The hollow dots, representing the 8 points (as opposed
to the 8 planes ) of the configuration, are highlighted in blue.
Here a plane (represented by a dotless intersection) contains
the four points that are represented in the square array as lying
in the same row or same column as the plane.
The above Möbius incidences appear also much earlier in
Coxeter's paper, in figures 6 and 5, where they are shown
as describing the structure of a hypercube.
In figures 6 and 5, the dotless intersections representing
planes have been replaced by solid dots. The hollow dots
have again been highlighted in blue.
Figures 6 and 5 demonstrate the fact that adjacency in the set of
16 vertices of a hypercube is isomorphic to adjacency in the set
of 16 subsquares of a square 4×4 array, provided that opposite
sides of the array are identified, as in Fig. 6. The digits in
Coxeter's labels above may be viewed as naming the positions
of the 1's in (0,1) vectors (x_{4}, x_{3}, x_{2}, x_{1}) over the twoelement
Galois field.^{†} In that context, the 4×4 array may be called, instead
of a Möbius hypercube , a Galois tesseract .
* "SelfDual Configurations and Regular Graphs,"
Bulletin of the American Mathematical Society,
Vol. 56 (1950), pp. 413455
^{†} The subscripts' usual 1234 order is reversed as a reminder
that such a vector may be viewed as labeling a binary number
from 0 through 15, or alternately as labeling a polynomial in
the 16element Galois field GF(2^{4}). See the Log24 post
Vector Addition in a Finite Field (Jan. 5, 2013).
From H. S. M. Coxeter's 1950 paper
"SelfDual Configurations and Regular Graphs,"
a 4×4 array and a more perspicuous rearrangement—
(Click image to enlarge.)
The above rearrangement brings Coxeter's remarks into accord
with the webpage The Galois Tesseract.
Update of Thursday, March 26, 2015 —
For an explanation of Coxeter's Fig. 24, see Thursday's later
post titled "The Möbius Hypercube."
Art Wars view —
image from a post at noon on Saturday, April 12:
Kansas City view:
Review of Seeing Gray , a book by pastor Adam Hamilton
of the United Methodist Church of the Resurrection
in Leawood, Kansas, a suburb of Kansas City—
“Adam Hamilton invites us to soulful gray space
between polarities, glorious gray space that is holy,
mysterious, complex, and true. Let us find within
our spirits the courage and humility to live and learn
in this faithful space, to see gray, to discern a more
excellent way.”
—Review by United Methodist Bishop Hope Morgan Ward
The above quotation was suggested by the following from today’s
online Kansas City Star :
“Two of the victims were 14yearold Reat Griffin Underwood
and his grandfather, William Lewis Corporon, who attended the
United Methodist Church of the Resurrection in Leawood.
The Rev. Adam Hamilton, the church’s senior pastor, shared
the news with church members at the beginning of the evening
Palm Sunday service.”
Update of 10:48 PM — A related photo:
From an obituary for a Kennedy advisor
who reportedly died at 94 on February 23, 2014*—
“He favored withdrawing rural civilians
into what he called ‘strategic hamlets’
and spraying defoliants to cut off
the enemy’s food supply.”
Other rhetoric: Hamlet and Infinite Space in this journal,
as well as King of Infinite Space , Part I and Part II.
These “King” links, to remarks on Coxeter and Saniga ,
are about two human beings to whom Hamlet’s
phrase “king of infinite space” has been applied.
The phrase would, of course, be more accurately
applied to God.
* The date of the ‘God’s Architecture’ sermon
at Princeton discussed in this afternoon’s post.
Raiders of the Lost (Continued)
“Socrates: They say that the soul of man is immortal….”
From August 16, 2012—
In the geometry of Plato illustrated below,
“the figure of eight [square] feet” is not , at this point
in the dialogue, the diamond in Jowett’s picture.
An 1892 figure by Jowett illustrating Plato’s Meno—
A more correct version, from hermespress.com —
Socrates: He only guesses that because the square is double, the line is double.Meno: True.
Socrates: Observe him while he recalls the steps in regular order. (To the Boy.) Tell me, boy, do you assert that a double space comes from a double line? Remember that I am not speaking of an oblong, but of a figure equal every way, and twice the size of thisthat is to say of eight feet; and I want to know whether you still say that a double square comes from double line? [Boy] Yes. Socrates: But does not this line (AB) become doubled if we add another such line here (BJ is added)? [Boy] Certainly. Socrates: And four such lines [AJ, JK, KL, LA] will make a space containing eight feet? [Boy] Yes. Socrates: Let us draw such a figure: (adding DL, LK, and JK). Would you not say that this is the figure of eight feet? [Boy] Yes. Socrates: And are there not these four squares in the figure, each of which is equal to the figure of four feet? (Socrates draws in CM and CN) [Boy] True. Socrates: And is not that four times four? [Boy] Certainly. Socrates: And four times is not double? [Boy] No, indeed. Socrates: But how much? [Boy] Four times as much. Socrates: Therefore the double line, boy, has given a space, not twice, but four times as much. [Boy] True. Socrates: Four times four are sixteen— are they not? [Boy] Yes. 
As noted in the 2012 post, the diagram of greater interest is
Jowett’s incorrect version rather than the more correct version
shown above. This is because the 1892 version inadvertently
illustrates a tesseract:
A 4×4 square version, by Coxeter in 1950, of a tesseract—
This square version we may call the Galois tesseract.
A Souther song at YouTube.
See also the lyrics and, in this journal,
synchronicity on the uploading date.
Related art —
End of the Line Blues
Yes. See …
The 48 actions of GL(2,3) on a 3×3 coordinatearray A,
when matrices of that group rightmultiply the elements of A,
with A =
(1,1) (1,0) (1,2) (0,1) (0,0) (0,2) (2,1) (2,0) (2,2) 
Actions of GL(2,p) on a pxp coordinatearray have the
same sorts of symmetries, where p is any odd prime.
Note that A, regarded in the Sallows manner as a magic square,
has the constant sum (0,0) in rows, columns, both diagonals, and
all four broken diagonals (with arithmetic modulo 3).
For a more sophisticated approach to the structure of the
ninefold square, see Coxeter + Aleph.
"DEVIL – MUSIC
20 pages of incidental music written at school
for G. K. Chesterton's play MAGIC
by D. Coxeter."
See also…
Related material — Chesterton + Magic in this journal.
Yesterday afternoon's post linked to efforts by
the late Robert de Marrais to defend a mathematical
approach to structuralism and kaleidoscopic patterns.
Two examples of nonmathematical discourse on
such patterns:
1. A Royal Society paper from 2012—
Click the above image for related material in this journal.
2. A book by Junichi Toyota from 2009—
Kaleidoscopic Grammar: Investigation into the Nature of Binarism
I find such nonmathematical approaches much less interesting
than those based on the mathematics of reflection groups .
De Marrais described the approaches of Vladimir Arnold and,
earlier, of H. S. M. Coxeter, to such groups. These approaches
dealt only with groups of reflections in Euclidean spaces.
My own interest is in groups of reflections in Galois spaces.
See, for instance, A Simple Reflection Group of Order 168.
Galois spaces over fields of characteristic 2 are particularly
relevant to what Toyota calls binarism .
(Continued from this morning)
The above stylized "N," based on
an 8cycle in the 9element Galois field
GF(9), may also be read as an Aleph.
Graphic designers may prefer a simpler,
bolder version:
This post was suggested by a search for the
Derridean phrase "necessary possibility"* that
led to web pages on a conference at Harvard
on Friday and Saturday, March 26**27, 2010,
on Derrida and Religion .
The conference featured a talk titled
"The Poetics of the Broken Tablet."
I prefer the poetics of projective geometry.
An illustration— The restoration of the full
15point "large" Desargues configuration in
place of the diminished 10point Desargues
configuration that is usually discussed.
Click on the image for further details.
* See a discussion of this phrase in
the context of Brazilian religion.
** See also my own philosophical reflections
on Friday, March 26, 2010:
"You Can't Make This Stuff Up."
See Coxeter + Aleph in this journal.
Epigraph to "The Aleph," a 1945 story by Borges:
"O God! I could be bounded in a nutshell,
and count myself a King of infinite space…"
– Hamlet, II, 2
Desargues' theorem according to a standard textbook:
"If two triangles are perspective from a point
they are perspective from a line."
The converse, from the same book:
"If two triangles are perspective from a line
they are perspective from a point."
Desargues' theorem according to Wikipedia
combines the above statements:
"Two triangles are in perspective axially [i.e., from a line]
if and only if they are in perspective centrally [i.e., from a point]."
A figure often used to illustrate the theorem,
the Desargues configuration , has 10 points and 10 lines,
with 3 points on each line and 3 lines on each point.
A discussion of the "if and only if" version of the theorem
in light of Galois geometry requires a larger configuration—
15 points and 20 lines, with 3 points on each line
and 4 lines on each point.
This large Desargues configuration involves a third triangle,
needed for the proof (though not the statement ) of the
"if and only if" version of the theorem. Labeled simply
"Desargues' Theorem," the large configuration is the
frontispiece to Volume I (Foundations) of Baker's 6volume
Principles of Geometry .
Pointline incidence in this larger configuration is,
as noted in a post of April 1, 2013, described concisely
by 20 Rosenhain tetrads (defined in 1905 by
R. W. H. T. Hudson in Kummer's Quartic Surface ).
The third triangle, within the larger configuration,
is pictured below.
Background: Rosenhain and Göpel Tetrads in PG(3,2)
Introduction: The Large Desargues Configuration Added by Steven H. Cullinane on Friday, April 19, 2013 Desargues' theorem according to a standard textbook:
"If two triangles are perspective from a point The converse, from the same book:
"If two triangles are perspective from a line
Desargues' theorem according to Wikipedia
"Two triangles are in perspective axially [i.e., from a line]
A figure often used to illustrate the theorem,
A discussion of the "if and only if" version of the theorem
This large Desargues configuration involves a third triangle,
Pointline incidence in this larger configuration is,
The third triangle, within the larger configuration,

A connection discovered today (April 1, 2013)—
(Click to enlarge the image below.)
Update of April 18, 2013
Note that Baker's Desarguestheorem figure has three triangles,
ABC, A'B'C', A"B"C", instead of the two triangles that occur in
the statement of the theorem. The third triangle appears in the
course of proving, not just stating, the theorem (or, more precisely,
its converse). See, for instance, a note on a standard textbook for
further details.
(End of April 18, 2013 update.)
Update of April 14, 2013
See Baker's Proof (Edited for the Web) for a detailed explanation
of the above picture of Baker's Desarguestheorem frontispiece.
(End of April 14, 2013 update.)
Update of April 12, 2013
A different figure, from a site at National Tsing Hua University,
shows the three triangles of Baker's figure more clearly:
(End of update of April 12, 2013)
Update of April 13, 2013
Another in a series of figures illustrating
Desargues's theorem in light of Galois geometry:
See also the original VeblenYoung figure in context.
(End of update of April 13, 2013)
Rota's remarks, while perhaps not completely accurate, provide some context
for the above DesarguesRosenhain connection. For some other context,
see the interplay in this journal between classical and finite geometry, i.e.
between Euclid and Galois.
For the recent context of the above finitegeometry version of Baker's Vol. I
frontispiece, see Sunday evening's finitegeometry version of Baker's Vol. IV
frontispiece, featuring the Göpel, rather than the Rosenhain, tetrads.
For a 1986 illustration of Göpel and Rosenhain tetrads (though not under
those names), see Picturing the Smallest Projective 3Space.
In summary… the following classicalgeometry figures
are closely related to the Galois geometry PG(3,2):
Volume I of Baker's Principles has a cover closely related to the Rosenhain tetrads in PG(3,2) 
Volume IV of Baker's Principles has a cover closely related to the Göpel tetrads in PG(3,2) 
Foundations (click to enlarge)

Higher Geometry (click to enlarge)

From the prologue to the new Joyce Carol Oates
novel Accursed—
"This journey I undertake with such anticipation
is not one of geographical space but one of Time—
for it is the year 1905 that is my destination.
1905!—the very year of the Curse."
Today's previous post supplied a fanciful link
between the Crosswicks Curse of Oates and
the Crosswicks tesseract of Madeleine L'Engle.
The Crosswicks Curse according to L'Engle
in her classic 1962 novel A Wrinkle in Time —
"There is such a thing as a tesseract."
A tesseract is a 4dimensional hypercube that
(as pointed out by Coxeter in 1950) may also
be viewed as a 4×4 array (with opposite edges
identified).
Meanwhile, back in 1905…
For more details, see how the Rosenhain and Göpel tetrads occur naturally
in the diamond theorem model of the 35 lines of the 15point projective
Galois space PG(3,2).
See also Conwell in this journal and George Macfeely Conwell in the
honors list of the Princeton Class of 1905.
The finite (i.e., Galois) field GF(16),
according to J. J. Seidel in 1974—
The same field according to Steven H. Cullinane in 1986,
in its guise as the affine 4space over GF(2)—
The same field, again disguised as an affine 4space,
according to John H. Conway and N.J.A. Sloane in
Sphere Packings, Lattices, and Groups , first published in 1988—
The above figure by Conway and Sloane summarizes, using
a 4×4 array, the additive vectorspace structure of the finite
field GF(16).
This structure embodies what in Euclidean space is called
the parallelogram rule for vector addition—
(Thanks to June Lester for the 3D (uvw) part of the above figure.)
For the transition from this colored Euclidean hypercube
(used above to illustrate the parallelogram rule) to the
4×4 Galois space (illustrated by Cullinane in 1979 and
Conway and Sloane in 1988— or later… I do not have
their book’s first edition), see Diamond Theory in 1937,
Vertex Adjacency in a Tesseract and in a 4×4 Array,
Spaces as Hypercubes, and The Galois Tesseract.
For some related narrative, see tesseract in this journal.
(This post has been added to finitegeometry.org.)
Update of August 9, 2013—
Coordinates for hypercube vertices derived from the
parallelogram rule in four dimensions were better
illustrated by Jürgen Köller in a web page archived in 2002.
Update of August 13, 2013—
The four basis vectors in the 2002 Köller hypercube figure
are also visible at the bottom of the hypercube figure on
page 7 of “Diamond Theory,” excerpts from a 1976 preprint
in Computer Graphics and Art , Vol. 2, No. 1, February 1977.
A predecessor: Coxeter’s 1950 hypercube figure from
“SelfDual Configurations and Regular Graphs.”
Spidey Goes to Church
More realistically…
"Now the serpent was more subtle
than any beast of the field…."
— Genesis 3:1
"“The serpent’s eyes shine
As he wraps around the vine….”
– Don Henley
"Nine is a vine."
— Folk rhyme
Click images for some background.
The nonCoxeter simple reflection group of order 168
is a counterexample to the statement that
"Every finite reflection group is a Coxeter group."
The counterexample is based on a definition of "reflection group"
that includes reflections defined over finite fields.
Today I came across a 1911 paper that discusses the counterexample.
Of course, Coxeter groups were undefined in 1911, but the paper, by
Howard H. Mitchell, discusses the simple order168 group as a reflection group .
A review of this topic might be appropriate for Jessica Fintzen's 2012 fall tutorial at Harvard
on reflection groups and Coxeter groups. The syllabus for the tutorial states that
"finite Coxeter groups correspond precisely to finite reflection groups." This statement
is based on Fintzen's definition of "reflection group"—
"Reflection groups are— as their name indicates—
groups generated by reflections across
hyperplanes of R^{n} which contain the origin."
For some background, see William Kantor's 1981 paper "Generation of Linear Groups"
(quoted at the finitegeometry.org page on the simple order168 counterexample).
Kantor discusses Mitchell's work in some detail, but does not mention the
simple order168 group explicitly.
Last Wednesday's 11 PM post mentioned the
adjacencyisomorphism relating the 4dimensional
hypercube over the 2element Galois field GF(2) to
the 4×4 array made up of 16 square cells, with
opposite edges of the 4×4 array identified.
A web page illustrates this property with diagrams that
enjoy the Karnaugh property— adjacent vertices, or cells,
differ in exactly one coordinate. A brief paper by two German
authors relates the Karnaugh property to the construction
of a magic square like that of Dürer (see last Wednesday).
In a similar way (search the Web for Karnaugh + cube ),
vertex adjacency in the 6dimensional hypercube over GF(2)
is isomorphic to cell adjacency in the 4x4x4 cube, with
opposite faces of the 4x4x4 cube identified.
The above cube may be used to illustrate some properties
of the 64point Galois 6space that are more advanced
than those studied by enthusiasts of "magic" squares
and cubes.
See
Those who prefer narrative to mathematics may
consult posts in this journal containing the word "Cuber."
Denote the ddimensional hypercube by γ_{d} .
"… after coloring the sixtyfour vertices of γ_{6}
alternately red and blue, we can say that
the sixteen pairs of opposite red vertices represent
the sixteen nodes of Kummer's surface, while
the sixteen pairs of opposite blue vertices
represent the sixteen tropes."
— From "Kummer's 16_{6 }," section 12 of Coxeter's 1950
"Selfdual Configurations and Regular Graphs"
Just as the 4×4 square represents the 4dimensional
hypercube γ_{4 }over the twoelement Galois field GF(2),
so the 4x4x4 cube represents the 6dimensional
hypercube γ_{6} over GF(2).
For religious interpretations, see
Nanavira Thera (Indian) and
I Ching geometry (Chinese).
See also two professors in The New York Times
discussing images of the sacred in an oped piece
dated Sept. 26 (Yom Kippur).
Today's previous post, "For Odin's Day," discussed
a mathematical object, the tesseract, from a strictly
narrative point of view.
In honor of George Balanchine, Odin might yield the
floor this evening to Apollo.
From a piece in today's online New York Times titled
"How a God Finds Art (the Abridged Version)"—
"… the newness at the heart of this story,
in which art is happening for the first time…."
Some related art—
and, more recently—
This more recent figure is from Ian Stewart's 1996 revision
of a 1941 classic, What Is Mathematics? , by Richard Courant
and Herbert Robbins.
Apollo might discuss with Socrates how the confused slave boy
of Plato's Meno would react to Stewart's remark that
"The number of copies required to double an
object's size depends on its dimension."
Apollo might also note an application of Socrates' Meno diagram
to the tesseract of this afternoon's Odin post—
(Continued from August 13. See also Coxeter Graveyard.)
Here the tombstone says
"GEOMETRY… 600 BC — 1900 AD… R.I.P."
In the geometry of Plato illustrated below,
"the figure of eight [square] feet" is not , at this point
in the dialogue, the diamond in Jowett's picture.
An 1892 figure by Jowett illustrating Plato's Meno—
Jowett's picture is nonetheless of interest for
its resemblance to a figure drawn some decades later
by the Toronto geometer H. S. M. Coxeter.
A similar 1950 figure by Coxeter illustrating a tesseract—
For a less scholarly, but equally confusing, view of the number 8,
see The Eight , a novel by Katherine Neville.
The three parts of the figure in today's earlier post "Defining Form"—
— share the same vectorspace structure:
0  c  d  c + d 
a  a + c  a + d  a + c + d 
b  b + c  b + d  b + c + d 
a + b  a + b + c  a + b + d  a + b + c + d 
(This vectorspace a b c d diagram is from Chapter 11 of
Sphere Packings, Lattices and Groups , by John Horton
Conway and N. J. A. Sloane, first published by Springer
in 1988.)
The fact that any 4×4 array embodies such a structure was implicit in
the diamond theorem (February 1979). Any 4×4 array, regarded as
a model of the finite geometry AG(4, 2), may be called a Galois tesseract.
(So called because of the Galois geometry involved, and because the
16 cells of a 4×4 array with opposite edges identified have the same
adjacency pattern as the 16 vertices of a tesseract (see, for instance,
Coxeter's 1950 "SelfDual Configurations and Regular Graphs," figures
5 and 6).)
A 1982 discussion of a more abstract form of AG(4, 2):
Source:
The above 1982 remarks by Brouwer may or may not have influenced
the drawing of the above 1988 ConwaySloane diagram.
From Tony Rothman's review of a 2006 book by
Siobhan Roberts—
"The most engaging aspect of the book is its
chronicle of the war between geometry and algebra,
which pits Coxeter, geometry's David, against
Nicolas Bourbaki, algebra's Goliath."
The conclusion of Rothman's review—
"There is a lesson here."
Related material: a search for Galois geometry .
"There is a pleasantly discursive treatment of
Pontius Pilate's unanswered question 'What is truth?'"
— H. S. M. Coxeter, 1987
Returning to the Walpurgisnacht posts
Decomposition (continued) and
Decomposition– Part III —
Some further background…
SAT
(Not a Scholastic Aptitude Test)
"In computer science, satisfiability (often written
in all capitals or abbreviated SAT) is the problem
of determining if the variables of a given Boolean
formula can be assigned in such a way as to
make the formula evaluate to TRUE."
— Wikipedia article Boolean satisfiability problem
For the relationship of logic decomposition to SAT,
see (for instance) these topics in the introduction to—
Advanced Techniques in Logic Synthesis,
Optimizations and Applications* —
Click image for a synopsis.
* Edited by Sunil P. Khatri and Kanupriya Gulati
The showmanship of Nicki Minaj at Sunday's
Grammy Awards suggested the above title,
that of a novel by the author of The Exorcist .
The Ninth Configuration —
The ninth* in a list of configurations—
"There is a (2^{d1})_{d} configuration
known as the Cox configuration."
— MathWorld article on "Configuration"
For further details on the Cox 32_{6} configuration's Levi graph,
a model of the 64 vertices of the sixdimensional hypercube γ_{6 },
see Coxeter, "SelfDual Configurations and Regular Graphs,"
Bull. Amer. Math. Soc. Vol. 56, pages 413455, 1950.
This contains a discussion of Kummer's 16_{6} as it
relates to γ_{6 }, another form of the 4×4×4 Galois cube.
See also Solomon's Cube.
* Or tenth, if the fleeting reference to 11_{3} configurations is counted as the seventh—
and then the ninth would be a 15_{3} and some related material would be Inscapes.
“… a finite set with n elements Tesseract formed from a 4set— The same 16 subsets or points can “There is such a thing as a 4set.” 
Update of August 12, 2012:
Figures like the above, with adjacent vertices differing in only one coordinate,
appear in a 1950 paper of H. S. M. Coxeter—
The twin topics of autism and of narrowing definitions
suggested the following remarks.
The mystical number "318" in the pilot episode
of Kiefer Sutherland's new series about autism, "Touch,"
is so small that it can easily apply (as the pilot
illustrated) to many different things: a date, a
time, a bus number, an address, etc.
The last 3/18 Log24 post— Defining Configurations—
led, after a false start and some further research,
to the writing of the webpage Configurations and Squares.
An image from that page—
Interpreting this, in an autistic manner, as the number
287501346 lets us search for more specific items
than those labeled simply 318.
The search yields, among other things, an offer of
Night Magic Cologne (unsold)—
For further mystery and magic, see, from the date
the Night Magic offer closed— May 8, 2010— "A Better Story."
See also the next day's followup, "The Ninth Gate."
"… myths are stories, and like all narratives
they unravel through time, whereas grids
are not only spatial to start with,
they are visual structures that explicitly reject
a narrative or sequential reading of any kind."
— Rosalind Krauss in "Grids,"
October (Summer 1979), 9: 5064.
Counterexample—
The Ninefold Square
See Coxeter and the Aleph and Ayn Sof—
Mathematics and Narrative, Illustrated 

Mathematics 
Narrative 
The hypercube has 192 rotational symmetries.
Its full symmetry group, including reflections,
is of order 384.
See (for instance) Coxeter—
Related material—
The rotational symmetry groups of the Platonic solids
(from April 25, 2011)—
— and the figure in yesterday evening's post on the hypercube—
(Animation source: MIQEL.com)
Clearly hypercube rotations of this sort carry any
of the eight 3D subcubes to the central subcube
of a central projection of the hypercube—
The 24 rotational symmeties of that subcube induce
24 rigid rotations of the entire hypercube. Hence,
as in the logic of the Platonic symmetry groups
illustrated above, the hypercube has
rotational symmetries.
Suggested by an Oct. 18 piece in the Book Bench section
of the online New Yorker magazine—
Related material suggested by the "Shouts and Murmurs" piece
in The New Yorker , issue dated Oct. 24, 2011—
"a series of emails from a preschool teacher planning to celebrate
the Day of the Dead instead of Halloween…"
A search for Coxeter + Graveyard in this journal yields…
Here the tombstone says "GEOMETRY… 600 BC — 1900 AD… R.I.P."
A related search for Plato + Tombstone yields an image from July 6, 2007…
Here Plato's poems to Aster suggested
the "Star and Diamond" tombstone.
The eightrayed star is an ancient symbol of Venus
and the diamond is from Plato's Meno .
The star and diamond are combined in a figure from
12 AM on September 6th, 2011—
The Diamond Star
See Configurations and Squares.
That webpage explains how Coxeter
united the diamond and the star.
Those who prefer narrative to mathematics may consult
a definition of the Spanish word lucero from March 28, 2003.
See last year's Day of the Tetraktys.
Those who prefer Hebrew to Greek may consult Coxeter and the Aleph.
See also last midnight's The Aleph as well as Saturday morning's
An Ordinary Evening in Hartford and Saturday evening's
For Whom the Bell (with material from March 20, 2011).
For connoisseurs of synchronicity, there is …
THE LAST CONCERT
Cached from http://mrpianotoday.com/tourdates.htm —
The last concert of Roger Williams — March 20, 2011 —
March 20 
"Roger Williams" In Concert, 
Palm Desert, CA 
Background music… Theme from "Somewhere in Time"
"In any geometry satisfying Pappus's Theorem,
the four pairs of opposite points of 8_{3}
are joined by four concurrent lines."
— H. S. M. Coxeter (see below)
Continued from Tuesday, Sept. 6—
The Diamond Star
The above is a version of a figure from Configurations and Squares.
Yesterday's post related the the Pappus configuration to this figure.
Coxeter, in "SelfDual Configurations and Regular Graphs," also relates Pappus to the figure.
Some excerpts from Coxeter—
The relabeling uses the 8 superscripts
from the first picture above (plus 0).
The order of the superscripts is from
an 8cycle in the Galois field GF(9).
The relabeled configuration is used in a discussion of Pappus—
(Update of Sept. 10, 2011—
Coxeter here has a note referring to page 335 of
G. A. Miller, H. F. Blichfeldt, and L. E. Dickson,
Theory and Applications of Finite Groups , New York, 1916.)
Coxeter later uses the the 3×3 array (with center omitted) again to illustrate the Desargues configuration—
The Desargues configuration is discussed by GianCarlo Rota on pp. 145146 of Indiscrete Thoughts—
"The value of Desargues' theorem and the reason why the statement of this theorem has survived through the centuries, while other equally striking geometrical theorems have been forgotten, is in the realization that Desargues' theorem opened a horizon of possibilities that relate geometry and algebra in unexpected ways."
Yesterday's midday post, borrowing a phrase from the theology of Marvel Comics,
offered Rubik's mechanical contrivance as a rather absurd "Cosmic Cube."
A simpler candidate for the "Cube" part of that phrase:
The Eightfold Cube
As noted elsewhere, a simple reflection group* of order 168 acts naturally on this structure.
"Because of their truly fundamental role in mathematics,
even the simplest diagrams concerning finite reflection groups
(or finite mirror systems, or root systems—
the languages are equivalent) have interpretations
of cosmological proportions."
— Alexandre V. Borovik in "Coxeter Theory: The Cognitive Aspects"
Borovik has a such a diagram—
The planes in Borovik's figure are those separating the parts of the eightfold cube above.
In Coxeter theory, these are Euclidean hyperplanes. In the eightfold cube, they represent three of seven projective points that are permuted by the above group of order 168.
In light of Borovik's remarks, the eightfold cube might serve to illustrate the "Cosmic" part of the Marvel Comics phrase.
For some related theological remarks, see Cube Trinity in this journal.
Happy St. Augustine's Day.
* I.e., one generated by reflections : group actions that fix a hyperplane pointwise. In the eightfold cube, viewed as a vector space of 3 dimensions over the 2element Galois field, these hyperplanes are certain sets of four subcubes.
Three links with a Borges flavor—
Related material
The 236 in yesterday evening's NY lottery may be
viewed as the 236 in March 18's Defining Configurations.
For some background, see Configurations and Squares.
A new illustration for that topic—
This shows a reconcilation of the triples described by Sloane
in Defining Configurations with the square geometric
arrangement described by Coxeter in the Aleph link above.
Note that the 56 from yesterday's midday NY lottery
describes the triples that appear both in the Eightfold Way
link above and also in a possible source for
the eight triples of Sloane's 8_{3} configuration—
The geometric square arrangement discussed in the Aleph link
above appears in a different, but still rather Borgesian, context
in yesterday morning's Minimalist Icon.
The source of the mysterious generic
3×3 favicon with one green cell —
— has been identified.
For minimalists, here is a purer 3×3 matrix favicon—
This may, if one likes, be viewed as the "nothing"
present at the Creation. See Jim Holt on physics.
See also Visualizing GL(2,p), Coxeter and the Aleph, and Ayn Sof.
The LA Times on last weekend's film "Thor"—
"… the film… attempts to bridge director Kenneth Branagh's highminded Shakespearean intentions with Marvel Entertainment's bottomlineoriented need to crank out entertainment product."
Those averse to Nordic religion may contemplate a different approach to entertainment (such as Taymor's recent approach to SpiderMan).
A highminded— if not Shakespearean— nonNordic approach to groups acting—
"What was wrong? I had taken almost four semesters of algebra in college. I had read every page of Herstein, tried every exercise. Somehow, a message had been lost on me. Groups act . The elements of a group do not have to just sit there, abstract and implacable; they can do things, they can 'produce changes.' In particular, groups arise naturally as the symmetries of a set with structure. And if a group is given abstractly, such as the fundamental group of a simplical complex or a presentation in terms of generators and relators, then it might be a good idea to find something for the group to act on, such as the universal covering space or a graph."
— Thomas W. Tucker, review of Lyndon's Groups and Geometry in The American Mathematical Monthly , Vol. 94, No. 4 (April 1987), pp. 392394
"Groups act "… For some examples, see
Related entertainment—
Highminded— Many Dimensions—
Not so highminded— The Cosmic Cube—
One way of blending high and low—
The highminded Charles Williams tells a story
in his novel Many Dimensions about a cosmically
significant cube inscribed with the Tetragrammaton—
the name, in Hebrew, of God.
The following figure can be interpreted as
the Hebrew letter Aleph inscribed in a 3×3 square—
The above illustration is from undated software by Ed Pegg Jr.
For mathematical background, see a 1985 note, "Visualizing GL(2,p)."
For entertainment purposes, that note can be generalized from square to cube
(as Pegg does with his "GL(3,3)" software button).
For the Nordicaverse, some background on the Hebrew connection—
For the title, see Palm Sunday.
"There is a pleasantly discursive treatment of
Pontius Pilate's unanswered question 'What is truth?'" — H. S. M. Coxeter, 1987
From this date (April 22) last year—
Richard J. Trudeau in The NonEuclidean Revolution , chapter on "Geometry and the Diamond Theory of Truth"– "… Plato and Kant, and most of the philosophers and scientists in the 2200year interval between them, did share the following general presumptions: (1) Diamonds– informative, certain truths about the world– exist. Presumption (1) is what I referred to earlier as the 'Diamond Theory' of truth. It is far, far older than deductive geometry." Trudeau's book was published in 1987. The nonEuclidean* figures above illustrate concepts from a 1976 monograph, also called "Diamond Theory." Although nonEuclidean,* the theorems of the 1976 "Diamond Theory" are also, in Trudeau's terminology, diamonds. * "NonEuclidean" here means merely "other than Euclidean." No violation of Euclid's parallel postulate is implied. 
Trudeau comes to reject what he calls the "Diamond Theory" of truth. The trouble with his argument is the phrase "about the world."
Geometry, a part of pure mathematics, is not about the world. See G. H. Hardy, A Mathematician's Apology .
From last night's note on finite geometry—
"The (8_{3}, 8_{3}) MöbiusKantor configuration here described by Coxeter is of course part of the larger (9_{4}, 12_{3}) Hesse configuration. Simply add the center point of the 3×3 Galois affine plane and the four lines (1 horizontal, 1 vertical, 2 diagonal) through the center point." An illustration—
This suggests a search for "diamond+star."
The OnLine Encyclopedia of Integer Sequences has an article titled "Number of combinatorial configurations of type (n_3)," by N.J.A. Sloane and D. Glynn.
From that article:
The following corrects the word "unique" in the example.
* This post corrects an earlier post, also numbered 14660 and dated 7 PM March 18, 2011, that was in error.
The correction was made at about 11:50 AM on March 20, 2011.
_____________________________________________________________
Update of March 21
The problem here is of course with the definition. Sloane and Glynn failed to include in their definition a condition that is common in other definitions of configurations, even abstract or purely "combinatorial" configurations. See, for instance, Configurations of Points and Lines , by Branko Grunbaum (American Mathematical Society, 2009), p. 17—
In the most general sense we shall consider combinatorial (or abstract) configurations; we shall use the term setconfigurations as well. In this setting "points" are interpreted as any symbols (usually letters or integers), and "lines" are families of such symbols; "incidence" means that a "point" is an element of a "line". It follows that combinatorial configurations are special kinds of general incidence structures. Occasionally, in order to simplify and clarify the language, for "points" we shall use the term marks, and for "lines" we shall use blocks. The main property of geometric configurations that is preserved in the generalization to setconfigurations (and that characterizes such configurations) is that two marks are incident with at most one block, and two blocks with at most one mark.
Whether or not omitting this "at most one" condition from the definition is aesthetically the best choice, it dramatically changes the number of configurations in the resulting theory, as the above (8_3) examples show.
Update of March 22 (itself updated on March 25)
For further background on configurations, see Dolgachev—
Note that the two examples Dolgachev mentions here, with 16 points and 9 points, are not unrelated to the geometry of 4×4 and 3×3 square arrays. For the Kummer and related 16point configurations, see section 10.3, "The Three Biplanes of Order 4," in Burkard Polster's A Geometrical Picture Book (Springer, 1998). See also the 4×4 array described by Gordon Royle in an undated web page and in 1980 by Assmus and Sardi. For the Hesse configuration, see (for instance) the passage from Coxeter quoted in Quaternions in an Affine Galois Plane.
Update of March 27
See the above link to the (16,6) 4×4 array and the (16,6) exercises using this array in R.D. Carmichael's classic Introduction to the Theory of Groups of Finite Order (1937), pp. 4243. For a connection of this sort of 4×4 geometry to the geometry of the diamond theorem, read "The 2subsets of a 6set are the points of a PG(3,2)" (a note from 1986) in light of R.W.H.T. Hudson's 1905 classic Kummer's Quartic Surface , pages 89, 1617, 4445, 7677, 7879, and 80.
In memory of Jane Russell —
H.S.M. Coxeter's classic
Introduction to Geometry (2nd ed.):
Note the resemblance of the central part to
a magical counterpart— the Ojo de Dios
of Mexico's Sierra Madre.
Related material— page 55 of Polly and the Aunt ,
by Mary E. Blatchford.
Last night's post was about a talk last year at the annual student symposium of the ACCA (Associated Colleges of the Chicago Area), a group of largely Christian colleges.
The fact that the talk was by a student from Benedictine University suggests a review of the Urbi et Orbi speech by Pope Benedict XVI on Christmas 2010.
“The Word became flesh”. The light of this truth is revealed to those who receive it in faith, for it is a mystery of love. Only those who are open to love are enveloped in the light of Christmas. So it was on that night in Bethlehem, and so it is today. The Incarnation of the Son of God is an event which occurred within history, while at the same time transcending history. In the night of the world a new light was kindled, one which lets itself be seen by the simple eyes of faith, by the meek and humble hearts of those who await the Saviour. If the truth were a mere mathematical formula, in some sense it would impose itself by its own power. But if Truth is Love, it calls for faith, for the “yes” of our hearts.
And what do our hearts, in effect, seek, if not a Truth which is also Love? Children seek it with their questions, so disarming and stimulating; young people seek it in their eagerness to discover the deepest meaning of their life; adults seek it in order to guide and sustain their commitments in the family and the workplace; the elderly seek it in order to grant completion to their earthly existence.
The above excerpt from the Pope's speech may be regarded as part of a continuing commentary on the following remark—
There is a pleasantly discursive treatment of Pontius Pilate's unanswered question "What is truth?" — H. S. M. Coxeter, 1987
(A continuation of this morning's Coxeter and the Aleph)
"You've got to pick up every stitch… Must be the season of the witch."
— Donovan song at the end of Nicole Kidman's "To Die For"
Mathematics and Narrative, Illustrated  
Narrative 
"As is well known, the Aleph is the first letter of the Hebrew alphabet.
Its use for the strange sphere in my story may not be accidental.
For the Kabbala, the letter stands for the En Soph ,
the pure and boundless godhead; it is also said that it takes
the shape of a man pointing to both heaven and earth, in order to show
that the lower world is the map and mirror of the higher; for Cantor's
Mengenlehre , it is the symbol of transfinite numbers,
of which any part is as great as the whole."
— Borges, "The Aleph"
From WorldLingo.com —

"Infinite Jest… now stands as the principal contender
for what serious literature can aspire to
in the late twentieth and early twentyfirst centuries."
— All Things Shining, a work of pop philosophy published January 4th
"You're gonna need a bigger boat." — Roy Scheider in "Jaws"
"We're gonna need more holy water." — "Season of the Witch," a film opening tonight
See also, with respect to David Foster Wallace, infinity, nihilism,
and the above reading of "Ayn Sof" as "nothingness,"
the quotations compiled as "Is Nothing Sacred?"
Recent posts (Church Logic and Church Narrative) have discussed finite geometry as a type of nonEuclidean geometry.
For those who prefer nonfinite geometry, here are some observations.
"A characteristic property of hyperbolic geometry
is that the angles of a triangle add to less
than a straight angle (half circle)." — Wikipedia
From To Ride Pegasus, by Anne McCaffrey, 1973:
“MaryMolly luv, it’s going to be accomplished in steps, this establishment of the Talented in the scheme of things. Not society, mind you, for we’re the original nonconformists…. and Society will never permit us to integrate. That’s okay!” He consigned Society to insignificance with a flick of his fingers. “The Talented form their own society and that’s as it should be: birds of a feather. No, not birds. Winged horses! Ha! Yes, indeed. Pegasus… the poetic winged horse of flights of fancy. A bloody good symbol for us. You’d see a lot from the back of a winged horse…”
“Yes, an airplane has blind spots. Where would you put a saddle?” Molly had her practical side.
On the practical side:
The above chapel is from a Princeton Weekly Bulletin story of October 6th, 2008.
Related material: This journal on that date.
An Epic Search for Truth
— Subtitle of Logicomix , a work reviewed in the December 2010 Notices of the American Mathematical Society (see previous post).
Some future historian of mathematics may contrast the lurid cover of the December 2010 Notices
Excerpts from Logicomix
with the 1979 cover found in a somewhat less epic search —
Larger view of Google snippet —
For some purely mathematical background, see Finite Geometry of the Square and Cube.
For some background related to searches for truth, see "Coxeter + Trudeau" in this journal.
CHAPTER V
"This is an account of the discrete groups generated by reflections…."
— Regular Polytopes , by H.S.M. Coxeter (unabridged and corrected 1973 Dover reprint of the 1963 Macmillan second edition)
"In this article, we begin a theory linking hyperplane arrangements and invariant forms for reflection groups over arbitrary fields…. Let V be an ndimensional vector space over a field F, and let G ≤ Gl_{n }(F) be a finite group…. An element of finite order in Gl(V ) is a reflection if its fixed point space in V is a hyperplane, called the reflecting hyperplane. There are two types of reflections: the diagonalizable reflections in Gl(V ) have a single nonidentity eigenvalue which is a root of unity; the nondiagonalizable reflections in Gl(V ) are called transvections and have determinant 1 (note that they can only occur if the characteristic of F is positive)…. A reflection group is a finite group G generated by reflections."
— Julia Hartmann and Anne V. Shepler, "Reflection Groups and Differential Forms," Mathematical Research Letters , Vol. 14, No. 6 (Nov. 2007), pp. 955971
"… the class of reﬂections is larger in some sense over an arbitrary ﬁeld than over a characteristic zero ﬁeld. The reﬂections in Gl(V ) not only include diagonalizable reﬂections (with a single nonidentity eigenvalue), but also transvections, reﬂections with determinant 1 which can not be diagonalized. The transvections in Gl(V ) prevent one from developing a theory of reﬂection groups mirroring that for Coxeter groups or complex reﬂection groups."
— Julia Hartmann and Anne V. Shepler, "Jacobians of Reflection Groups," Transactions of the American Mathematical Society , Vol. 360, No. 1 (2008), pp. 123133 (Pdf available at CiteSeer.)
See also A Simple Reflection Group of Order 168 and this morning's Savage Logic.
For aficionados of mathematics and narrative —
Illustration from
"The Galois Quaternion— A Story"
This resembles an attempt by Coxeter in 1950 to represent
a Galois geometry in the Euclidean plane—
The quaternion illustration above shows a more natural way to picture this geometry—
not with dots representing points in the Euclidean plane, but rather with unit squares
representing points in a finite Galois affine plane. The use of unit squares to
represent points in Galois space allows, in at least some cases, the actions
of finite groups to be represented more naturally than in Euclidean space.
See Galois Geometry, Geometry Simplified, and
Finite Geometry of the Square and Cube.
Google Logo July 11, 2010—
"Oog" is Dutch (and Afrikaans) for "eye."
Strong Emergence Illustrated
(May 23, 2007 — Figures from Coxeter)—
The 2007 "strong emergence" post compares the
center figure to an "Ojo de Dios."
or: Catullus vs. Ovid
(Today's previous post, "Coxeter vs. Fano,"
might also have been titled "Toronto vs. Rome.")
ut te postremo donarem munere mortis
Explicatio
Image by Christopher Thomas at Wikipedia —
Unfolding of a hypercube and of a cube —
The metaphor for metamorphosis no keys unlock.
— Steven H. Cullinane, "Endgame"
The current New Yorker has a translation of
the above line of Catullus by poet Anne Carson.
According to poets.org, Carson "attended St. Michael's College
at the University of Toronto and, despite leaving twice,
received her B.A. in 1974, her M.A. in 1975 and her Ph.D. in 1981."
Carson's translation is given in a review of her new book Nox.
The title, "The Unfolding," of the current review echoes an earlier
New Yorker piece on another poet, Madeleine L'Engle—
Cynthia Zarin in The New Yorker, issue dated April 12, 2004–
“Time, for L’Engle, is accordionpleated. She elaborated,
‘When you bring a sheet off the line, you can’t handle it
until it’s folded, and in a sense, I think, the universe can’t
exist until it’s folded– or it’s a story without a book.’”
(See also the "harrow up" + Hamlet link in yesterday's 6:29 AM post.)
Limited— Good

Unlimited— Bad 
Jamie James in The Music of the Spheres—
"The Pythagorean philosophy, like Zoroastrianism, Taoism, and every early system of higher thought, is based upon the concept of dualism. Pythagoras constructed a table of opposites from which he was able to derive every concept needed for a philosophy of the phenomenal world. As reconstructed by Aristotle in his Metaphysics, the table contains ten dualities (ten being a particularly important number in the Pythagorean system, as we shall see):
Limited Odd One Right Male Rest Straight Light Good Square 
Unlimited Even Many Left Female Motion Curved Dark Bad Oblong 
Of these dualities, the first is the most important; all the others may be seen as different aspects of this fundamental dichotomy. To establish a rational and consistent relationship between the limited (man, finite time, and so forth) and the unlimited (the cosmos, eternity, etc.) is not only the aim of Pythagoras's system but the central aim of all Western philosophy."
Paul Robeson in
"King Solomon's Mines," 1937—
The image above is an illustration from
"Romancing the Hyperspace," May 4, 2010.
This illustration, along with Georgia Brown's
song from "Cabin in the Sky"—
"There's honey in the honeycomb"—
suggests the following picture.
"What might have been and what has been
Point to one end, which is always present."
— Four Quartets
"Let G be a finite, primitive subgroup of
— William M. Kantor, "Generation of Linear Groups," pp. 497509 in The Geometric Vein: The Coxeter Festschrift, published by Springer, 1981
This quote was added today to "A Simple Reflection Group of Order 168."
URBI
(Toronto)–
Click on image for some background.
ORBI
(Globe and Mail)–
See also Baaad Blake and
Fearful Symmetry.
Today's previous entry was "Gameplayers of the Academy."
David Corfield in the March 2010
European Mathematical Society newsletter—
"Staying on the theme of games, the mathematician
Alexandre Borovik* once told me he thinks of mathematics
as a MassivelyMultiplayer Online RolePlaying Game. If
so, it would show up very clearly the difference between
internal and external viewpoints. Inside the game people
are asking each other whether they were right about
something they encountered in it– 'When you entered
the dungeon did you see that dragon in the fireplace or
did I imagine it?' But someone observing them from the
outside wants to shout: 'You’re not dealing with anything
real. You’ve just got a silly virtual reality helmet on.' External
nominalists say the same thing, if more politely, to
mathematical practitioners. But in an important way the
analogy breaks down. Even if the players interact with
the game to change its functioning in unforeseen ways,
there were the original programmers who set the bounds
for what is possible by the choices they made. When they
release the next version of the game they will have made
changes to allow new things to happen. In the case of
mathematics, it’s the players themselves who make these
choices. There’s no further layer outside.
What can we do then instead to pin down internal reality?"
*See previous references to Borovik in this journal.
Related material:
The Diamond Theory vs. the Story Theory of Truth,
Infantilizing the Audience, and
It's Still the Same Old Story…God of War III
"The eye you see him with is the same
eye with which he sees you."
– Father Egan on page 333
of Robert Stone's A Flag for Sunrise
(Knopf hardcover, 1981)
Part I– Bounded in a Nutshell
Ian McKellen at a mental hospital's diamondshaped window in "Neverwas"
Part II– The Royal Castle
Ian McKellen at his royal castle's diamondshaped window in "Neverwas"
Part III– King of Infinite Space
H.S.M. Coxeter crowns himself "King of Infinite Space"
Related material:
See Coxeter in this journal.
From the Wikipedia article "Reflection Group" that I created on Aug. 10, 2005— as revised on Nov. 25, 2009—
Historically, (Coxeter 1934) proved that every reflection group [Euclidean, by the current Wikipedia definition] is a Coxeter group (i.e., has a presentation where all relations are of the form r_{i}^{2} or (r_{i}r_{j})^{k}), and indeed this paper introduced the notion of a Coxeter group, while (Coxeter 1935) proved that every finite Coxeter group had a representation as a reflection group [again, Euclidean], and classified finite Coxeter groups. Finite fields
When working over finite fields, one defines a "reflection" as a map that fixes a hyperplane (otherwise for example there would be no reflections in characteristic 2, as −1=1 so reflections are the identity). Geometrically, this amounts to including shears in a hyperplane. Reflection groups over finite fields of characteristic not 2 were classified in (Zalesskiĭ & Serežkin 1981). 
Related material:
"A Simple Reflection Group of Order 168," by Steven H. Cullinane, and
by Ascher Wagner, U. of Birmingham, received 27 July 1977
Journal  Geometriae Dedicata 
Publisher  Springer Netherlands 
Issue  Volume 9, Number 2 / June, 1980 
[A primitive permuation group preserves
no nontrivial partition of the set it acts upon.]
Clearly the eightfold cube is a counterexample.
Truth, Geometry, Algebra
The following notes are related to A Simple Reflection Group of Order 168.
1. According to H.S.M. Coxeter and Richard J. Trudeau
“There is a pleasantly discursive treatment of Pontius Pilate’s unanswered question ‘What is truth?’.”
— Coxeter, 1987, introduction to Trudeau’s The NonEuclidean Revolution
1.1 Trudeau’s Diamond Theory of Truth
1.2 Trudeau’s Story Theory of Truth
2. According to Alexandre Borovik and Steven H. Cullinane
2.1 Coxeter Theory according to Borovik
2.1.1 The Geometry–
Mirror Systems in Coxeter Theory
2.1.2 The Algebra–
Coxeter Languages in Coxeter Theory
2.2 Diamond Theory according to Cullinane
2.2.1 The Geometry–
Examples: Eightfold Cube and Solomon’s Cube
2.2.2 The Algebra–
Examples: Cullinane and (rather indirectly related) Gerhard Grams
Summary of the story thus far:
Diamond theory and Coxeter theory are to some extent analogous– both deal with reflection groups and both have a visual (i.e., geometric) side and a verbal (i.e., algebraic) side. Coxeter theory is of course highly developed on both sides. Diamond theory is, on the geometric side, currently restricted to examples in at most three Euclidean (and six binary) dimensions. On the algebraic side, it is woefully underdeveloped. For material related to the algebraic side, search the Web for generators+relations+”characteristic two” (or “2“) and for generators+relations+”GF(2)”. (This last search is the source of the Grams reference in 2.2.2 above.)
From today's NY Times—
Obituaries for mystery authors
Ralph McInerny and Dick Francis
From the date (Jan. 29) of McInerny's death–
"…although a work of art 'is formed around something missing,' this 'void is its vanishing point, not its essence.'"
– Harvard University Press on Persons and Things (Walpurgisnacht, 2008), by Barbara Johnson
From the date (Feb. 14) of Francis's death–
The EIghtfold Cube
The "something missing" in the above figure is an eighth cube, hidden behind the others pictured.
This eighth cube is not, as Johnson would have it, a void and "vanishing point," but is instead the "still point" of T.S. Eliot. (See the epigraph to the chapter on automorphism groups in Parallelisms of Complete Designs, by Peter J. Cameron. See also related material in this journal.) The automorphism group here is of course the order168 simple group of Felix Christian Klein.
For a connection to horses, see
a March 31, 2004, post
commemorating the birth of Descartes
and the death of Coxeter–
Putting Descartes Before Dehors
For a more Protestant meditation,
see The Cross of Descartes—
"I've been the front end of a horse
and the rear end. The front end is better."
— Old vaudeville joke
For further details, click on
the image below–
Notre Dame Philosophical Reviews
"Simplify, simplify." — Henry David Thoreau
"Because of their truly fundamental role in mathematics, even the simplest diagrams concerning finite reflection groups (or finite mirror systems, or root systems– the languages are equivalent) have interpretations of cosmological proportions."
— Alexandre Borovik, 2010 (See previous entry.)
Exercise: Discuss Borovik's remark
that "the languages are equivalent"
in light of the web page
A Simple Reflection Group
of Order 168.
Background:
Theorems 15.1 and 15.2 of Borovik's book (1st ed. Nov. 10, 2009)
Mirrors and Reflections: The Geometry of Finite Reflection Groups—
15.1 (p. 114): Every finite reflection group is a Coxeter group.
15.2 (p. 114): Every finite Coxeter group is isomorphic to a finite reflection group.
Consider in this context the above simple reflection group of order 168.
(Recall that "…there is only one simple Coxeter group (up to isomorphism); it has order 2…" —A.M. Cohen.)
Unitarian Universalist Origins: Our Historic Faith—
“In sixteenthcentury Transylvania, Unitarian congregations were established for the first time in history.”
Gravity’s Rainbow–
“For every kind of vampire, there is a kind of cross.”
Unitarian minister Richard Trudeau—
“… I called the belief that
(1) Diamonds– informative, certain truths about the world– exist
the ‘Diamond Theory’ of truth. I said that for 2200 years the strongest evidence for the Diamond Theory was the widespread perception that
(2) The theorems of Euclidean geometry are diamonds….
As the news about nonEuclidean geometry spread– first among mathematicians, then among scientists and philosophers– the Diamond Theory began a long decline that continues today.
Factors outside mathematics have contributed to this decline. Euclidean geometry had never been the Diamond Theory’s only ally. In the eighteenth century other fields had seemed to possess diamonds, too; when many of these turned out to be manmade, the Diamond Theory was undercut. And unlike earlier periods in history, when intellectual shocks came only occasionally, received truths have, since the eighteenth century, been found wanting at a dizzying rate, creating an impression that perhaps no knowledge is stable.
Other factors notwithstanding, nonEuclidean geometry remains, I think, for those who have heard of it, the single most powerful argument against the Diamond Theory*– first, because it overthrows what had always been the strongest argument in favor of the Diamond Theory, the objective truth of Euclidean geometry; and second, because it does so not by showing Euclidean geometry to be false, but by showing it to be merely uncertain.” —The NonEuclidean Revolution, p. 255
H. S. M. Coxeter, 1987, introduction to Trudeau’s book—
“There is a pleasantly discursive treatment of Pontius Pilate’s unanswered question ‘What is truth?’.”
As noted here on Oct. 8, 2008 (A Yom Kippur Meditation), Coxeter was aware in 1987 of a more technical use of the phrase “diamond theory” that is closely related to…
Pilate Goes
to Kindergarten
“There is a pleasantly discursive
treatment of Pontius Pilate’s
unanswered question
‘What is truth?’.”
— H. S. M. Coxeter, 1987,
introduction to Trudeau’s
remarks on the “Story Theory“
of truth as opposed to the
“Diamond Theory” of truth in
The NonEuclidean Revolution
Consider the following question in a paper cited by V. S. Varadarajan:
E. G. Beltrametti, “Can a finite geometry describe physical spacetime?” Universita degli studi di Perugia, Atti del convegno di geometria combinatoria e sue applicazioni, Perugia 1971, 57–62.
Simplifying:
“Can a finite geometry describe physical space?”
Simplifying further:
“Yes. Vide ‘The Eightfold Cube.'”
This journal on October 8, 2008, at noon: “There is a pleasantly discursive treatment of Pontius Pilate’s unanswered question ‘What is truth?'” Trudeau’s 1987 book uses the phrase “diamond theory” to denote the philosophical theory, common since Plato and Euclid, that there exist truths (which Trudeau calls “diamonds”) that are certain and eternal– for instance, the truth in Euclidean geometry that the sum of a triangle’s angles is 180 degrees. Insidehighered.com on “Future readers may consider Updike our era’s Mozart; Mozart was once written off as a tooprolific composer of ‘charming nothings,’ and some speak of Updike that way.” — Comment by BPJ 
Updike died on January 27.
On the same date,
Mozart was born.
Requiem
Mr. Best entered, tall, young, mild, light. He bore in his hand with grace a notebook, new, large, clean, bright. — James Joyce, Ulysses, 
“That corpse you planted
last year in your garden,
Has it begun to sprout?
Will it bloom this year?
Or has the sudden frost
disturbed its bed?”
— T. S. Eliot, “The Waste Land“
“In the Roman Catholic tradition, the term ‘Body of Christ’ refers not only to the body of Christ in the spiritual realm, but also to two distinct though related things: the Church and the reality of the transubstantiated bread of the Eucharist….
According to the Catechism of the Catholic Church, ‘the comparison of the Church with the body casts light on the intimate bond between Christ and his Church. Not only is she gathered around him; she is united in him, in his body….’
….To distinguish the Body of Christ in this sense from his physical body, the term ‘Mystical Body of Christ’ is often used. This term was used as the first words, and so as the title, of the encyclical Mystici Corporis Christi of Pope Pius XII.”
Pope Pius XII:
“83. The Sacrament of the Eucharist is itself a striking and wonderful figure of the unity of the Church, if we consider how in the bread to be consecrated many grains go to form one whole, and that in it the very Author of supernatural grace is given to us, so that through Him we may receive the spirit of charity in which we are bidden to live now no longer our own life but the life of Christ, and to love the Redeemer Himself in all the members of His social Body.”
Log24 on this date in 2002:
Religious Symbolism
at Princeton
as well as
and a
“striking and wonderful figure”
from this morning’s newspaper–
Serious Numbers
A Yom Kippur
Meditation
"When times are mysterious
Serious numbers
Will always be heard."
— Paul Simon,
"When Numbers Get Serious"
"There is a pleasantly discursive treatment of Pontius Pilate's unanswered question 'What is truth?'"
— H. S. M. Coxeter, introduction to Richard J. Trudeau's remarks on the "story theory" of truth as opposed to the "diamond theory" of truth in The NonEuclidean Revolution
Trudeau's 1987 book uses the phrase "diamond theory" to denote the philosophical theory, common since Plato and Euclid, that there exist truths (which Trudeau calls "diamonds") that are certain and eternal– for instance, the truth in Euclidean geometry that the sum of a triangle's angles is 180 degrees. As the excerpt below shows, Trudeau prefers what he calls the "story theory" of truth–
"There are no diamonds. People make up stories about what they experience. Stories that catch on are called 'true.'"
(By the way, the phrase "diamond theory" was used earlier, in 1976, as the title of a monograph on geometry of which Coxeter was aware.)
What does this have to do with numbers?
Pilate's skeptical tone suggests he may have shared a certain confusion about geometric truth with thinkers like Trudeau and the slave boy in Plato's Meno. Truth in a different part of mathematics– elementary arithmetic– is perhaps more easily understood, although even there, the existence of what might be called "nonEuclidean number theory"– i.e., arithmetic over finite fields, in which 1+1 can equal zero– might prove baffling to thinkers like Trudeau.
Trudeau's book exhibits, though it does not discuss, a less confusing use of numbers– to mark the location of pages. For some philosophical background on this version of numerical truth that may be of interest to devotees of the Semitic religions on this evening's High Holiday, see Zen and Language Games.
For uses of numbers that are more confusing, see– for instance– the new website The Daily Beast and the old website Story Theory and the Number of the Beast.
From Log24 on June 27, 2008,
the day that comicbook artist
Michael Turner died at 37 —
Van Gogh (by Ed Arno) in
The Paradise of Childhood
(by Edward Wiebé):
For Turner’s photoopportunity,
click on Lara.
The conclusion of yesterday’s commentary on the May 3031 Pennsylvania Lottery numbers:
Thomas Pynchon, Gravity’s Rainbow:
“The fear balloons again inside his brain. It will not be kept down with a simple Fuck You…. A smell, a forbidden room, at the bottom edge of his memory. He can’t see it, can’t make it out. Doesn’t want to. It is allied with the Worst Thing.
He knows what the smell has to be: though according to these papers it would have been too early for it, though he has never come across any of the stuff among the daytime coordinates of his life, still, down here, back here in the warm dark, among early shapes where the clocks and calendars don’t mean too much, he knows that’s what haunting him now will prove to be the smell of Imipolex G.
Then there’s this recent dream he is afraid of having again. He was in his old room, back home. A summer afternoon of lilacs and bees and
286”
What are we to make of this enigmatic 286? (No fair peeking at page 287.)
One possible meaning, given The Archivist‘s claim that “existence is infinitely crossreferenced”–
Page 286 of Ernest G. Schachtel, Metamorphosis: On the Conflict of Human Development and the Psychology of Creativity (first published in 1959), Hillsdale NJ and London, The Analytic Press, 2001 (chapter– “On Memory and Childhood Amnesia”):
“Both Freud and Proust speak of the autobiographical [my italics] memory, and it is only with regard to this memory that the striking phenomenon of childhood amnesia and the less obvious difficulty of recovering any past experience may be observed.”
The concluding “summer afternoon of lilacs and bees” suggests that 286 may also be a chance allusion to the golden afternoon of Disney’s Alice in Wonderland. (Cf. St. Sarah’s Day, 2008)
Some may find the Disney afternoon charming; others may see it as yet another of Paul Simon’s dreaded cartoon graveyards.
More tastefully, there is poem 286 in the 1919 Oxford Book of English Verse– “Love.”
For a midrash on this poem, see Simone Weil, who became acquainted with the poem by chance:
“I always prefer saying chance rather than Providence.”
— Simone Weil, letter of about May 15, 1942
Weil’s brother André might prefer Providence (source of the Bulletin of the American Mathematical Society.)
For more on the mathematical significance of this figure, see (for instance) Happy Birthday, Hassler Whitney, and Combinatorics of Coxeter Groups, by Anders Björner and Francesco Brenti, Graduate Texts in Mathematics, vol. 231, Springer, New York, 2005.
This book is reviewed in the current issue (July 2008) of the abovementioned Providence Bulletin.
The review in the Bulletin discusses reflection groups in continuous spaces.
Epigraph to
“Deploying the Glass Bead Game, Part II,”
by Robert de Marrais:
“For a complete logical argument,”
Arthur began
with admirable solemnity,
“we need two prim Misses –”
“Of course!” she interrupted.
“I remember that word now.
And they produce — ?”
“A Delusion,” said Arthur.
— Lewis Carroll,
Sylvie and Bruno
Roger Rosenblatt’s Beet [Ecco hardcover, Jan. 29, 2008] is the latest addition to the noble subgenre of campus fiction….
Curricular questions and the behavior of committees are at once dry as dust subjects and areas ripe for sarcastic sendup– not least because, as dull as they are, they are really both quite vital to the credibility and viability of higher education.
Here’s an excerpt from the first meeting, in which committee members propose their personal plans for a new, improved curriculum:
“… Once the students really got into playing with toy soldiers, they would understand history with handson excitement.”
To demonstrate his idea, he’d brought along a shoe box full of toy doughboys and grenadiers, and was about to reenact the Battle of Verdun on the committee table when Heilbrun stayed his hand. “We get it,” he said.
“That’s quite interesting, Molton,” said Booth [a chemist]. “But is it rigorous enough?”
At the mention of the word, everyone, save Peace, sat up straight.
“Rigor is so important,” said Kettlegorf.
“We must have rigor,” said Booth.
“You may be sure,” said the offended Kramer. “I never would propose anything lacking rigor.”
Smythe inhaled and looked at the ceiling. “I think I may have something of interest,” he said, as if he were at a poker game and was about to disclose a royal flush. “My proposal is called ‘Icons of Taste.’ It would consist of a galaxy of courses affixed to several departments consisting of lectures on examples of music, art, architecture, literature, and other cultural areas a student needed to indicate that he or she was sophisticated.”
“Why would a student want to do that?” asked Booth.
“Perhaps sophistication is not a problem for chemists,” said Smythe. Lipman tittered.
“What’s the subject matter?” asked Heilbrun. “Would it have rigor?”
“Of course it would have rigor. Yet it would also attract those additional students Bollovate is talking about.” Smythe inhaled again. “The material would be carefully selected,” he said. “One would need to pick out cultural icons the students were likely to bring up in conversation for the rest of their lives, so that when they spoke, others would recognize their taste as being exquisite yet eclectic and unpredictable.”
“You mean Rembrandt?” said Kramer.
Smythe smiled with weary contempt. “No, I do not mean Rembrandt. I don’t mean Beethoven or Shakespeare, either, unless something iconic has emerged about them to justify their more general appeal.”
“You mean, if they appeared on posters,” said Lipman.
“That’s it, precisely.”
Lipman blushed with pride.
“The subject matter would be fairly easy to amass,” Smythe said. “We could all make up a list off the top of our heads. Einstein–who does have a poster.” He nodded to the ecstatic Lipman. “Auden, for the same reason. Students would need to be able to quote ‘September 1939[ or at least the last lines. And it would be good to teach ‘Musee des Beaux Arts’ as well, which is off the beaten path, but not garishly. Mahler certainly. But Cole Porter too. And Sondheim, I think. Goya. Warhol, it goes without saying, Stephen Hawking, Kurosawa, Bergman, Bette Davis. They’d have to come up with some lines from Dark Victory, or better still, Jezebel. La Dolce Vita. Casablanca. King of Hearts. And Orson, naturally. Citizen Kane, I suppose, though personally I prefer F for Fake.”
“Judy!” cried Heilbrun.
“Yes, Judy too. But not ‘Over the Rainbow.’ It would be more impressive for them to do ‘The Trolley Song,’ don’t you think?” Kettlegorf hummed the intro.
“Guernica,” said Kramer. “Robert
Capa.” “Edward R. Murrow,” said Lipman.
“No! Don’t be ridiculous!” said Smythe, ending Lipman’s brief foray into the world of respectable thought.
“Marilyn Monroe!” said Kettlegorf.
“Absolutely!” said Smythe, clapping to indicate his approval.
“And the Brooklyn Bridge,” said Booth, catching on. “And the Chrysler Building.”
“Maybe,” said Smythe. “But I wonder if the Chrysler Building isn’t becoming something of a cliche.”
Peace had had enough. “And you want students to nail this stuff so they’ll do well at cocktail parties?”
Smythe sniffed criticism, always a tetchy moment for him. “You make it sound so superficial,” he said.
Prim Miss 2:
Siri Hustvedt speaks at Adelaide Writers’ Week– a story dated March 24,
“I have come to think of my books as echo chambers or halls of mirrors in which themes, ideas, associations continually reflect and reverberate inside a text. There is always point and counterpoint, to use a musical illustration. There is always repetition with difference.”
A Delusion:
Exercise — Identify in the following article the sentence that one might (by unfairly taking it out of context) argue is a delusion.
(Hint: See Reflection Groups in Finite Geometry.)
Why Borovik’s Figure 4
is included above:
For more on Prim Miss 2
and deploying
the Glass Bead Game,
see the previous entry.
From the Grave
in yesterday's New York Times:
"From the grave, Albert Einstein
poured gasoline on the culture wars
between science and religion this week…."
An announcement of a
colloquium at Princeton:
Above: a cartoon,
"Coxeter exhuming Geometry,"
with the latter's tombstone inscribed
"GEOMETRY
600 B.C. —
1900 A.D.
R.I.P."
The above is from
The Paradise of Childhood,
a work first published in 1869.
"I need a photoopportunity,
I want a shot at redemption.
Don't want to end up a cartoon
In a cartoon graveyard."
— Paul Simon
Albert Einstein,
18791955:
"It is quite clear to me that the religious paradise of youth, which was thus lost, was a first attempt to free myself from the chains of the 'merelypersonal,' from an existence which is dominated by wishes, hopes and primitive feelings. Out yonder there was this huge world, which exists independently of us human beings and which stands before us like a great, eternal riddle, at least partially accessible to our inspection and thinking. The contemplation of this world beckoned like a liberation…."
— Autobiographical Notes, 1949
Related material:
A commentary on Tom Wolfe's
"Sorry, but Your Soul Just Died"–
"The Neural Buddhists," by David Brooks,
in the May 13 New York Times:
"The mind seems to have
the ability to transcend itself
and merge with a larger
presence that feels more real."
A New Yorker commentary on
a new translation of the Psalms:
"Suddenly, in a world without
Heaven, Hell, the soul, and
eternal salvation or redemption,
the theological stakes seem
more local and temporal:
'So teach us to number our days.'"
and a May 13 Log24 commentary
on Thomas Wolfe's
"Only the Dead Know Brooklyn"–
"… all good things — trout as well as
eternal salvation — come by grace
and grace comes by art
and art does not come easy."
"Art isn't easy."
— Stephen Sondheim,
quoted in
Solomon's Cube.
For further religious remarks,
consult Indiana Jones and the
Kingdom of the Crystal Skull
and The Librarian:
Return to King Solomon's Mines.
Back to the Garden
Film star Richard Widmark
died on Monday, March 24.
From Log24 on that date:
"Hanging from the highest limb
of the apple tree are
the three God's Eyes…"
Related material:
The Beauty Test, 5/23/07–
H.S.M. Coxeter's classic
Introduction to Geometry (2nd ed.):
Note the resemblance of
the central part to
a magical counterpart–
the Ojo de Dios
of Mexico's Sierra Madre.
From a Richard Widmark film festival:
GARDEN OF EVIL
Henry Hathaway, 1954
"A severely underrated Scope western, shot in breathtaking mountain locations near Cuernavaca. Widmark, Gary Cooper and Cameron Mitchell are a trio of fortune hunters stranded in Mexico, when they are approached by Susan Hayward to rescue her husband (Hugh Marlowe) from a cavedin gold mine in Indian country. When they arrive at the 'Garden of Evil,' they must first battle with one another before they have to stave off their bloodthirsty Indian attackers. Widmark gives a tough, moving performance as Fiske, the one who sacrifices himself to save his friends. 'Every day it goes, and somebody goes with it,' he says as he watches the setting sun. 'Today it's me.' This was one of the best of Hollywood veteran Henry Hathaway's later films. With a brilliant score by Bernard Herrmann."
See also
the appletree
entries from Monday
(the date of Widmark's death)
and Tuesday, as well as
today's previous entry and
previous Log24
entries on Cuernavaca.
“The historical road
from the Platonic solids
to the finite simple groups
is well known.”
— Steven H. Cullinane,
November 2000,
Symmetry from Plato to
the FourColor Conjecture
“By far the most important structure in design theory is the Steiner system S(5, 8, 24).”
This Steiner system is closely connected to M_{24} and to the extended binary Golay code. Brouwer gives an elegant construction of that code (and therefore of M_{24}):
“Let N be the adjacency matrix of the icosahedron (points: 12 vertices, adjacent: joined by an edge). Then the rows of the 12×24 matrix
— Op. cit., p. 719
Finite Geometry of
the Square and Cube
and
Jewel in the Crown
“There is a pleasantly discursive
treatment of Pontius Pilate’s
unanswered question
‘What is truth?'”
— H. S. M. Coxeter, 1987,
introduction to Trudeau’s
“story theory” of truth
Those who prefer stories to truth
may consult the Log24 entries
of March 1, 2, 3, 4, and 5.
They may also consult
the poet Rubén Darío:
… Todo lo sé por el lucero puro
que brilla en la diadema de la Muerte.
Those who have followed the links here recently may appreciate a short story told by yesterday’s lottery numbers in Pennsylvania: midday 096, evening 513.
The “96” may be regarded as a reference to the age at death of geometer H.S.M. Coxeter (see yesterday morning’s links). The “513” may be regarded as a reference to the time of yesterday afternoon’s entry, 5:01, plus the twelve minutes discussed in that entry by presidential aide Richard Darman, who died yesterday.
These references may seem less fanciful in the light of other recent Log24 material: a verse quoted here on Jan. 18—
— and a link on Jan. 19 to the following:
“But what does it all mean?” asked Susan when they were somewhat calmer. “It means,” said Aslan, “that though the Witch knew the Deep Magic, there is a magic deeper still which she did not know. Her knowledge goes back only to the dawn of Time. But if she could have looked a little further back, into the stillness and the darkness before Time dawned, she would have read there a different incantation. She would have known that when a willing victim who had committed no treachery was killed in a traitor’s stead, the Table would crack and Death itself would start working backward.” 
Requiem for a Curator
"There is a pleasantly discursive treatment
of Pontius Pilate's unanswered question
'What is truth?'"
"I confess I do not believe in time.
I like to fold my magic carpet,
after use, in such a way
as to superimpose
one part of the pattern
upon another."
Figure by Coxeter
reminiscent of the
Ojo de Dios of
Mexico's Sierra Madre
In memory of
National Gallery
of Art curator
Philip Conisbee,
who died on
January 16:
"the God'seye of the author"
— Dorothy Sayers, 
"one complete and free eye, which can simultaneously see in all directions"
— Vladimir Nabokov, 
From Saturday's entry
(Log24, Dec. 22, 2007)
a link goes to–
The five entries of June 14, 2007.
From there, the link
"One Two Three Four,
Who Are We For?"
goes to–
Princeton: A Whirligig Tour
(Log24, June 5, 2007).
From there, the link
"Taking Christ to Studio 60"
goes to–
The five Log 24 entries
prior to midnight Sept. 18, 2006.
From there, the link
"Log24, January 18, 2004"
goes to–
A Living Church.
From there, the link
"click here"
goes to–
In the Bleak Midwinter
(Internet Movie Database)…
Tagline:
The drama. The passion. The intrigue… And the rehearsals haven't even started.
Plot Summary:
Out of work actor Joe volunteers to help try and save his sister's local church
for the community by putting on a Christmas production of Hamlet…
"… were it not that
I have bad dreams."
— Hamlet
Related material:
The New York Times online
obituaries of December 22,
Ike Turner's
"Bad Dreams" album
(see Log24, July 12, 2004),
"Devil Music," a composition
by H. S. M. Coxeter,
and
Those desiring more literary depth
may consult the G. K. Chesterton
play "Magic" for which Coxeter
wrote his "Devil Music" and
the Ingmar Bergman film
"The Magician" said to have
been inspired by Chesterton.
— Glenna Whitley, “Voodoo Justice,”
The New York Times, March 20, 1994
In Other Game News:
Related material:
and
The proportions of
the above rectangle
may suggest to some
a coffin; they are
meant to suggest
a monolith.
Blitz by anonymous
New Delhi user
From Wikipedia on 31 May, 2007:
Shown below is a list of 25 alterations to Wikipedia math articles made today by user 122.163.102.246.
All of the alterations involve removal of links placed by user Cullinane (myself).
The 122.163… IP address is from an internet service provider in New Delhi, India.
The New Delhi anonymous user was apparently inspired by an earlier blitz by Wikipedia administrator Charles Matthews. (See User talk: Cullinane.)
Related material:
Ashay Dharwadker and Usenet Postings
and Talk: Four color theorem/Archive 2.
See also some recent comments from 122.163…
at Talk: Four color theorem.
May 31, 2007, alterations by
user 122.163.102.246:
The deletions should please Charles Matthews and fans of Ashay Dharwadker’s work as a fourcolor theorem enthusiast and as editor of the Open Directory sections on combinatorics and on graph theory.
There seems little point in protesting the deletions while Wikipedia still allows any anonymous user to change their articles.
— Cullinane 23:28, 31 May 2007 (UTC)
— Attributed to Euclid
There are, however, various nonroyal roads. One of these is indicated by yesterday's Pennsylvania lottery numbers:
The midday number 515 may be taken as a reference to 5/15. (See the previous entry, "Angel in the Details," and 5/15.)
The evening number 062, in the context of Monday's entry "No Royal Roads" and yesterday's "Jewel in the Crown," may be regarded as naming a nonroyal road to geometry: either U. S. 62, a major route from Mexico to Canada (home of the late geometer H.S.M. Coxeter), or a road less traveled– namely, page 62 in Coxeter's classic Introduction to Geometry (2nd ed.):
This topic Coxeter offers as an
illustration of remarks by G. H. Hardy
that he quotes on the preceding page:
Another example of strong emergence: a group of 322,560 transformations acting naturally on the 4×4 square grid— a much larger group than the group of 8 symmetries of each component (square) part.
The lottery numbers above also supply an example of strong emergence– one that nicely illustrates how it can be, in the words of Mark Bedau, "uncomfortably like magic."
(Those more comfortable with magic may note the resemblance of the central part of Coxeter's illustration to a magical counterpart– the Ojo de Dios of Mexico's Sierra Madre.)
The Crown of Geometry
(according to Logothetti
in a 1980 article)
The crown jewels are the
Platonic solids, with the
icosahedron at the top.
Related material:
"[The applet] Syntheme illustrates ways of partitioning the 12 vertices of an icosahedron into 3 sets of 4, so that each set forms the corners of a rectangle in the Golden Ratio. Each such rectangle is known as a duad. The short sides of a duad are opposite edges of the icosahedron, and there are 30 edges, so there are 15 duads.
Each partition of the vertices into duads is known as a syntheme. There are 15 synthemes; 5 consist of duads that are mutually perpendicular, while the other 10 consist of duads that share a common line of intersection."
— Greg Egan, Syntheme
The above note shows
duads and synthemes related
to the diamond theorem.
See also John Baez's essay
"Some Thoughts on the Number 6."
That essay was written 15 years
ago today– which happens
to be the birthday of
Sir Laurence Olivier, who,
were he alive today, would
be 100 years old.
"Is it safe?"
A more recent royal reference:
"'Yau wants to be the king of geometry,' Michael Anderson, a geometer at Stony Brook, said. 'He believes that everything should issue from him, that he should have oversight. He doesn't like people encroaching on his territory.'" –Sylvia Nasar and David Gruber in The New Yorker, issue dated Aug. 28, 2006
Wikipedia, Cultural references to the Royal Road:
"Euclid is said to have replied to King Ptolemy's request for an easier way of learning mathematics that 'there is no royal road to geometry.' Charles S. Peirce, in his 'How to Make Our Ideas Clear' (1878), says 'There is no royal road to logic, and really valuable ideas can only be had at the price of close attention.'"
Day Without Logic
(March 8, 2007)
and
The Geometry of Logic
(March 10, 2007):
There may be
no royal roads to
geometry or logic,
but…
"There is such a thing
as a tesseract."
— Madeleine L'Engle,
A Wrinkle in Time
"I have another far more solid and central ground for submitting to it as a faith, instead of merely picking up hints from it as a scheme. And that is this: that the Christian Church in its practical relation to my soul is a living teacher, not a dead one. It not only certainly taught me yesterday, but will almost certainly teach me tomorrow. Once I saw suddenly the meaning of the shape of the cross; some day I may see suddenly the meaning of the shape of the mitre. One free morning I saw why windows were pointed; some fine morning I may see why priests were shaven. Plato has told you a truth; but Plato is dead. Shakespeare has startled you with an image; but Shakespeare will not startle you with any more. But imagine what it would be to live with such men still living, to know that Plato might break out with an original lecture tomorrow, or that at any moment Shakespeare might shatter everything with a single song. The man who lives in contact with what he believes to be a living Church is a man always expecting to meet Plato and Shakespeare tomorrow at breakfast. He is always expecting to see some truth that he has never seen before."
— G. K. Chesterton, Orthodoxy, Ch. IX
From Plato, Pegasus, and the Evening Star (11/11/99):
"Nonbeing must in some sense be, otherwise what is it that there is not? This tangled doctrine might be nicknamed Plato's beard; historically it has proved tough, frequently dulling the edge of Occam's razor…. I have dwelt at length on the inconvenience of putting up with it. It is time to think about taking steps." "The Consul could feel his glance at Hugh becoming a cold look of hatred. Keeping his eyes fixed gimletlike upon him he saw him as he had appeared that morning, smiling, the razor edge keen in sunlight. But now he was advancing as if to decapitate him." 
"O God, I could be
bounded in a nutshell
and count myself
a king of infinite space,
were it not that
I have bad dreams."
— Hamlet
From today's newspaper:
Notes:
For an illustration of
the phrase "solid and central,"
see the previous entry.
For further context, see the
five Log24 entries ending
on September 6, 2006.
For background on the word
"hollow," see the etymology of
"hole in the wall" as well as
"The GodShaped Hole" and
"Is Nothing Sacred?"
For further ado, see
Macbeth, V.v
("signifying nothing")
and The New Yorker,
issue dated tomorrow.
See Log24 four years ago
on this date:
Religious Symbolism
at Princeton.
Compare and contrast
with last month’s entries
related to a Princeton
Coxeter colloquium:
Thanks to Peter Woit’s weblog
for a link to the above illustration.
This picture of
“Coxeter Exhuming Geometry”
suggests the following comparison:
For the second tombstone,
see this morning’s entry,
Birth, Death, and Symmetry.
Further details on the geometry
underlying the second tombstone:
The above is from
Variable Resolution 4–k Meshes:
Concepts and Applications (pdf),
by Luiz Velho and Jonas Gomes.
See also Symmetry Framed
and The Garden of Cyrus.
“That corpse you planted last year in your garden, Has it begun to sprout? Will it bloom this year? Or has the sudden frost disturbed its bed?” — T. S. Eliot, “The Waste Land“ 
“There is a pleasantly discursive treatment
of Pontius Pilate’s unanswered question
‘What is truth?'”
— H. S. M. Coxeter, 1987, introduction to
Richard J. Trudeau’s remarks on
the “Story Theory” of truth
as opposed to
the “Diamond Theory” of truth
in The NonEuclidean Revolution
A Serious Position
“‘Teitelbaum,’ in German,
is ‘date palm.'”
— Generations, Jan. 2003
“In Hasidism, a mystical brand
of Orthodox Judaism, the grand rabbi
is revered as a kinglike link to God….”
— Today’s New York Times obituary
of Rabbi Moses Teitelbaum,
who died on April 24, 2006
(Easter Monday in the
Orthodox Church)
From Wikipedia, an unsigned story:
“In 1923 Alfred Teitelbaum and his brother Wacław changed their surnames to Tarski, a name they invented because it sounded very Polish, was simple to spell and pronounce, and was unused. (Years later, he met another Alfred Tarski in northern California.) The Tarski brothers also converted to Roman Catholicism, the national religion of the Poles. Alfred did so, even though he was an avowed atheist, because he was about to finish his Ph.D. and correctly anticipated that it would be difficult for a Jew to obtain a serious position in the new Polish university system.”
"Wherefore let it hardly… be… thought that the prisoner… was at his best a onestone parable…
for… pathetically few… cared… to doubt… the canonicity of his existence as a tesseract."
— Finnegans Wake, page 100, abridged
"… we have forgotten that we were angels and painted ourselves into a corner
of resource extraction and commodification of ourselves."
— A discussion, in a draft of a paper (rtf) attributed to Josh Schultz,
of the poem "Diamond" by Attila Jozsef
Commodification of
the name Cullinane:
See the logos at
cullinane.com,
a design firm with
the motto
To adapt a phrase from
Finnegans Wake, the
"fourstone parable" below
is an attempt to
decommodify my name.
Fourstone Parable:
(See also yesterday's "Logos."
The "communicate" logo is taken from
an online library at Calvin College;
the "connect" logo is a commonly
available picture of a tesseract
(Coxeter, Regular Polytopes, p. 123),
and the other two logos
are more or less original.)
For a more elegant
fourdiamond figure, see
Jung and the Imago Dei.
Adapted from
illustration below:
“There is a pleasantly discursive treatment of Pontius Pilate’s unanswered question ‘What is truth?'”
— H. S. M. Coxeter, 1987, introduction to Richard J. Trudeau’s remarks on the “Story Theory” of truth as opposed to the “Diamond Theory” of truth in The NonEuclidean Revolution
“A new epistemology is emerging to replace the Diamond Theory of truth. I will call it the ‘Story Theory’ of truth: There are no diamonds. People make up stories about what they experience. Stories that catch on are called ‘true.’ The Story Theory of truth is itself a story that is catching on. It is being told and retold, with increasing frequency, by thinkers of many stripes*….”
— Richard J. Trudeau in
The NonEuclidean Revolution
“‘Deniers’ of truth… insist that each of us is trapped in his own point of view; we make up stories about the world and, in an exercise of power, try to impose them on others.”
— Jim Holt in The New Yorker.
Exercise of Power:
Show that a white horse–
a figure not unlike the
symbol of the mathematics
publisher Springer–
is traced, within a naturally
arranged rectangular array of
polynomials, by the powers of x
modulo a polynomial
irreducible over a Galois field.
This horse, or chess knight–
“Springer,” in German–
plays a role in “Diamond Theory”
(a phrase used in finite geometry
in 1976, some years before its use
by Trudeau in the above book).
Related material
On this date:
In 1490, The White Knight
(Tirant lo Blanc )–
a major influence on Cervantes–
was published, and in 1910
the Mexican Revolution began.
Illustration:
Zapata by Diego Rivera,
Museum of Modern Art,
New York
“First published in the Catalan language in Valencia in 1490…. Reviewing the first modern Spanish translation in 1969 (Franco had ruthlessly suppressed the Catalan language and literature), Mario Vargas Llosa hailed the epic’s author as ‘the first of that lineage of Godsupplanters– Fielding, Balzac, Dickens, Flaubert, Tolstoy, Joyce, Faulkner– who try to create in their novels an allencompassing reality.'”
— H. S. M. Coxeter, introduction to
Richard J. Trudeau’s
The NonEuclidean Revolution
“People have always longed for truths about the world — not logical truths, for all their utility; or even probable truths, without which daily life would be impossible; but informative, certain truths, the only ‘truths’ strictly worthy of the name. Such truths I will call ‘diamonds’; they are highly desirable but hard to find….The happy metaphor is Morris Kline’s in Mathematics in Western Culture (Oxford, 1953), p. 430.”
— Richard J. Trudeau,
The NonEuclidean Revolution,
Birkhauser Boston,
1987, pages 114 and 117
“A new epistemology is emerging to replace the Diamond Theory of truth. I will call it the ‘Story Theory’ of truth: There are no diamonds. People make up stories about what they experience. Stories that catch on are called ‘true.’ The Story Theory of truth is itself a story that is catching on. It is being told and retold, with increasing frequency, by thinkers of many stripes…. My own viewpoint is the Story Theory…. I concluded long ago that each enterprise contains only stories (which the scientists call ‘models of reality’). I had started by hunting diamonds; I did find dazzlingly beautiful jewels, but always of human manufacture.”
— Richard J. Trudeau,
The NonEuclidean Revolution,
Birkhauser Boston,
1987, pages 256 and 259
An example of
the story theory of truth:
Actress Gwyneth Paltrow (“Proof”) was apparently born on either Sept. 27, 1972, or Sept. 28, 1972. Google searches yield “about 193” results for the 27th and “about 610” for the 28th.
Those who believe in the “story theory” of truth may therefore want to wish her a happy birthday today. Those who do not may prefer the contents of yesterday’s entry, from Paltrow’s other birthday.
Mathematics and Narrative
continued
"There is a pleasantly discursive treatment of Pontius Pilate's unanswered question 'What is truth?'"
— H. S. M. Coxeter, 1987, introduction to Richard J. Trudeau's remarks on the "Story Theory" of truth as opposed to the "Diamond Theory" of truth " in The NonEuclidean Revolution
"I had an epiphany: I thought 'Oh my God, this is it! People are talking about elliptic curves and of course they think they are talking mathematics. But are they really? Or are they talking about stories?'"
— An organizer of last month's "Mathematics and Narrative" conference
"A new epistemology is emerging to replace the Diamond Theory of truth. I will call it the 'Story Theory' of truth: There are no diamonds. People make up stories about what they experience. Stories that catch on are called 'true.' The Story Theory of truth is itself a story that is catching on. It is being told and retold, with increasing frequency, by thinkers of many stripes*…."
— Richard J. Trudeau in The NonEuclidean Revolution
"'Deniers' of truth… insist that each of us is trapped in his own point of view; we make up stories about the world and, in an exercise of power, try to impose them on others."
— Jim Holt in this week's New Yorker magazine. Click on the box below.
* Many stripes —
"What disciplines were represented at the meeting?"
"Apart from historians, you mean? Oh, many: writers, artists, philosophers, semioticians, cognitive psychologists – you name it."
— An organizer of last month's "Mathematics and Narrative" conference
Kaleidoscope, continued
From Clifford Geertz, The Cerebral Savage:
"Savage logic works like a kaleidoscope whose chips can fall into a variety of patterns while remaining unchanged in quantity, form, or color. The number of patterns producible in this way may be large if the chips are numerous and varied enough, but it is not infinite. The patterns consist in the disposition of the chips visavis one another (that is, they are a function of the relationships among the chips rather than their individual properties considered separately). And their range of possible transformations is strictly determined by the construction of the kaleidoscope, the inner law which governs its operation. And so it is too with savage thought. Both anecdotal and geometric, it builds coherent structures out of 'the odds and ends left over from psychological or historical process.'
These odds and ends, the chips of the kaleidoscope, are images drawn from myth, ritual, magic, and empirical lore…. as in a kaleidoscope, one always sees the chips distributed in some pattern, however illformed or irregular. But, as in a kaleidoscope, they are detachable from these structures and arrangeable into different ones of a similar sort…. LeviStrauss generalizes this permutational view of thinking to savage thought in general. It is all a matter of shuffling discrete (and concrete) images–totem animals, sacred colors, wind directions, sun deities, or whatever–so as to produce symbolic structures capable of formulating and communicating objective (which is not to say accurate) analyses of the social and physical worlds.
…. And the point is general. The relationship between a symbolic structure and its referent, the basis of its meaning, is fundamentally 'logical,' a coincidence of form– not affective, not historical, not functional. Savage thought is frozen reason and anthropology is, like music and mathematics, 'one of the few true vocations.'
Or like linguistics."
Edward Sapir on Linguistics, Mathematics, and Music:
"… linguistics has also that profoundly serene and satisfying quality which inheres in mathematics and in music and which may be described as the creation out of simple elements of a selfcontained universe of forms. Linguistics has neither the sweep nor the instrumental power of mathematics, nor has it the universal aesthetic appeal of music. But under its crabbed, technical, appearance there lies hidden the same classical spirit, the same freedom in restraint, which animates mathematics and music at their purest."
— Edward Sapir, "The Grammarian and his Language,"
American Mercury 1:149155,1924
From Robert de Marrais, Canonical Collageoscopes:
"…underwriting the form languages of ever more domains of mathematics is a set of deep patterns which not only offer access to a kind of ideality that Plato claimed to see the universe as created with in the Timaeus; more than this, the realm of Platonic forms is itself subsumed in this new set of design elements– and their most general instances are not the regular solids, but crystallographic reflection groups. You know, those things the nonprofessionals call . . . kaleidoscopes! * (In the next exciting episode, we'll see how Derrida claims mathematics is the key to freeing us from 'logocentrism' **— then ask him why, then, he jettisoned the deepest structures of mathematical patterning just to make his name…)
* H. S. M. Coxeter, Regular Polytopes (New York: Dover, 1973) is the great classic text by a great creative force in this beautiful area of geometry (A polytope is an ndimensional analog of a polygon or polyhedron. Chapter V of this book is entitled 'The Kaleidoscope'….)
** … contemporary with the Johns Hopkins hatchet job that won him American marketshare, Derrida was also being subjected to a series of probing interviews in Paris by the hometown crowd. He first gained academic notoriety in France for his booklength reading of Husserl's twodozenpage essay on 'The Origin of Geometry.' The interviews were collected under the rubric of Positions (Chicago: U. of Chicago Press, 1981…). On pp. 345 he says the following: 'the resistance to logicomathematical notation has always been the signature of logocentrism and phonologism in the event to which they have dominated metaphysics and the classical semiological and linguistic projects…. A grammatology that would break with this system of presuppositions, then, must in effect liberate the mathematization of language…. The effective progress of mathematical notation thus goes along with the deconstruction of metaphysics, with the profound renewal of mathematics itself, and the concept of science for which mathematics has always been the model.' Nice campaign speech, Jacques; but as we'll see, you reneged on your promise not just with the kaleidoscope (and we'll investigate, in depth, the many layers of contradiction and cluelessness you put on display in that disingenuous 'playing to the house'); no, we'll see how, at numerous other critical junctures, you instinctively took the wrong fork in the road whenever mathematical issues arose… henceforth, monsieur, as Joe Louis once said, 'You can run, but you just can't hide.'…."
To Be
A Jesuit cites Quine:
"To be is to be the value of a variable."
— Willard Van Orman Quine, cited by Joseph T. Clark, S. J., in Conventional Logic and Modern Logic: A Prelude to Transition, Woodstock, MD: Woodstock College Press, 1952, to which Quine contributed a preface.
Quine died in 2000 on Xmas Day.
From a July 26, 2003, entry,
The Transcendent Signified,
on an essay by mathematician
Michael Harris:
Kubrick's 
Harris's 
From a December 10, 2003, entry:
Putting Descartes Before Dehors
"Descartes déclare que c'est en moi, non hors de moi, en moi, non dans le monde, que je pourrais voir si quelque chose existe hors de moi."
For further details, see ART WARS.
The above material may be regarded as commemorating the March 31 birth of René Descartes and death of H. S. M. Coxeter.
For further details, see
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